Tag Archives: to the wonder

Episode 169: Givenchy in No Man’s Land [The Beguiled; Okja; Wonder Woman]

  

Episode 169: Givenchy in No Man’s Land
[1:23:49]
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It’s Episode 169 of In the Mood for Podcast!

This week we’re finally back with a jam-packed episode full of news and reviews! First on the agenda is Daniel Day-Lewis’ shock retirement announcement (which fails to convince) and Annette Bening ruling the roost in Venice, plus a record amount of invitations from AMPAS gets our seal of approval. There are reviews of Bong Joon-ho’s madcap fable “Okja” and Sofia Coppola’s period potboiler “The Beguiled,” while we venture into superhero territory with verdicts on Marvel’s latest spidey story “Spiderman: Homecoming” and DC’s critical and box-office hit “Wonder Woman”. Elsewhere, Gal Gadot’s pacing on the front line conjured up images of the catwalk for Cal, there’s a pitch for a Miranda July-led superhero movie, and 
Irini unforgivably mistakes Garrett Hedlund for a certain Amazonian explorer.

The week’s news: 

  • “The Square” wins the Palme d’Or
  • Daniel Day-Lewis retires from acting
  • Annette Bening to head this year’s Venice Film Festival jury
  • 774 people invited to AMPAS

[3:30 – 11:25]

Preconception Corner

Reviews of:

  • Wonder Woman                               17:45 – 26:55
  • Spider Man: Homecoming           26:56 – 32:29
  • Okja                                                       32:30 – 42:02
  • The Beguiled                                      42:03 – 54:18

Final Segment: 

  • Top Films, Performances and Moments of 2017 so far

[54:19 – 1:15:55]

Shag, Marry or Kill?

The Garrett Gauge

Intro Music: Lolawolf, “House Key”
Outro Music: Dua Lipa, “Be the One”

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Episode 127: Size Matters [Winter Sleep; The Hobbit 3; Get Santa]

17decfilms

Episode 127: Size Matters

[1:33:45]
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It’s Episode 127 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


It’s the week of the epics, as Peter Jackson finally ends his Middle Earth fascination (we hope, anyway) with the last instalment of The Hobbit, and Nuri Bilge Ceylan has made his longest film yet, with the solemn Palme d’Or winning “Winter Sleep.” We had an awful lot to say about Ceylan’s 196-minute effort, which leads to a discussion of films about actors and an all-out celebration of Ava Gardner, while we managed to get around to festive favourite “Get Santa” and Cal caught the middle-class melodrama “The Face Of Love.” Elsewhere, we discuss the impact of the Golden Globe and Screen Actors Guild nominations, whether Jennifer Aniston can get that Oscar nod, and the early announcements for the Berlin Film Festival brings encouraging news of new films by Terrence Malick, Andrew Haigh, and Kenneth Branagh. We reveal our tentative plans for the festive period, a Turkish delight creates a dilemma for Pete in the Olsen Factor, and a dodgy looking sci-fi effort looks to bring awards favourite Eddie Redmayne crashing back to Earth.

The Week’s News:
  • Berlin Film Festival reveals it will premiere Terrence Malick’s “Knight Of Cups”
  • Screen Actors Guild Award nominations
  • Golden Globe nominations

[4:10 – 23:35]


Preconception Corner

Reviews of:

  • Get Santa
  • The Hobbit: The Battle of the Five Armies
  • The Face Of Love

[29:50 – 1:00:25]

Closing Segment: Our take on Nuri Bilge Ceylan’s Palme d’Or winning  “Winter Sleep,” and discussing films about actors!

[1:00:30 – 1:21:20]

Shag, Marry or Kill?
The Olsen Factor
The Isaac Range

Outro Music: Nancy Sinatra, “These Boots Are Made For Walkin'”

Episode 97: Continental Drift [Tracks; A Thousand Times Good Night; Blue Ruin]



Episode 97: Continental Drift

[1:13:28]
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It’s Episode 97 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
Dubbed “Mr. D+” by Pete, Cal hopes for a better run of films this week, as our slate of continent-spanning sober dramas force us to tone things down a little. We review Erik Poppe’s “A Thousand Times Good Night,” starring the ever-exemplary Juliette Binoche, but is the moral-heavy family crisis at the film’s centre worthy of her abilities? It’s been eight months since Pete saw and liked John Curran’s “Tracks” at Venice, but does Cal feel the same way about the Aussie desert quest’s quality? Elsewhere, Pete caught up with Paddy Considine-led British thriller “Honour,” while Cal opted for American indie revenge pic “Blue Ruin,” plus a listener question leads to a slew of digressions about the Cannes Film Festival’s history of politics and prize-giving. Tune in to hear our thoughts on the biggest Oscar snub of the 1980s, which Terrence Malick film receives a radical re-evaluation from Pete, and why a foolish display of canine companionship gets Cal all self-righteous.


The Week’s News:

    • The death of Bob Hoskins
    • A sequel to “Spring Breakers” is announced
    • Cal’s been reading a Cannes-related book

Listener Question: “What are your thoughts on “Clean,” and specifically Maggie Cheung?” [Ibbi]
[7:55 – 13:10]

Opening Segment:
 The return of the Red Light District, featuring discussion of “Chaotic Ana,” “Into the Night,” “Safety Not Guaranteed,” “The Search for Bridey Murphy,” “To the Wonder,” and “Youth Without Youth”
[13:15 – 26:45]

Preconception Corner

Reviews of:
  • A Thousand Times Good Night
  • Blue Ruin
  • Honour
  • Tracks

[29:55 – 1:02:25]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: Faye Wong, “Dream Person”

Episode 87: The Myth of Socrates [Top Tens of 2013; Monuments Men; BAFTA winners]



Episode 87: The Myth of Socrates

[1:29:48]
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It’s Episode 87 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
This week’s episode sees the return of previous podcast guest Irini M, who helps us discuss George Clooney’s World War II caper “Monuments Men” and ponder some latest film news, featuring a death, a coming-out, and a Supporting Actress tragedy. And then we all reveal our top tens of 2013 (which takes a while), but it proves difficult for some to bite their tongues about each others’ picks. 
Listener questions instigate a Greek history lesson, but our guest remains coy throughout the interrogation, meanwhile we discuss one of Gregory Peck’s more bizarre performances, which films should have replaced “Before Sunset” and/or “Before Midnight” in the romantic trilogy, why one of Cal’s top ten was lucky to have seen the light of day, and which of Irini’s inclusions she had to apologise to Pete about. We have some audio issues in the early part of the podcast, but the last hour recorded well, and we end with Jennifer Lawrence’s karaoke favourite.


The Week’s News:

    • The death of Shirley Temple
    • Ellen Page comes out
    • BAFTA winners

[2:40 – 15:05]

Preconception Corner

Reviews of:
  • Monuments Men

[25:35 – 32:55]

Closing Segment: Our top tens of 2013, featuring discussion of “The Grandmaster,” “Her,” and much more, plus our favourite performances of the year!

[33:00 – 1:25:00]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: Wings, “Live and Let Die”

Episode 45: Greek Tragedies [Oblivion; Place Beyond the Pines; Promised Land]


EPISODE 45: Greek Tragedies
[1:24:32]
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[Our host’s server will be down for a couple of hours today and tomorrow, so if you can’t download or listen to the podcast, try again later!]

It’s Episode 45 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

This week sees a reprise of our infamous Divide & Conquer week, as we go it alone for six of the seven films showcased. Cal was forced to abandon Derek Cianfrance’s “The Place Beyond the Pines” due to illness, so Pete handles the Ryan Gosling vehicle himself, as well as dishing the dirt on Greek themed Brit film “Papadopoulos & Sons.” After Cal highlights the dated politics in Gus Van Sant’s “Promised Land,” he has to stem a tirade of abuse for Paul Dano with some kind words about the actor’s performance in “For Ellen,” while Pete represents for world cinema with takedowns of the Olivier Assayas-directed “Something in the Air” and Polish drama “Closed Circuit.” We finally unite for a discussion of Tom Cruise sci-fi flick “Oblivion,” in which Andrea Riseborough is besmirched, Melissa Leo’s southern drawl is mimicked, and The Huston Problem rears its ugly head. Why Olga? Why?!

Opening Segment:  Discussing what constitutes an “acclaimed” film, the issue with Rotten Tomatoes, and the importance of critics [2:25 – 14:05]

*Preconception Corner*

Reviews of: 

  • “The Place Beyond the Pines”
  • “Promised Land”
  • “Papadopoulos & Sons”
  • “For Ellen”
  • “Something in the Air”
  • “Closed Circuit”

[20:20 – 1:01:40]

Closing Segment: Our take on Joseph Kosinki’s “Oblivion,” starring Tom Cruise, and discussing age-gap relationships on film [1:01:45 – 1:17:05]

*Shag, Marry or Kill?*

*The Watson Factor*
*The Poupaud Range*

Outro Music: Whitesnake, “Still of the Night”

Episode 39: Shostakovich & Shockers [To the Wonder; Stoker; Broken City]


EPISODE 39: Shostakovich & Shockers
[1:22:37]
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It’s Episode 39 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

We might be a little off-form this week, as Pete is still ill and Cal is hungover, but we’ve got some juicy-looking films to ponder. We aim to be positive by bringing out our irregular Red Light District segment and pimping the best films we’ve seen in the past month, which include a Russian classic and a film about a woman who rents cats. We check out “Stoker,” the latest bloodthirsty offering from arthouse favourite Park Chan-Wook, and there’s blood on the hands of Richard Gere’s troubled billionaire too, in Nicholas Jarecki’s “Arbitrage”. While Pete opted for masculine thriller “Broken City” Cal sat down for Lasse Hallstrom’s adaptation of Nicholas Sparks novel “Safe Haven,” but we both saw part two of Terrence Malick’s prolific streak, the grand, romantic “To the Wonder.” Tune in to find out which one of us was reduced to tears by Malick’s film, and listen to our confessions of which films never fail to make us blub.

Introduction: The week’s news, and announcing Pete’s forfeit

Opening Segment:  This month’s Red Light District! Films pimped include: “Another Woman’s Life,” “The Company,” “The Cranes Are Flying,” “Rent-a-Cat,” “Us Two,” and “Vanya on 42nd Street” [5:45 – 17:55]

*Preconception Corner*

Reviews of: 

  • “Stoker”
  • “Arbitrage”
  • “Broken City”
  • “Safe Haven”

[22:45 – 49:25]

Closing Segment: Discussing Terrence Malick’s “To the Wonder” and our top three films which make us cry [49:50 – 1:13:45]

*Shag, Marry or Kill?*

*The Watson Factor*
*The Poupaud Range*

Intro Music: New theme music!
Outro Music: Naughty Boy feat. Emeli Sande, “Wonder”

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