Tag Archives: steve coogan

Episode 73: Smooth Digressions [Philomena; Enough Said; Turbo]



Episode 73: Smooth Digressions
[1:28:46]
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It’s Episode 73 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
We’ve got plenty of material for you this week, as we bring you five films, a healthy news segment, and an epic Preconception Corner. Having already achieved the Sheppard seal of approval, Cal caught up with Stephen Frears’ “Philomena,” plus we tackle the Romanian Oscar hopeful “Child’s Pose,” and well-received animated film “Turbo.” As Awards Season hots up, we assess where the finalists for the Best Animated Feature Oscar all stand, and look at the nominees for France’s distinguished Louis Delluc prize.  There’s a mini faux-pas regarding James Gandolfini during this week’s review of “Enough Said,” while only one of us managed to sit through all of booze-filled comedy “Drinking Buddies.” Listen to hear which former Oscar nominee’s family member contacted Cal this week, which sitcom scarred Pete’s early cinema-going days, and how anticipation of cartoon snails somehow evolves into a rant about a certain British radio station. You couldn’t make it up.

The Week’s News:

  • Wes Anderson’s “The Grand Budapest Hotel” will open next year’s Berlin Film Festival
  • “Renoir” snubbed by the Louis Delluc Prize committee
  • Pete’s going to another film festival
  • Cal has a story about a former Oscar nominee

[2:30 – 15:40]

*Preconception Corner*


Reviews of:
  • Philomena*
  • Enough Said*
  • Child’s Pose
  • Drinking Buddies

[25:00 – 1:02:00]

*Listener questions are addressed at the end of each review

Closing Segment: Our take on Dreamworks’ “Turbo”  plus a discussion of the finalised list of entries for the Animated Feature Oscar, and an analysis of the race!  [1:02:15 – 1:20:25]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range


Outro Music: Santana feat. Rob Thomas, “Smooth”

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Episode 65: Preferential Pork [About Time; Blackfish; Any Day Now]



Episode 65: Preferential Pork
[1:29:33]
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It’s Episode 65 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

Festivals are on the brain this week, as we discuss the unexpected winners from Venice’s Bertolucci-headed jury, and what to expect from the London Film Festival in October. Cal saw a rare film outing for Alan Cumming, in gay adoption drama “Any Day Now,” and braced the bloody horror “No One Lives,” while Pete opted for killer whale documentary “Blackfish.” We have a review of the academic “Museum Hours,” and Richard Curtis’ “About Time,” which Cal only saw a quarter of, due to some terrible projection incompetence in Hammersmith, and the Red Light District returns with films from the 1940s and 1980s. All this, plus our usual digressions, in which we launch into tangents on the prospect of a Liv Ullman comeback, the benefits of “Certified Copy,” and why Charles Laughton’s ham is more tolerable than Philip Seymour Hoffman’s. 

The Week’s News, featuring discussion about this year’s honourary Oscars, Meryl Streep’s Oscar category reversal, Germany’s Foreign Language Oscar submission, and some “Blue is the Warmest Colour” controversy [3:00 – 12:20]

Opening Segment: Discussing the winners from this year’s Venice Film Festival, and the recently announced lineup for the London Film Festival! [12:25 – 22:10]

*Preconception Corner*

Reviews of:
  • Any Day Now
  • About Time
  • No One Lives
  • Blackfish
  • Museum Hours

[25:45 – 1:10:00]

Closing Segment: This month’s Red Light District, featuring discussion about “Barfly,” “Flying Lessons,” “The Suspect,” and “World War Z”  [1:10:05 – 1:18:40]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: Cat Power, “The Greatest”

Episode 64: The Return of Wowface [Venice Film Festival; Upstream Color; You’re Next]



Episode 64: The Return of Wowface
[1:29:24]
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It’s Episode 64 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

This week’s episode sees Pete return from the Venice Film Festival with reviews of Stephen Fears’ “Philomena” and Sion Sono’s “Why Don’t You Play In Hell,” among other work by Miguel Gomes, Kelly Reichardt, and John Curran. We also take time out to discuss reaction on the Lido to Alfonso Cuaron’s “Gravity.” This week’s films see the highly-anticipated release of abstract entanglement drama “Upstream Color,” claustrophobic horror “You’re Next,” and the return of Michael Bay with “Pain & Gain,” which had Cal somewhat worried. As usual we go off on a few tangents, as Pete pimps the beauty of 2004 in film, laments the absence of Nadine Labaki from one of the week’s offerings, and we ponder how Liv Ullman would have fared in “Miss Congeniality.” And then we reveal the exciting news that an underseen long-time podcast favourite may soon be coming to a website near you, but keep that one quiet, won’t you?
 

The Week’s News, featuring discussion about the death of Sir David Frost, and the casting of “Fifty Shades of Grey”!  [2:35 – 6:05]

*Preconception Corner*

Reviews of:
  • Upstream Color (warning: minor spoilers)
  • Pain & Gain
  • You’re Next

[9:10 – 33:45]

Closing Segment: Pete’s report from the Venice Film Festival, featuring reviews and commentary on “Why Don’t You Play In Hell?” “Tracks,” “Holding Breath,” “Redemption,” “We Are the Best!” “May in the Summer,” “Philomena,” “Night Moves,” and some brief thoughts about “Gravity”  [33:50 – 1:18:30]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: Placebo, “Taste In Men”

Episode 63: Puzzling Downfalls [Elysium; Lovelace; We’re the Millers]



Episode 63: Puzzling Downfalls
[1:29:11]
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It’s Episode 63 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

Peroni comes out to play in this week’s episode, as Pete prepares for his impending flight to Venice by cracking open a bottle or two and lays into some usual suspects, including Nicolas Winding Refn and Kate Hudson. Cal saw Jennifer Aniston bare all in “We’re the Millers” and Amanda Seyfried get it all out in “Lovelace,” and reveals a risqué podcast game to test Pete’s knowledge of steamy film scenes. We review Nell Blonkamp’s sci-fi spectacle “Elysium,” which features some remarkable performances, and welcome Julianne Moore’s return to the podcast in “What Maisie Knew.” All that, plus an epic news segment, some banter about Glenn vs. Sigourney in 1988, and discussing how nobody can quite remember what Ruby Dee’s two lines were in “American Gangster.”

The Week’s News, featuring discussion of Miley Cyrus’ performance at the VMAs, the casting of Ben Affleck as Batman, and the death of Julie Harris, among other things!  [1:55 – 15:10]

 

*Preconception Corner*

Reviews of:
  • Lovelace (plus a game!)
  • What Maisie Knew
  • We’re the Millers

[21:40 – 1:03:00]

Closing Segment: Our take on Nell Blonkamp’s “Elysium,” starring Matt Damon, and summarising this past Summer in film!  [1:03:05 – 1:19:50]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: Alice Russell, “Drinking Song Interlude”

Episode 41: Beyond the Surface [Burt Wonderstone; The Paperboy; Welcome to the Punch]


EPISODE 41: Beyond the Surface
[1:20:23]
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Download MP3
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It’s Episode 41 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

The highlight of a quiet week at the cinema is Lee Daniels’ “The Paperboy,” but will he finally impress us “Precious” skeptics with his Florida-set thriller? We discuss the controversy of that jellyfish scene, as well as other films that kicked up a fuss, for one reason or another.  The rest of the releases include showbiz comedy “The Incredible Burt Wonderstone” and British thriller “Welcome to the Punch.” We’re looking ahead to the next few episodes by dishing our thoughts on trailers for films out in the next month or so, including Seth Gordon’s “Identity Thief,” which one of us has already vetoed. Cal promotes a re-release of Joseph Losey’s “The Servant,” while his unflattering review of “Beyond the Hills” is hijacked by Pete’s desire to turn it into a Catholic-style remake of “Wreck-It Ralph.” Just another week, then…

Opening Segment:  A trailer round-up, featuring upcoming releases “Trance,” “Spring Breakers,” “The Host,” “Identity Thief,” “Jack the Giant Slayer,” “Dark Skies,” and “Look of Love” [4:55 – 19:55]

*Preconception Corner*

Reviews of: 

  • “The Incredible Burt Wonderstone”
  • “Welcome to the Punch”
  • “Beyond the Hills”
  • “The Servant” (50th anniversary re-release)

[24:30 – 53:45]

Closing Segment: Our take on Lee Daniels’ controversial “The Paperboy,” and discussing past controversies in cinema [53:50 – 1:10:35]

*Shag, Marry or Kill?*

*The Watson Factor*
*The Poupaud Range*

Outro Music: Heart, “Crazy On You”

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