It’s Episode 147 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This much-delayed episode sees us discuss last week’s big releases at the cinema, including Brad Bird’s adventure tale “Tomorrowland,” and horror remake “Poltergeist.” We also had time to chat about Rosamund Pike’s latest twisted thriller, “Return to Sender,” and Cal reveals all about Samuel L. Jackson’s “Big Game,” which had a rather ludicrous plot setup to live up to. Simon Pegg’s recent outspoken antics may have upset comic-book geeks far and wide, but his thoughts on modern blockbusters instigate a lengthy chat about the future of the industry, while the prizes from the Cannes Film Festival dredge up longstanding observations about the festival’s politics. We may only be in June, but tune in to find out which leading performance Cal has already declared the worst of the year, which fishy figurehead Nick Nolte reminded Pete of, and which lesser-known actress emerged as the star of her film.
The week’s news: Discussing some interesting birthdays in the world of film, Simon Pegg’s assault on modern studio filmmaking, and the prizes from the Cannes Film Festival!
[3:10 – 22:00]
- Poltergeist 29:28 – 38:21
- Return to Sender 38:22 – 50:07
- Big Game 50:08 – 56:39
- Tomorrowland 56:40 – 1:08:12
Shag, Marry or Kill?
The Garrett Gauge
It’s Episode 138 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
In our 138th effort, we managed to keep this episode to a reserved sixty four minutes, allowing for discussion of Gregg Araki’s latest take on adolescence, “White Bird in a Blizzard,” Jeremy Renner as a crusading journalist in “Kill the Messenger,” while Cal revealed whether “Chappie” is as bad as the trailer (and most of the reactions to the film) suggests. It’s fair to say that this week’s slate of films leave a lot to be desired, but we try and find the positives as best we can. Elsewhere, the UK’s Eurovision entry fails to get us excited, we discuss the litany of queer roles for the actors of 2005, Neill Blonkamp’s recent fascination with female villains leads to an unexpectedly crude remark about Jodie Foster, and Hugh Jackman’s radical hairstyle rocks the Gauge.
- White Bird in a Blizzard 12:07 – 24:50
- Chappie 24:51 – 35:18
- Kill the Messenger 35:19 – 46:42
Shag, Marry or Kill?
The Garrett Gauge
This week starts off in morbid fashion as we acknowledge the deaths of some important people, both in the film industry and outside of it, before we look ahead to Kimberly Peirce’s remake of “Carrie,” which triggers guilt in Pete over his lack of appreciation of Julianne Moore on the podcast. Things get more cheerful when we get to the reviews, which include the leafy family offering “The Odd Life of Timothy Green,” and Harmony Korine’s colourful “Spring Breakers.” We get gritty with the Aaron Eckhart-led “The Expatriate” while Pete goes it alone for British drama “All Things To All Men,” before the toil of “A Late Quartet” strikes too many chords for one of us. And then we round everything off with a discussion of supernatural thriller “Dark Skies,” where once again actor Josh Hamilton gets mistaken for somebody else. He must have one of those faces…
Opening Segment: Talking about the week’s news: the deaths of Margaret Thatcher, Roger Ebert, Ruth Prawer Jhabvala, and Richard Griffiths, and the premiere of the new “Carrie” trailer [2:10 – 14:05]
- “Spring Breakers”
- “The Odd Life of Timothy Green”
- “All Things To All Men”
- “The Expatriate” (aka “Erased”)
- “A Late Quartet”
[22:05 – 1:03:15]
Closing Segment: Our take on Scott Stewart’s “Dark Skies,” and our top one-scene cameos, as inspired by J.K. Simmons [1:03:20 – 1:16:25]
*Shag, Marry or Kill?*
*The Watson Factor*
*The Poupaud Range*
Outro Music: Lloyd Cole & the Commotions, “Cut Me Down”