Episode 153: The Dash for Viv [Song of the Sea; Dear White People; Housebound]
(Right click… save as)
It’s Episode 153 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week we’re going full-blown indie, with reviews of Irish animated adventure “Song of the Sea,” and New Zealand-set horror comedy “Housebound,” while the racial politics of college-set satire “Dear White People” leave us with conflicted thoughts. We get off to an overwhelmingly positive start, as July’s instalment of the Red Light District features a Colombian festival hit and a Hammer Horror classic, and leads to digressions about the Best Actress Oscar race of 1963 and the richness of 2013’s world cinema. Elsewhere, there’s a competition which could see you win DVDs of a Bresson classic and a recently restored Ealing Studios pic, plus Pete brings up an interesting anecdote involving Laurence Olivier and Vivien Leigh.
The week’s news:
- The death of Omar Sharif
- The week’s birthdays
[4:10 – 12:04]
Red Light District: Our regular feature in which we discuss non-new releases we’ve seen from the past month, featuring discussion of “The Curse of Frankenstein,” “Heartbreaker,” “Hue and Cry,” “A Man Escaped,” “Manos Sucias,” “A Most Wanted Man,” and “Out of the Clouds”!
[12:05 – 30:20]
Preconception Corner
Reviews of:
- Dear White People 32:50 – 46:09
- Housebound 46:10 – 51:59
- Song of the Sea 52:00 – 1:01:23
Shag, Marry or Kill?
The Pootsition
The Garrett Gauge
Outro Music: The Smiths, “Heaven Knows I’m Miserable Now”
Episode 114: The Paris Clanger [Before I Go To Sleep; Life of Crime; They Came Together]
(Right click… save as)
It’s Episode 114 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week’s episode is a tale of two halves, as Irini M. joins us once again, having spent the past week or so trawling across the lido of Venice. She brings us extensive coverage of the film festival, reviewing most of the competition line-up, and dishing her verdict on (among other things) why Alejandro Gonzalez Inarritu’s “Birdman” left Italy empty-handed, and why Kim Ki-Duk’s filmmaking style is getting rather insufferable. Eventually we get to reviewing new releases, with Nicole Kidman’s new amnesiac thriller “Before I Go To Sleep” leaving us with head-scratching thoughts on the film’s title, and even more perplexing notions about its logic. We’re also on board for the sequel to Nicholas McCarthy’s promising “The Pact,” worryingly left in the hands of new directors, while Cal reviews David Wain’s romantic comedy pastiche “We Came Together,” and we tackle Elmore Leonard adaptation “Life of Crime. Listen for our theories on why Kirsten Dunst won Best Actress at Cannes, which former feline-loving Oscar winner Al Pacino may be slyly mocking, which British singer forces Pete to recoil in horror, and what this week’s Christie clanger has to do with Paris Hilton’s wardrobe.
The Week’s News
Opening Segment: Discussing the prizes awarded at this year’s Venice Film Festival, plus guest Irini M. provides coverage of many other films which played at the festival, including “Birdman,” “3 Hearts,” “Manglehorn,” “Red Amnesia,” and “She’s Funny That Way”
[4:35 – 40:40]
Preconception Corner
- The Pact II
- Life of Crime
- They Came Together
- Before I Go To Sleep
[47:20 – 1:23:50]
Shag, Marry or Kill?
The Olsen Factor
The Isaac Range
In the Mood for Podcast 
