Tag Archives: taylor swift

Episode 163: The Spirit of Fellini [Spectre; Youth; The Last Witch Hunter]

  witch

Episode 163: The Spirit of Fellini
[1:24:02]
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It’s Episode 163 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


This week we return with a lively episode, featuring (sorry!) not a great deal of positivity, but we try and make the best of a bad situation regardless. There’s two helpings of Michael Caine, firstly in the supernatural Vin Diesel vehicle “The Last Witch Hunter,” and then in Paolo Sorrentino’s “Youth,” which had to ride some heavy preconceptions about its director’s historic use of music. Elsewhere, Cal reviews gambling affair “Missisippi Grind” and we turn our attention to “Spectre,” the latest film in a recent purple patch for the James Bond franchise. Other issues which emerge include Taylor Swift’s legal problems, the history of curses in the game of baseball, and laughable accents of Jude Law past. We assess the history of BIFA Best Actress winners, there’s speculation about Judi Dench’s fondness for Vin Diesel, and the writing’s on the wall for Sam Smith as we dig our claws into his latest assault on the eardrums.

The week’s news: 

  • Ricky Gervais to host the Golden Globes
  • British Independent Film Award nominations

[3:48 – 17:15]

Preconception Corner

Reviews of:

  • The Last Witch Hunter        25:37 – 35:08
  • Youth                                        35:09 – 46:50
  • Mississippi Grind                  46:51 – 54:08
  • Spectre                                    54:09 – 1:16:22


Shag, Marry or Kill?
The Pootsition
The Garrett Gauge

Outro Music: Neil Diamond, “Forever In Blue Jeans”

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Episode 160: The Back of Black [Everest; The D Train; Solace]

  everest



Episode 160: The Back of Black
[1:17:26]
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It’s Episode 160 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


This week there’s a ton of news, as we discuss the possibility of Damian Lewis as James Bond, the decision by Sean Penn to sue Lee Daniels, and the final submissions for the Foreign Language Oscar, which include a surprising move from the French committee, and a nationally-questionable entry from Ireland. The week’s reviews see us tackle the frosty climate and eclectic cast of Baltasar Kormakur’s “Everest,” Cal caught Anthony Hopkins’ clairvoyant antics in “Solace,” while an unforeseen plot device in Jack Black comedy “The D Train” saw us glimpse far more of him than we’d like. Elsewhere, Ryan Adams’ cover of Taylor Swift’s album has Pete enthused, and the week’s array of hunks pleases Cal greatly.

The week’s news: 

  • Sixty years without James Dean
  • Damian Lewis rumoured to be the next James Bond
  • Sean Penn sues Lee Daniels for $10m
  • Foreign Language Oscar deadline ends

[4:45 – 20:40]

Opening Segment: This month’s Red Light District, featuring discussion of “Daisy Kenyon,” “It Follows,” “The Secret Life of Walter Mitty,” “Singles,” “So I Married An Axe Murderer,” and “There’s Always Tomorrow”!

[20:45 – 30:10]

Preconception Corner

Reviews of:

  • The D Train               34:35 – 47:20
  • Solace                         47:21 – 54:04
  • Everest                      54:05 – 1:07:30


Shag, Marry or Kill?
The Pootsition
The Garrett Gauge

Outro Music: The Waterboys, “The Whole of the Moon”

Episode 154: The Story of Adele H [Ant-Man; True Story; Les Combattants]

  antman

Episode 154: The Story of Adele H
[1:22:20]
You can Listen online

It’s Episode 154 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


This week’s episode features a lengthy review segment, as we discuss Marvel’s latest superhero introduction, “Ant-Man,” starring a youthful looking Michael Douglas and a buff looking Paul Rudd, and Rupert Goold’s courtroom thriller “True Story,” which prompted objections from Cal concerning its casting. Our latest dip into world cinema saw Cal test out the Spanish period serial killer drama “Marshland,” which made at least a visual impression, while Pete saw the coming of age tale “Les Combattants,” the English translation of which is laughably off-the-mark. Elsewhere, an Oscar-nominated performance from the 90s gets a dressing down, the under-utilized Felicity Jones is the subject of our sympathy, and a French Lesbian director-actor romance is but a chapter in the story of Adele H. 

The week’s news: 

  • Ava DuVernay pulls out of directing Marvel’s Black Panther film
  • Sam Mendes to bow out of Bond with “Spectre”
  • Carol Burnett to be honoured at the Screen Actors Guild Awards
  • The week’s birthdays                                           

[3:10 – 14:00]

Preconception Corner

Reviews of:

  • True Story                                      21:14 – 34:18
  • Les Combattants                          34:19 – 45:55
  • Marshland                                      45:56 – 55:34
  • Ant-Man                                          55:35 – 1:09:15


Shag, Marry or Kill?
The Pootsition
The Garrett Gauge

Outro Music: Taylor Swift, “State of Grace”

Special Episode: Best of the Podcast, Year 3 Compilation


Special Episode: Best of the Podcast, Year 3
[57: 58]
You can Listen online

It’s a special episode of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


It’s been three long years and the podcast is still going, so sit back and listen to a compilation of our past year of putdowns, innuendo, and general banter. For those unfamiliar with the podcast, we do discuss films with intelligence and depth, and sometimes even like them, but none of that seemed as entertaining as Pete’s homoerotic plot rundown of “The Giver,” Cal’s unexpected remark about Jodie Foster, or our dissection of Roger Ebert’s anecdotal “Memoirs of a Geisha” review. Anyway, enjoy!

Episode 116: The Decoy Tots [The Giver; Magic in the Moonlight; A Walk Among the Tombstones]


Episode 116: The Decoy Tots

[1:26:57]
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or Download MP3
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It’s Episode 116 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


After last week’s super-long episode, we lament Cal’s laissez faire approach to editing, but this edition managed to sail under the ninety-minute mark fairly smoothly. The Red Light District is back, as we discuss films starring Nina Hoss and Richard Burton, a dishonest Dogme flick, plus Cal’s return to awards completion gets us analysing two Best Actress Oscar races, one of which features one of the biggest snubs of all time. New releases include baseball underdog drama “Million Dollar Arm,” of which the MVP was plain for both of us to see, and Woody Allen’s “Magic in the Moonlight,” which Pete unsurprisingly snubbed. There’s also Liam Neeson thriller “A Walk Among the Tombstones,” and Philip Noyce’s “The Giver,” which Pete managed to smear in innuendo and spend forever on divulging the plot of. Taylor Swift’s presence in the film forces both of us to admit some admiration for her lyrical hand, while her likeness to a famously jilted tennis player instigates discussion of a disastrous celebrity relationship. Elsewhere, there’s a postponed Joe Wright rant from last week, Pete’s parents’ holiday snaps struggle to emulate Michael Ballhaus, and the natural charm of one of this week’s actresses leads to a new qualification in the Olsen Factor.


The Week’s News
    • Foreign Language submissions from France, Belgium, Canada, and Hong Kong

[2:25 – 8:20]


Opening Segment: 
This month’s Red Light District, featuring discussion of “Barbara,” “Elena,” “Mifune’s Last Song,” “Mourning Becomes Electra,” “Passion Fish,” “The Spy Who Came In From the Cold” and “Win/Win”

[8:25 – 23:15]

Preconception Corner

Reviews of:
  • Million Dollar Arm
  • A Walk Among the Tombstones
  • Magic in the Moonlight
  • The Giver

[29:15 – 1:12:15]

Shag, Marry or Kill?
The Olsen Factor
The Isaac Range

Outro Music: Tori Amos, “Give”
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