Tag Archives: sarah polley

Episode 161: The Chinese Intervention [The Martian; Macbeth; The Intern]


Episode 161: The Chinese Intervention
[1:15:39]
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It’s Episode 161 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


A big congratulations to Pete, as this week he proposed to his other half Jane, prompting the women of the West Midlands to cross him out in their little black books, and the podcast to indulge in a Taylor Swift-inspired celebration. The week’s reviews include “The Intern,” Nancy Meyers’ latest frothy window into the life of a working woman, and “McFarland,” the latest of many sports movies in the lengthy filmography of Kevin Costner. Cal dares to take on William Shakespeare’s story structure in his review of the latest adaptation of “Macbeth,” while many of the plot developments in “The Martian” are up for scrutiny, particularly with regard to the Chinese. Elsewhere, two composers’ birthdays get us discussing their finest works, there’s a sizeable digression about the Best Actress crop of 2003, and Pete can’t help but veer into profanity while ranting about one of the week’s scripts.

The week’s news: The career of the late John Guillermin, plus the week’s birthdays!

[5:40 -13:40]

Preconception Corner

Reviews of:

  • Macbeth                          19:55 – 32:25
  • McFarland                      32:26 – 43:19
  • The Intern                      43:20 – 50:54
  • The Martian                  50:55 – 1:05:40


Shag, Marry or Kill?
The Pootsition
The Garrett Gauge

Outro Music: Britney Spears, “Oops, I Did it Again”

Episode 70: Home Truths [The Fifth Estate; Baggage Claim; Le Weekend]



Episode 70: Home Truths
[1:35:54]
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It’s Episode 70 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
This week’s epic episode is our longest yet, as we give our take on two films with radically different approaches to marriage. We found romantic comedy “Baggage Claim” a tad bonkers, but certain members of its Paula Patton-led cast won us over, while we reveal whether Roger Michell’s “Le Weekend” can shrug off its terrible title and avoid becoming another chronicle of an elderly gentleman’s libido. We have reviews of Wikileaks drama “The Fifth Estate” and Kim Ki-Duk’s twisted thriller “Pieta,” before embarking on a lengthy discussion of Oscar highs and lows from years gone by. We take your suggestions, address a listener question regarding this year’s Best Actress race, and tease next week’s report from the London Film Festival. Tune in to find out which film prompted Pete to start juggling marshmallows, which critical faux-pas caused Cal to become appalled, which famous British actress played the flute in Pete’s school orchestra, and how Willem Dafoe’s character poster for “Nymphomaniac” may have us crying out for “Body of Evidence,” despite what Julianne Moore might think.

The Week’s News:

  • The Death of Mark ‘Chopper’ Read
  • Character posters are released for “Nymphomaniac”
  • The first Oscar screeners are sent out (“Mud”; “Stories We Tell”; “The Croods)
  • Tina Fey and Amy Poehler will return to host the Golden Globes
  • Golden Globe category placements: “Blue Jasmine” goes drama, while “Before Midnight” goes comedy

[1:40 – 14:30]

Listener Question: “Is there ANY WAY Cate Blanchett won’t win the Oscar for “Blue Jasmine”? [Eoin]
[14:40 – 18:55]

*Preconception Corner*

Reviews of:
  • The Fifth Estate
  • Pieta
  • Baggage Claim
  • Le Week-End

[27:05 – 1:09:30]

Closing Segment: Revealing our most loved and loathed Oscar lineups from years gone by, and discussing listener suggestions! With comment on 1937’s Best Actress Lineup and 1955’s list of supporting actresses, plus much more! [1:09:35 – 1:27:55]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range


Outro Music: Javiera Mena, “Luz de Piedra de Luna”

Episode 62: Nights to Forget [Bachelorette; 2 Guns; Chennai Express]



Episode 62: Nights to Forget
[1:19:22]
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It’s Episode 62 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

This week’s episode features two epic tales of unfortunate evenings, as Pete takes the role of storyteller for a missed flight debacle and a drunken car-key faux pas. We give our verdict on a night from hell for the characters in wedding comedy “Bachelorette,” and dig into the viability of the politics in Scandinavian prostitution procedural “Call Girl.” Cal went to bat for the rampant action comedy “2 Guns,” and Iain Softley’s welcome return to directing, “Trap for Cinderella,” while Pete (surprise, surprise) was this week’s Bollywood correspondent by opting for Indian smash hit “Chennai Express.” Illness brings out Cal’s Kathleen Turner voice for a podcast reprise, while we lambast the academy for their 1997 shortcomings and look ahead to Julianne Moore’s ‘In the Mood’ debut next week.

The Week’s News, featuring discussion of Harrison Ford’s latest box-office bomb, and the prospect of a possible Ben-Hur remake, plus Pete’s epic story about losing his car keys [0:55 – 6:25]

Opening Segment: The final part of our 2009 Venice retrospective, featuring discussion about “Women Without Men,” “Crush,” “One-Zero,” and “Mr. Nobody”  [6:30 – 21:15]

*Preconception Corner*

Reviews of:
  • 2 Guns
  • Call Girl
  • Chennai Express
  • Trap For Cinderella

[26:05 – 54:35]

Closing Segment: Our take on R-rated wedding comedy “Bachelorette” and discussing other movies to document madcap nuptials!  [54:40 – 1:06:25]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: AlunaGeorge, “Bad Idea”

Episode 58: Less Quality Fringe [The World’s End; Breathe In; Stories We Tell]


Episode 58: Less Quality Fringe
[1:18:30]
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It’s Episode 58 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog. The Gods of podcasting deride us from above as several interruptions (including a mouse!) curtailed last week’s documentary-heavy episode. We provide a quick round-up of last week’s offerings including Alex Gibney’s topical Wikileaks feature, “We Steal Secrets,” grim Indonesian piece, “The Act of Killing,” and Sarah Polley’s third theatrical venture, “Stories We Tell.” Pixar is mercifully spared as Pete summarises “Monsters University” in less than a minute, and Cal has some observations about “The Deep.” Moving onto this week, we tackle the pub crawl politics in Edgar Wright’s “The World’s End,” while Pete goes it alone for Austrian film “The Wall,” and Cal dishes the dirt on crime thriller “Eden” and Drake Doremus’s “Breathe In.” Listen as Cal apologises for last week’s technical debacle, and we go on tangents involving Samsara, the Best Actress Oscar race of 1989, Felicity Jones’s eternal youth, and some personal drinking anecdotes.
Opening Segment: The week’s news (including a big festival announcement!) and a round-up of last week’s reviews, featuring comment on “Monsters University,” “The Deep,” “The Act of Killing,” “We Steal Secrets: The Story of Wikileaks,” and “Stories We Tell”  [2:30 – 16:10]
*Preconception Corner*
Reviews of:
  • Breathe In
  • The Wall
  • Eden

[22:00 – 53:00]

Closing Segment: Our take on Edgar Wright’s “The World’s End,” the final film of his jokingly self-titled Cornetto Trilogy, and discussing great final films in trilogies!  [53:05 – 1:08:10]

*Shag, Marry or Kill?*
*The Watson Factor*
*The Poupaud Range*

Outro Music: The Doors, “Whisky Bar”

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