Tag Archives: the untouchables
It’s Episode 122 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week we’re going retro again, as the Red Light District is back for its monthly outing, bringing news of an amibitious take on spirituality and a French poison-pen mystery, while a BAFTA-winning Maggie Smith performance and a glorious turn by Anne Bancroft turn the discussion to the year of 1987, in which we discuss the qualities of Holly Hunter, Olympia Dukakis, Jack Nicholson, and more! Current releases reviewed include the much-delayed “Charlie Countryman,” Polish surgery procedural “Bogowie,” and Dan Gilroy’s “Nightcrawler,” which had Seydoux repercussions for Jake Gyllenhaal. After that, attention is drawn to the painterly attributes of Mike Leigh’s “Mr. Turner,” but did either of us respond to the grunts and thrusts of Cannes Best Actor winner Timothy Spall? We engage in a brief hum-a-long of the film’s score, before taking the opportunity to discuss our favourite flicks based on the lives of artists, which includes talk of a Ken Russell biopic, a Tarkovsky epic, and a rare moment of non-objectification afforded to Emmanuelle Beart. There’s time to bitch about the running times of recent films in the wake of next week’s near three-hour “Interstellar,” while there are some rare kind words about Shia LaBoeuf, and an Adidas tracksuit unexpectedly provides a retrospective Huston Problem. Elsewhere, one of this week’s performers is unfavourably compared to Danny DeVito, the appeal of Mads Mikkelsen’s blondeness is swiftly dismissed by Cal, and the very thought of Lake Bell causes Pete to malfunction.
- British Independent Film Award nominations are announced
[2:25 – 9:20]
[9:25 – 25:05]
- Charlie Countryman
- Bogowie (Gods)
[29:55 – 53:00]
Closing Segment: Our take on Mike Leigh’s biographical drama “Mr. Turner,” and discussing films based on the lives of artists!
[53:05 – 1:10:45]
The Isaac Range
Outro Music: Kate Bush, “The Painter’s Link”
Aside from digressions about Meryl Streep’s huge haul of Oscar nominations, and a Joe Wright rant about Ron Howard’s Oscar win, this week’s half-century edition is reasonably tight. The effervescent presence of Baz Luhrmann dominates, as we take a retrospective look at his work before discussing his latest picture, “The Great Gatsby.” We tackle a listener question concerning films booed at Cannes, specifically referencing the work of Michelangelo Antonioni, Martin Scorsese, and David Lynch. We launch into a review of comedic thriller “The Liability,” while Pete flies solo for British drama “Flying Blind,” and then we settle down for a Russian double-bill of Sergei Loznitsa’s acclaimed “In the Fog” and Alexey Balabanov’s “The Stoker.” The latter of those leads to a mid-podcast revelation which instigates guilty backtracking, but at least its Spanish-style soundtrack provides a handy accompaniment to this week’s episode.
Listener Question: Our thoughts on the BAM’s Booed At Cannes selection, pondering the reasons why people boo films, and the implications of that [3:35 – 10:30]
Opening Segment: A retrospective on the work of Baz Luhrmann, featuring discussion of “Strictly Ballroom,” “Romeo & Juliet,” “Moulin Rouge!” and “Australia” [10:35 – 18:55]
- “The Liability”
- “Flying Blind”
- “The Stoker”
- “In the Fog”
[22:00 – 57:00]
Closing Segment: Our take on Baz Luhrmann’s adaptation of F. Scott Fitzgerald’s popular novel “The Great Gatsby,” and our favourite films set in the ‘roaring’ Twenties [57:05 – 1:16:45]
*Shag, Marry or Kill?*
*The Watson Factor*
*The Poupaud Range*
Outro Music: Wild Belle, “It’s Too Late”