It’s Episode 131 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week was so jam-packed that we had to cut the entire news segment, but don’t worry, we’ll get around to that in our next episode. Instead, we react to last week’s Oscar nominations with theories on everything from the race row, to the surprise Marion Cotillard inclusion, to the unexpected haul for “American Sniper”. We also review Clint Eastwood’s latest delight, as well as other nominated films, including musical drama “Whiplash,” and soul-searching adventure “Wild,” starring Cal’s favourite, Reese Witherspoon. We’re on board with a wine-quaffing Kevin Kline in Parisian jaunt “My Old Lady,” and Pete dishes all on Alicia Vikander’s received pronunciation in wartime romance “Testament of Youth,” which featured too much Oxford reverence for his liking. Elsewhere, Bradley Cooper’s fuller face is up for scrutiny, there’s an unexpected bit of advocacy from Jane Fonda, and Sienna Miller’s dark locks threaten to steal the gold in The Pootsition.
- American Sniper 10:40 – 22:24
- Whiplash 22:25 – 37:21
- My Old Lady 37:22 – 45:50
- Testament of Youth 45:51 – 54:40
- Wild 54:41 – 1:07:23
Closing Segment: Our reaction to the Oscar nominations, featuring discussion of the snubs, the race row, and the quality of the nominees as a whole!
[1:07:24 – 1:27:12]
The Isaac Range
Outro Music: Kristina Train, “Dark Black”
Episode 116: The Decoy Tots
It’s Episode 116 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
After last week’s super-long episode, we lament Cal’s laissez faire approach to editing, but this edition managed to sail under the ninety-minute mark fairly smoothly. The Red Light District is back, as we discuss films starring Nina Hoss and Richard Burton, a dishonest Dogme flick, plus Cal’s return to awards completion gets us analysing two Best Actress Oscar races, one of which features one of the biggest snubs of all time. New releases include baseball underdog drama “Million Dollar Arm,” of which the MVP was plain for both of us to see, and Woody Allen’s “Magic in the Moonlight,” which Pete unsurprisingly snubbed. There’s also Liam Neeson thriller “A Walk Among the Tombstones,” and Philip Noyce’s “The Giver,” which Pete managed to smear in innuendo and spend forever on divulging the plot of. Taylor Swift’s presence in the film forces both of us to admit some admiration for her lyrical hand, while her likeness to a famously jilted tennis player instigates discussion of a disastrous celebrity relationship. Elsewhere, there’s a postponed Joe Wright rant from last week, Pete’s parents’ holiday snaps struggle to emulate Michael Ballhaus, and the natural charm of one of this week’s actresses leads to a new qualification in the Olsen Factor.
The Week’s News
- Foreign Language submissions from France, Belgium, Canada, and Hong Kong
[2:25 – 8:20]
Opening Segment: This month’s Red Light District, featuring discussion of “Barbara,” “Elena,” “Mifune’s Last Song,” “Mourning Becomes Electra,” “Passion Fish,” “The Spy Who Came In From the Cold” and “Win/Win”
[8:25 – 23:15]
- Million Dollar Arm
- A Walk Among the Tombstones
- Magic in the Moonlight
- The Giver
[29:15 – 1:12:15]
Shag, Marry or Kill?
The Olsen Factor
The Isaac Range
It’s Episode 112 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week we’re returning late from a rather heavy Bank Holiday weekend, with reviews of two films featuring mega Hollywood actresses. Luc Besson’s “Lucy” is the latest film in a prolific spell for the delectable Scarlett Johansson, while Marion Cotillard returns to her world cinema roots in the Dardennes brothers’ “Two Days, One Night,” which sees us getting personal about our own ethics. Elsewhere, we discuss the career of Richard Attenborough, some encouraging news for Scandinavian cinema, and Pete reveals his decision-making behind the decoration for his new house, a quarter of which features work by perennial podcast favourite Wong Kar-Wai. The week’s digressions include a brief lament over Amy Adams’ patchy filmography, Faye Dunaway’s destructive diva period, and Andie MacDowell’s bizarre behaviour on Twitter. We talk about the popular Ice Bucket Challenge (which we’re both snubbing), the Naomi Christie accent controversy rumbles on, and the Joe Wright rant of the week features some far from encouraging words for the men of Belgium.
- The death of Richard Attenborough
- Susanne Bier’s “Serena” to hit UK cinemas in October
- Pete’s decoration of film stills
[1:35 – 23:40]
Red Light District: This month’s pimping session, featuring discussion of “Coherence,” “Philomena,” “Symptoms,” “Thirteen At Dinner,” and “What’s Up Doc?”
[24:50 – 34:10]
- Two Days, One Night
[39:30 – 1:12:35]
Shag, Marry or Kill?
The Olsen Factor
The Isaac Range
Episode 95: The Pullitzer Puzzle
It’s Episode 95 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week we welcome Irini M back to the podcast to help us discuss the much-anticipated lineup of this year’s Cannes Film Festival, featuring the upcoming works of David Cronenberg, Mike Leigh, and many more European auteurs, some of which fill us with dread. We’re reviewing the Miranda Otto-led lesbian drama “Reaching for the Moon,” British heist comedy “The Love Punch,” and Tom Hardy’s one-man show “Locke,” which divided the camp in its depiction of drama and geography. Cal’s review of psychological horror film “Magic Magic” gets hijacked by Pete’s rant about a certain Pullitzer Prize winner, while Irini had a bone to pick with him about his “failure to understand” the point of Xavier Dolan’s latest delight. There are predictably many digressions, concerning Mr. Potato Head’s liberal use of his lips, Tom Hardy’s neglect of his razor, and Faye Dunaway’s fear of apostrophes, as well as a shocking Hathaway Protocol. It’s a week of regrets, as Irini’s belief in her own festival foresight lost her a fair bit of cash, while Naomi Watts finally bit the bullet and admitted that “Diana” wasn’t all that. Who knew?
Opening Segment: Discussing the recently announced line-up for this year’s Cannes Film Festival, featuring anticipation of films by David Cronenberg, Xavier Dolan, Nuri Bilge Ceylan, and Andrey Zvyagintsev!
[3:50 – 26:55]
- Reaching for the Moon
- The Love Punch
- Magic Magic
[36:00 – 1:00:25]
Closing Segment: Our take on Steven Knight’s “Locke,” and random asides involving Steve McQueen and Faye Dunaway!
[1:00:30 – 1:17:05]
The Poupaud Range
Outro Music: Radiohead, “Jigsaw Falling Into Place”