Tag Archives: simon pegg

Episode 148: The No in Pacino [San Andreas; Man Up; Danny Collins]


Episode 148: The No in Pacino
[1:25:34]
You can Listen online

It’s Episode 148 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


This week begins with a lengthy opening, featuring discussion of Sofia Coppola’s travails with the studio system, a long overdue film on the Suffragette movement, and a retrospective of Al Pacino in the wake of the release of “Danny Collins.” There are also reviews of disaster action movie “San Andreas,” Iranian vampire flick “A Girl Walks Home Alone At Night,” and romantic comedy “Man Up,” which propelled us into a digression concerning the politics of internet dating. Elsewhere, Cal is forced into a Neil Diamond-style rendition, a certain Antipodean singer narrowly avoids a dreaded Ehle Omission, while Pete disses the vocal talents of a British redhead, much to Cal’s chagrin.

The week’s news: Some Birthday wishes, plus news on Sofia Coppola’s exit from “The Little Mermaid,” the opener of this year’s London Film Festival, and a chat about Al Pacino!

[4:40 – 23:43]

Preconception Corner

Reviews of:

  • Danny Collins                                                       33:15 – 44:29
  • Man Up                                                                  44:30 – 55:14
  • A Girl Walks Home Alone At Night               55:15 – 1:02:15
  • San Andreas                                                        1:02:16 – 1:15:07


Shag, Marry or Kill?
The Pootsition
The Garrett Gauge

Outro Music: The Connells, “74-75”

Episode 147:The Birdseye Debacle [Tomorrowland; Poltergeist; Return to Sender]


Episode 147: The Birdseye Debacle
[1:18:38]
You can Listen online

It’s Episode 147 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


This much-delayed episode sees us discuss last week’s big releases at the cinema, including Brad Bird’s adventure tale “Tomorrowland,” and horror remake “Poltergeist.” We also had time to chat about Rosamund Pike’s latest twisted thriller, “Return to Sender,” and Cal reveals all about Samuel L. Jackson’s “Big Game,” which had a rather ludicrous plot setup to live up to. Simon Pegg’s recent outspoken antics may have upset comic-book geeks far and wide, but his thoughts on modern blockbusters instigate a lengthy chat about the future of the industry, while the prizes from the Cannes Film Festival dredge up longstanding observations about the festival’s politics. We may only be in June, but tune in to find out which leading performance Cal has already declared the worst of the year, which fishy figurehead Nick Nolte reminded Pete of, and which lesser-known actress emerged as the star of her film.

The week’s news: Discussing some interesting birthdays in the world of film, Simon Pegg’s assault on modern studio filmmaking, and the prizes from the Cannes Film Festival!

[3:10 – 22:00]

Preconception Corner

Reviews of:

  • Poltergeist                                                   29:28 – 38:21
  • Return to Sender                                       38:22 – 50:07
  • Big Game                                                      50:08 – 56:39
  • Tomorrowland                                           56:40 – 1:08:12


Shag, Marry or Kill?
The Pootsition
The Garrett Gauge

Outro Music: Eurovision Mini-Mix (Slovenia, “Here for You”; Latvia, “Love Injected”; Greece, “One Last Breath”)

Episode 112: Plenty of Fish [Lucy; Two Days, One Night]


Episode 112: Plenty of Fish

[1:23:59]
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or Download MP3
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It’s Episode 112 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

This week we’re returning late from a rather heavy Bank Holiday weekend, with reviews of two films featuring mega Hollywood actresses. Luc Besson’s “Lucy” is the latest film in a prolific spell for the delectable Scarlett Johansson, while Marion Cotillard returns to her world cinema roots in the Dardennes brothers’ “Two Days, One Night,” which sees us getting personal about our own ethics. Elsewhere, we discuss the career of Richard Attenborough, some encouraging news for Scandinavian cinema, and Pete reveals his decision-making behind the decoration for his new house, a quarter of which features work by perennial podcast favourite Wong Kar-Wai. The week’s digressions include a brief lament over Amy Adams’ patchy filmography, Faye Dunaway’s destructive diva period, and Andie MacDowell’s bizarre behaviour on Twitter. We talk about the popular Ice Bucket Challenge (which we’re both snubbing), the Naomi Christie accent controversy rumbles on, and the Joe Wright rant of the week features some far from encouraging words for the men of Belgium.

The Week’s News:
  • The death of Richard Attenborough
  • Susanne Bier’s “Serena” to hit UK cinemas in October
  • Pete’s decoration of film stills

[1:35 – 23:40]


Red Light District: This month’s pimping session, featuring discussion of “Coherence,” “Philomena,” “Symptoms,” “Thirteen At Dinner,” and “What’s Up Doc?”

[24:50 – 34:10]

Reviews of:
  • Lucy
  • Two Days, One Night

[39:30 – 1:12:35]

Shag, Marry or Kill?
The Olsen Factor
The Isaac Range

Outro Music: Gossip, “Get a Job”

Episode 111: The Moribund Monologues [The Congress; Finding Vivian Maier; Blood Ties]


Episode 111: The Moribund Monologues

[1:29:37]
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or Download MP3
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It’s Episode 111 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.



This week we pay tribute to two legends of the screen, as we discuss our favourite career highlights of Robin Williams and Lauren Bacall. The week’s releases offered few options, but we both managed to catch photographic documentary “Finding Vivian Maier” and Ari Folman’s live action/animation hybrid “The Congress,” which led us to some mighty preconceptions about Robin Wright. Pete saw the latest Simon Pegg comedy “Hector and the Search for Happiness” but only managed to come out of it with appreciation for one woman, while a surprise masculine presence in Guillaume Canet’s “Blood Ties” had Cal rather satisfied. Digressions are aplenty this week, as we take time out from the films to discuss the downfall of Gary Busey, lament Miley Cyrus’s break from acting, and list the problems that arise when normal moviegoers see foreign films. Elsewhere, an unexpected Gorillaz sing-off makes the final edit, recent dread for Daniel Radcliffe’s new film sees it excised from this month’s schedule, while a factual clanger from last week’s episode forces Cal into an apology, much to the amusement of Pete.

The Week’s News:
  • David Ayer’s “Fury” to close London Film Festival
  • The death of Robin Williams
  • The death of Lauren Bacall

[4:45 – 21:00]

Reviews of:
  • Finding Vivian Maier
  • Hector and the Search for Happiness
  • Blood Ties

[32:00 – 1:02:55]

Closing Segment: Discussing Ari Folman’s “The Congress,” the career path of Robin Wright, and revealing our favourite films that are bat-shit crazy!

[1:03:00 – 1:19:30]

Shag, Marry or Kill?
The Olsen Factor
The Isaac Range

Outro Music: A-Ha, “Take On Me”

Episode 58: Less Quality Fringe [The World’s End; Breathe In; Stories We Tell]


Episode 58: Less Quality Fringe
[1:18:30]
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or Download MP3
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It’s Episode 58 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog. The Gods of podcasting deride us from above as several interruptions (including a mouse!) curtailed last week’s documentary-heavy episode. We provide a quick round-up of last week’s offerings including Alex Gibney’s topical Wikileaks feature, “We Steal Secrets,” grim Indonesian piece, “The Act of Killing,” and Sarah Polley’s third theatrical venture, “Stories We Tell.” Pixar is mercifully spared as Pete summarises “Monsters University” in less than a minute, and Cal has some observations about “The Deep.” Moving onto this week, we tackle the pub crawl politics in Edgar Wright’s “The World’s End,” while Pete goes it alone for Austrian film “The Wall,” and Cal dishes the dirt on crime thriller “Eden” and Drake Doremus’s “Breathe In.” Listen as Cal apologises for last week’s technical debacle, and we go on tangents involving Samsara, the Best Actress Oscar race of 1989, Felicity Jones’s eternal youth, and some personal drinking anecdotes.
Opening Segment: The week’s news (including a big festival announcement!) and a round-up of last week’s reviews, featuring comment on “Monsters University,” “The Deep,” “The Act of Killing,” “We Steal Secrets: The Story of Wikileaks,” and “Stories We Tell”  [2:30 – 16:10]
*Preconception Corner*
Reviews of:
  • Breathe In
  • The Wall
  • Eden

[22:00 – 53:00]

Closing Segment: Our take on Edgar Wright’s “The World’s End,” the final film of his jokingly self-titled Cornetto Trilogy, and discussing great final films in trilogies!  [53:05 – 1:08:10]

*Shag, Marry or Kill?*
*The Watson Factor*
*The Poupaud Range*

Outro Music: The Doors, “Whisky Bar”

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