It’s Episode 132 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week’s episode sees us catch up on last week’s excised news segment by discussing the line-up for the upcoming Berlin Film Festival, as well as the announcement that the Coen brothers will rule over this year’s Cannes jury. Elsewhere, we offer our thoughts on the shifting Oscar races in the wake of the PGA and SAG winners, before revealing our thoughts on the week’s releases which includes controversial nominated documentary “Citizenfour.” Cal was in the queue for Anna Karenina lovers Domnhall Gleeson and Alicia Vikander’s reunion in sci-fi flick “Ex Machina,” and he also had time to see Mark Wahlberg’s blackjack skills in Rupert Wyatt’s “The Gambler,” while we both settled down for the latest work from podcast favourites Oscar Isaac and Jessica Chastain, in eighties-set drama “A Most Violent Year.” Elsewhere, some random digressions test our film geek credentials, an underappreciated child performance gets us discussing the 2001 Best Actor Oscar roster, and the unexpected cosmetic virtues of a certain whistleblower tickles Cal’s fancy.
- Joel and Ethan Coen to preside over this year’s Cannes Film Festival jury
- The full line-up is revealed for this year’s Berlin Film Festival
- Birdman wins the PGA
- Screen Actors Guild award winners
[1:50 – 23:05]
- Ex Machina 27:55 – 36:19
- Citizenfour 36:20 – 46:16
- The Gambler 46:17 – 55:17
- A Most Violent Year 55:18 – 1:05:52
Shag, Marry or Kill?
The Garrett Gauge
It’s Episode 123 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week we’re joined once again by Irini M., who brings us news from her home country’s Thessaloniki Film Festival in a notably more concise fashion than September’s Venice round-up. She also joins in our discussion of some interesting recent events, which includes some rare exciting news involving David O. Russell, and the bizarre spectrum of films vying for this year’s Animated Feature Oscar. We discuss two Foreign Language Oscar contenders, as Paolo Virzi’s “Human Capital” enlivens the middle-class misery of bourgeois Italy and Andrey Zvyagintsev’s “Leviathan” documents the coastal conflicts of rural Russia, before giving ambition a dressing down, as Christopher Nolan’s epic “Interstellar” comes to town. We reveal whether the cinematic influences used in the film are a blessing or curse, and whether Nolan’s scope and logic holds up under scrutiny. Elsewhere, we recount a horror show from Venice which saw Pete become a gay advocate, a mistaken text briefly convinced Cal that his niece was a child genius, while Keira Knightley’s recent quest to boost female self-image has us rather baffled.
- Darren Aronofsky to head the jury at next year’s Berlin Film Festival
- David O. Russell’s long-delayed “Nailed” re-titled as “Love in Politics” and scheduled for release in the UK
- Animated Feature Oscar qualifying list is announced
- European Film Award nominations are announced
[3:05 – 20:55]
[21:00 – 34:45]
- Human Capital
[43:25 – 1:01:30]
Closing Segment: Our take on Christopher Nolan’s space-set epic “Interstellar,” and discussing cine-literate films, with comment on “Allegro,” “Kill Bill,” and “Once Upon a Time in the West”!
[1:01:35 – 1:28:40]
The Isaac Range
Outro Music: Adam and the Ants, “Prince Charming”