Tag Archives: susan sarandon

Episode 119: The Joys of Denim [’71; The Rewrite; London Film Festival]


Episode 119: The Joys of Denim

[1:21:53]
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It’s Episode 119 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


To donate to Pete’s half-marathon run, on behalf of the Midlands Arts Centre, follow this link


We’re a little late this week, but we hope it’s worth the wait, as Cal has been to the London Film Festival, bringing news of films by Christian Petzold, Andrei Zvyagintsev, Francois Ozon, and a doozy of a performance by Reese Witherspoon. The week’s reviews consist of IRA thriller “’71,” starring everyone’s favourite young actor, Jack O’Connell, and scriptwriting comedy “The Rewrite,” which was somewhat overshadowed by Marisa Tomei’s jeans. Cal saw Susan Sarandon play Sheriff in religious serial killer drama “The Calling,” which just about escaped the dreaded “F” grade, while we also had time to discuss Stephen Frears’ BFI Fellowship, Lindsay Lohan’s theatre stint, and Michelle Pfeiffer’s history at the Oscars. Elsewhere, we argue about the main concerns of Billy Wilder’s “Sunset Boulevard,” pimp an underseen German exorcist drama, and chat about the eclectic cast of Judd Apatow’s upcoming film, the title of which greatly amuses Pete.

The Week’s News:
  • Stephen Frears receives a BFI Fellowship

[5:40 – 14:30]


Opening Segment: 
Coverage from the London Film Festival, featuring discussion of “Leviathan,” “The New Girlfriend,” “Phoenix,” and “Wild”

[14:35 – 26:45]

Preconception Corner

Reviews of:
  • ’71
  • The Calling
  • The Rewrite

[34:50 – 1:04:30]

Shag, Marry or Kill?
The Olsen Factor
The Isaac Range

Outro Music: Culture Beat, “Mr. Vain”
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Episode 106: Cute, Amusing, and Cringe [Tammy; Cycling with Moliere; Cold in July]



Episode 106: Cute, Amusing, and Cringe

[1:22:40]
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It’s Episode 106 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
This week we’re splitting the American releases down the middle, with Cal opting for raucous Melissa McCarthy comedy “Tammy,” and Pete settling down for moody thriller “Cold in July.” Cal’s fondness for musicals led him to colourful Aussie flick “Goddess,” featuring the vocal talents of none other than Ronan Keating, while France is represented in our review of “Cycling with Moliere,” which (spoiler!) has very little to do with actual cycling. Elsewhere, our crop of films in this month’s Red Light District features an unconventional biopic and a sports documentary, plus there’s an unexpected rant about “Out of Africa,” and an extremely short discussion of Kelly McGillis’ career. This week’s episode is a badly behaved one, as Pete uncorks the C word within the first half an hour (albeit in a quote), while other bouts of innuendo involve Vinessa Shaw and lucrative webcam placements, and some honest family nostalgia leads to rash likenesses between Melissa McCarthy and canines.

Opening Segment: This month’s Red Light District, in which we “pimp” films we’ve seen in the last month. This month’s crop includes “King & Country,” “Mahler,” “One Night in Turin,” and “They All Laughed”

[4:50 – 21:55]

Preconception Corner

Reviews of:
  • Tammy
  • Cold in July
  • Goddess

[30:15 – 58:10]

 

Closing Segment: Our take on Philippe Le Guay’s “Cycling with Moliere,” starring Fabrice Luchini and Lambert Wilson, and discussing cinematic bromances!

[58:15 – 1:13:15]

Shag, Marry or Kill?
The Olsen Factor
The Isaac Range

Outro Music: Banks, “Goddess”

Episode 94: Packing Meat [Muppets Most Wanted; Calvary; The Lunchbox]



Episode 94: Packing Meat

[1:25:12]
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or Download MP3
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It’s Episode 94 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
Those tired of our sports banter may rejoice this week as we forego our usual sporty opening, instead heading on a tangent about the horrific state of 1994’s Best Actress Oscar race, and yet another aside involving the Dardennes brothers. This week’s episode sees us largely catching up with smaller films, as we tackle family drama “The Fold,” science-fiction horror “Last Days on Mars,” and John Michael McDonagh’s Catholic whodunit “Calvary.” Cal dishes all on the culinary allure of Indian romance “The Lunchbox,” before we react to the slew of cameos in the new Muppet movie, “Muppets Most Wanted,” which sadly lacks the presence of Amy Adams this time around. Elsewhere, tune in to find out what Pete’s Annette Bening moment of the week was, whose bohemian attire caused this week’s Huston Problem, how Linford Christie’s manhood and the cast of “Magic Mike” could have spiced up one of this week’s films, and which leading males bear the brunt of our wrath when we discuss the Academy’s worst ever choices for Best Actor. “Cat Ballou” fans: stay away! 


The Week’s News:

    • Disfigured actor in “Under the Skin” is interviewed
    • Russian cinemas fined for showing “The Wolf of Wall Street”
    • French subtitling fund to be cut

[3:35 – 10:40]

Preconception Corner

Reviews of:
  • The Fold
  • The Lunchbox
  • Calvary
  • Last Days on Mars

[20:35 – 59:20]

Closing Segment: Our take on the latest Muppets movie, “Muppets Most Wanted,” and discussing memorable dual-role performances!

[59:25 – 1:14:40]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: K. Michelle, “Can’t Raise a Man”

Episode 52: Finding Our Voice [Byzantium; The Purge; Populaire]

EPISODE 52: Finding Our Voice
[1:24:35]
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Download MP3
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It’s Episode 52 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

You’ll need to forgive us this week, but we’re a little late to the party. Pete is a very weary traveller having just returned from Nice, but we’re on top form with our discussions of this week’s bevy of releases. We start off with a little news and discussion of our compilation episode, before Cal launches into a colourful review of “Byzantium,” and divulges the somewhat welcome left-wing politics in “The Purge.” “The Big Wedding” left us so bemused and bewildered that our review turns into a barnstorming takedown, and then we dish all on frothy comedy “Populaire,” which we’ve been anticipating for some time. Listen for digressions about “Vertigo,” Oscar’s Best Actor politics, and Pete’s semi-faux pas regarding Gemma Arterton, which barely made the final cut.

Opening Segment:  Discussing our compilation episode and the week’s film news [1:50 – 10:40]

*Preconception Corner*

Reviews of:

  • Byzantium
  • The Big Wedding
  • The Purge
  • Populaire

[17:40 – 1:01:05]

Closing Segment: This month’s Red Light District! We pimp “10 Years,” “Compulsion,” “The Guard,” “House of Pleasures,” and “Rashomon” [1:01:10 – 1:15:20]

*Shag, Marry or Kill?*

*The Watson Factor*
*The Poupaud Range*

Outro Music: New Order, “Ceremony”

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