Tag Archives: sergei loznitsa

Episode 168: The Garrel Grievance [Cannes Film Festival Line-Up]

Episode 168: The Garrel Grievance
[1:05:33]
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News from the Croisette lures Irini and Cal back to the microphone, as we discuss yesterday’s announcement of the 70th Cannes Film Festival lineup, featuring (among others) new films from Andrey Zvyagintsev, Lynne Ramsay, Todd Haynes, and podcast favourite Sofia Coppola. We’re also catching up with news we haven’t discussed since the last episode, chief of which is *that* infamous Oscar mix-up, plus we touch upon the surprise smash hit “Get Out” and dig into some seriously juicy female-led TV shows. Elsewhere, Irini shamelessly flaunts some national pride when we discuss one of the festival’s entries, we vehemently disagree on the virtues of the Safdie brothers, and Cal tests Irini’s patience by taking a pop at Xavier Dolan and all but killing off Michael Haneke.

News Catch Up:

  • Oscars catastrophe
  • Oscar rule changes
  • Get Out
  • Big Little Lies / Feud

[1:51 – 11:53]

Listener Question [ibbi]

Cannes Film Festival:

  • Discussing the line-up for this year’s Cannes Film Festival in May!

[16:20 – 56:25]

Intro Music: Alma, “Requiem”
Outro Music: Loreen, “Statements”

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Episode 50: Disparaging the Dead [The Great Gatsby; The Liability; In the Fog]

EPISODE 50: Disparaging the Dead
[1:25:00]
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It’s Episode 50 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

Aside from digressions about Meryl Streep’s huge haul of Oscar nominations, and a Joe Wright rant about Ron Howard’s Oscar win, this week’s half-century edition is reasonably tight. The effervescent presence of Baz Luhrmann dominates, as we take a retrospective look at his work before discussing his latest picture, “The Great Gatsby.” We tackle a listener question concerning films booed at Cannes, specifically referencing the work of Michelangelo Antonioni, Martin Scorsese, and David Lynch. We launch into a review of comedic thriller “The Liability,” while Pete flies solo for British drama “Flying Blind,” and then we settle down for a Russian double-bill of Sergei Loznitsa’s acclaimed “In the Fog” and Alexey Balabanov’s “The Stoker.” The latter of those leads to a mid-podcast revelation which instigates guilty backtracking, but at least its Spanish-style soundtrack provides a handy accompaniment to this week’s episode.

Listener Question: Our thoughts on the BAM’s Booed At Cannes selection, pondering the reasons why people boo films, and the implications of that [3:35 – 10:30]

Opening Segment:  A retrospective on the work of Baz Luhrmann, featuring discussion of “Strictly Ballroom,” “Romeo & Juliet,” “Moulin Rouge!” and “Australia” [10:35 – 18:55]

*Preconception Corner*

Reviews of:

  • “The Liability”
  • “Flying Blind”
  • “The Stoker”
  • “In the Fog”

[22:00 – 57:00]

Closing Segment: Our take on Baz Luhrmann’s adaptation of F. Scott Fitzgerald’s popular novel “The Great Gatsby,” and our favourite films set in the ‘roaring’ Twenties [57:05 – 1:16:45]

*Shag, Marry or Kill?*

*The Watson Factor*
*The Poupaud Range*

Outro Music: Wild Belle, “It’s Too Late”

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