Tag Archives: rachel weisz

Episode 163: The Spirit of Fellini [Spectre; Youth; The Last Witch Hunter]

  witch

Episode 163: The Spirit of Fellini
[1:24:02]
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It’s Episode 163 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


This week we return with a lively episode, featuring (sorry!) not a great deal of positivity, but we try and make the best of a bad situation regardless. There’s two helpings of Michael Caine, firstly in the supernatural Vin Diesel vehicle “The Last Witch Hunter,” and then in Paolo Sorrentino’s “Youth,” which had to ride some heavy preconceptions about its director’s historic use of music. Elsewhere, Cal reviews gambling affair “Missisippi Grind” and we turn our attention to “Spectre,” the latest film in a recent purple patch for the James Bond franchise. Other issues which emerge include Taylor Swift’s legal problems, the history of curses in the game of baseball, and laughable accents of Jude Law past. We assess the history of BIFA Best Actress winners, there’s speculation about Judi Dench’s fondness for Vin Diesel, and the writing’s on the wall for Sam Smith as we dig our claws into his latest assault on the eardrums.

The week’s news: 

  • Ricky Gervais to host the Golden Globes
  • British Independent Film Award nominations

[3:48 – 17:15]

Preconception Corner

Reviews of:

  • The Last Witch Hunter        25:37 – 35:08
  • Youth                                        35:09 – 46:50
  • Mississippi Grind                  46:51 – 54:08
  • Spectre                                    54:09 – 1:16:22


Shag, Marry or Kill?
The Pootsition
The Garrett Gauge

Outro Music: Neil Diamond, “Forever In Blue Jeans”

Episode 162: The Absence of Metaphysics [Sicario; Suffragette; The Walk; The Lobster]

Episode 162: The Absence of Metaphysics
[1:14:51]
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It’s Episode 162 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


This episode’s stacked roster sees six films reviewed, including controversial feminist drama “Suffragette” and concept horror “Circle,” as well as Cary Fukunaga’s “Beasts of No Nation,” which leads us to a discussion of Netflix and the future of film distribution. Pete would have liked to re-cast Yorgos Lanthimos’ “The Lobster” with favourable enough actors to get him to watch it, but Cal didn’t mind so much, while Denis Villeneuve has to ride some significant preconceptions when we review drug thriller “Sicario.” Elsewhere, colourful hats pose a Huston Problem for Cal, and Robert Zemeckis is the flavour of the week, as Pete reviews “The Walk” and we have a chat about Back to the Future in the wake of its 30th anniversary.

The week’s news: Chris Rock to host the Oscars, plus Cal reviews “Son of Saul” and “Dheepan” from the London Film Festival!

Preconception Corner

Reviews of:

  • Beasts of No Nation          22:42 – 31:11
  • Suffragette                           31:12 – 37:44
  • The Walk                              37:45 – 45:56
  • The Lobster                         45:57 – 52:48
  • Circle                                     52:49 – 56:40
  • Sicario                                  56:41 – 1:07:15


Shag, Marry or Kill?
The Pootsition
The Garrett Gauge

Outro Music: Steps, “Deeper Shade of Blue”

Episode 142: Age Of Consent [The DUFF; John Wick; While We’re Young]

 johnw

Episode 142: Age Of Consent
[1:34:55]
You can Listen online

It’s Episode 142 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

We’re back after a two-and-a-half week absence with a packed lineup! As we catch up on the releases from the past fortnight, we’re reviewing five films, including the highly-anticipated new film from Christian Petzold, “Phoenix,” and Keanu Reeves’ foray into the action genre with “John Wick.” Cal reveals all about Noah Baumbach’s latest observation on the middle-classes, “While We’re Young” and Andrew Niccol’s moralistic war drama “Good Kill,” while we finish by talking about teen flick “The DUFF,” which Pete suspected that Cal would like. Elsewhere, in the wake of Thursday’s announcement of the Cannes Film Festival lineup, we assess upcoming films from Gus Van Sant, Paolo Sorrentino, and more, a listener’s rant re-instigates a costuming discussion from our last episode, and a controversial Pootsition flies narrowly close to the age of consent.

Listener question/rant [Ibbi]: Colleen Atwood vs. Sandy Powell 

Cannes Film Festival: We dig into the line-up for this year’s festival, featuring films by Todd Haynes, Gus Van Sant, Jacques Audiard, and Hirokazu Koreeda!
[10:52 – 27:52]

Preconception Corner

Reviews of:

  • Phoenix                                                         34:30 – 46:00
  • While We’re Young                                    46:01 – 52:47
  • John Wick                                                    52:48 – 1:03:12
  • Good Kill                                                      1:03:13 – 1:09:49
  • The DUFF                                                    1:09:50 – 1:23:07


Shag, Marry or Kill?
The Pootsition
The Garrett Gauge

Outro Music: Beyonce feat. Jay-Z, “Drunk In Love”

Episode 40: Lasting Legacies [Oz the Great and Powerful; Side Effects; Parker]


EPISODE 40: Lasting Legacies
[1:18:12]
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It’s Episode 40 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

But for some football-related rants this week’s episode is surprisingly concise, as we turn our attention towards legacies. As Steven Soderbergh prepares to fold up his chair and retire (we’ll believe it when we see it) after his final film “Side Effects,” we reveal whether we think his pharmaceutical thriller is a worthy swansong, and offer our favourite examples of final films from directors. Sam Raimi is resurrecting L. Frank Baum’s series of Oz books with “Oz the Great and Powerful,” but can this kaleidoscopic 3D adventure even come close to replicating the magic of the original? And will Barbra Streisand’s Razzie-nominated return to acting in “The Guilt Trip” affect her long-standing reputation as a Queen among actresses? We have reviews of Jason Statham vehicle “Parker,” the acclaimed British thriller “Broken,” and Pete’s precious “Robot & Frank,” while we assess the power of Bette Midler’s Oscar-nominated performance in “The Rose” and look ahead to Sofia Coppola’s latest foray into the perils of youth, “The Bling Ring.” Sit back and listen to us bitch!

Opening Segment:  Discussing the trailer for Sofia Coppola’s “The Bling Ring” [suggested by Irini] and Pete’s review of 1979’s “The Rose,” starring Bette Midler [3:45 – 16:55]

*Preconception Corner*

Reviews of: 

  • “Oz the Great and Powerful”
  • “Parker”
  • “Robot & Frank”
  • “Broken”
  • “The Guilt Trip”

[21:30 – 52:00]

Closing Segment: Discussing Stephen Soderbergh’s self-proclaimed ‘final’ film “Side Effects,” and our top three directorial swansongs [52:05 – 1:09:55]

*Shag, Marry or Kill?*

*The Watson Factor*
*The Poupaud Range*

Outro Music: Gloria Estefan, “Go Away”

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