Tag Archives: philomena

Episode 143: The Ehle Atonement [A Little Chaos; Woman In Gold; The Salvation]


Episode 143: The Ehle Atonement
[1:21:08]
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It’s Episode 143 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


This week it’s time to go retro again, as this month’s Red Light District is a Best Actress spectacular, which gets us discussing (among other things) the women of 1948, and the testiness of Barbara Stanwyck. The week’s reviews concern Nazis, outlaws, gardeners, and wild goose chases, as we tackle Kristian Levring’s Western “The Salvation,” and courtroom drama “Woman in Gold.” Cal reveals all on the wilderness-set “Jauja,” while Alan Rickman’s sophomore effort “A Little Chaos” offered Pete a chance to atone for an earlier egregious omission. Elsewhere, there’s an unexpected shout-out to Courtney Love, Daniel Bruhl is saddled with another thankless role, and the trailer (and tagline) for Blake Lively’s latest project has us howling.

Red Light District: Revealing the non-new films we’ve been catching up with in the past month, featuring discussion of “Bill & Ted’s Excellent Adventure,” “The Furies,” “Joan of Arc,” “Lady Sings the Blues,” “Three Comrades,” and “Xenia”!

[6:00 – 25:37]

Preconception Corner

Reviews of:

  • The Salvation                                                    32:27 – 40:02
  • Woman In Gold                                                40:03 – 50:24
  • Jauja                                                                    50:25 – 54:46
  • A Little Chaos                                                   54:47 – 1:07:00


Shag, Marry or Kill?
The Pootsition
The Garrett Gauge

Outro Music: Kate Winslet, “What If?”
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Episode 119: The Joys of Denim [’71; The Rewrite; London Film Festival]


Episode 119: The Joys of Denim

[1:21:53]
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It’s Episode 119 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


To donate to Pete’s half-marathon run, on behalf of the Midlands Arts Centre, follow this link


We’re a little late this week, but we hope it’s worth the wait, as Cal has been to the London Film Festival, bringing news of films by Christian Petzold, Andrei Zvyagintsev, Francois Ozon, and a doozy of a performance by Reese Witherspoon. The week’s reviews consist of IRA thriller “’71,” starring everyone’s favourite young actor, Jack O’Connell, and scriptwriting comedy “The Rewrite,” which was somewhat overshadowed by Marisa Tomei’s jeans. Cal saw Susan Sarandon play Sheriff in religious serial killer drama “The Calling,” which just about escaped the dreaded “F” grade, while we also had time to discuss Stephen Frears’ BFI Fellowship, Lindsay Lohan’s theatre stint, and Michelle Pfeiffer’s history at the Oscars. Elsewhere, we argue about the main concerns of Billy Wilder’s “Sunset Boulevard,” pimp an underseen German exorcist drama, and chat about the eclectic cast of Judd Apatow’s upcoming film, the title of which greatly amuses Pete.

The Week’s News:
  • Stephen Frears receives a BFI Fellowship

[5:40 – 14:30]


Opening Segment: 
Coverage from the London Film Festival, featuring discussion of “Leviathan,” “The New Girlfriend,” “Phoenix,” and “Wild”

[14:35 – 26:45]

Preconception Corner

Reviews of:
  • ’71
  • The Calling
  • The Rewrite

[34:50 – 1:04:30]

Shag, Marry or Kill?
The Olsen Factor
The Isaac Range

Outro Music: Culture Beat, “Mr. Vain”

Episode 112: Plenty of Fish [Lucy; Two Days, One Night]

Episode 112: Plenty of Fish
[1:23:59]
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It’s Episode 112 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

This week we’re returning late from a rather heavy Bank Holiday weekend, with reviews of two films featuring mega Hollywood actresses. Luc Besson’s “Lucy” is the latest film in a prolific spell for the delectable Scarlett Johansson, while Marion Cotillard returns to her world cinema roots in the Dardennes brothers’ “Two Days, One Night,” which sees us getting personal about our own ethics. Elsewhere, we discuss the career of Richard Attenborough, some encouraging news for Scandinavian cinema, and Pete reveals his decision-making behind the decoration for his new house, a quarter of which features work by perennial podcast favourite Wong Kar-Wai. The week’s digressions include a brief lament over Amy Adams’ patchy filmography, Faye Dunaway’s destructive diva period, and Andie MacDowell’s bizarre behaviour on Twitter. We talk about the popular Ice Bucket Challenge (which we’re both snubbing), the Naomi Christie accent controversy rumbles on, and the Joe Wright rant of the week features some far from encouraging words for the men of Belgium.

The Week’s News:
  • The death of Richard Attenborough
  • Susanne Bier’s “Serena” to hit UK cinemas in October
  • Pete’s decoration of film stills

[1:35 – 23:40]


Red Light District: This month’s pimping session, featuring discussion of “Coherence,” “Philomena,” “Symptoms,” “Thirteen At Dinner,” and “What’s Up Doc?”

[24:50 – 34:10]

Reviews of:
  • Lucy
  • Two Days, One Night

[39:30 – 1:12:35]

Shag, Marry or Kill?
The Olsen Factor
The Isaac Range

Outro Music: Gossip, “Get a Job”

Episode 88: The Cheese Connection [Oscar Predictions; The Lego Movie; Only Lovers Left Alive]



Episode 88: The Cheese Connection

[1:18:54]
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It’s Episode 88 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
In this week’s episode we deviate between the worlds of arthouse and animation, as we review critical cartoon hits “The Lego Movie” and “Mr. Peabody & Sherman,” gay murder mystery drama “Stranger By the Lake” and moody vampire tale “Only Lovers Left Alive,” but was everything awesome on all fronts? And then we launch into some Oscar predictions in 21 of the 24 categories, discussing if the year might echo 1972’s Godfather vs. Cabaret tussle, and whether justice can prevail in the Supporting Actress race. We ponder whether anyone will remember what Tilda Swinton won her Oscar for, why Pink might be the hottest colour at the ceremony, Tom Ford’s idealisation of street corners, and the revelation that dwarf-throwing is still prevalent in modern society. Pete’s Dad also makes a brief cameo, although he didn’t get a chance to enlighten us on the virtues of Lindsay Lohan and Dolly Parton.


The Week’s News:

    • The death of Harold Ramis
    • Performers announced for the Oscars
    • Zhang Yimou to helm first English language film

[2:20 – 8:10]

Preconception Corner

Reviews of:
  • The Lego Movie
  • Mr. Peabody & Sherman
  • Stranger By the Lake
  • Only Lovers Left Alive

[15:05 – 48:55]

Closing Segment: Our predictions for this year’s Academy Awards!

[49:00 – 1:10:30]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: Rihanna, “Russian Roulette”

Episode 87: The Myth of Socrates [Top Tens of 2013; Monuments Men; BAFTA winners]



Episode 87: The Myth of Socrates

[1:29:48]
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It’s Episode 87 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
This week’s episode sees the return of previous podcast guest Irini M, who helps us discuss George Clooney’s World War II caper “Monuments Men” and ponder some latest film news, featuring a death, a coming-out, and a Supporting Actress tragedy. And then we all reveal our top tens of 2013 (which takes a while), but it proves difficult for some to bite their tongues about each others’ picks. 
Listener questions instigate a Greek history lesson, but our guest remains coy throughout the interrogation, meanwhile we discuss one of Gregory Peck’s more bizarre performances, which films should have replaced “Before Sunset” and/or “Before Midnight” in the romantic trilogy, why one of Cal’s top ten was lucky to have seen the light of day, and which of Irini’s inclusions she had to apologise to Pete about. We have some audio issues in the early part of the podcast, but the last hour recorded well, and we end with Jennifer Lawrence’s karaoke favourite.


The Week’s News:

    • The death of Shirley Temple
    • Ellen Page comes out
    • BAFTA winners

[2:40 – 15:05]

Preconception Corner

Reviews of:
  • Monuments Men

[25:35 – 32:55]

Closing Segment: Our top tens of 2013, featuring discussion of “The Grandmaster,” “Her,” and much more, plus our favourite performances of the year!

[33:00 – 1:25:00]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: Wings, “Live and Let Die”

Episode 83: The Drugs Don’t Work [Wolf of Wall Street; Dallas Buyers Club; Oscar Nominations]



Episode 83: The Drugs Don’t Work

[1:18:22]
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It’s Episode 83 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
This week’s episode is heavy on narcotics, as we discuss the pill-popping patients in Jean Marc Vallee’s “Dallas Buyers Club,” the coke-fuelled antics of the stockbrokers in Martin Scorsese’s “The Wolf of Wall Street,” and the hallucinogenic charms of indie Chilean adventure “Crystal Fairy.” We give our lengthy verdicts on this year’s Oscar nominations, offering our best and worst picks, speculating which films would have made the cut in the old-fashioned system, and discussing historical low points for the Academy. Tune in to find out how Mary Pickford bought her Oscar, whether Pete managed to finish a film this week, and why next week’s flock of facial hair spells disaster for Melvil.


Preconception Corner

Reviews of:
  • The Wolf of Wall Street
  • Crystal Fairy
  • Dallas Buyers Club

[10:40 – 43:10]

Closing Segment: Discussing the recently announced Oscar nominations, and speculating on the various races!
[43:40 – 1:09:20]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range


Outro Music: Duran Duran, “Hungry Like the Wolf”

Episode 82: This Mortal Coil [12 Years a Slave; The Railway Man; Delivery Man]



Episode 82: This Mortal Coil

[1:29:46]
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It’s Episode 82 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
For once we’re getting serious, as the week’s offerings force us into discussions of torture, abortion, and slavery. The tears flowed for both of us (albeit in different films), so listen as we review wartime drama “The Railway Man,” moral dilemma documentary “After Tiller,” and awards juggernaut “12 Years a Slave.” It’s not all depression though, as Petedishes all on Vince Vaughn vehicle “Delivery Man,” while we discuss the weekend’s Golden Globe winners and look ahead to the upcoming Oscar nominations. Tune in for asides involving nomination indiscretions and 2004’s Best Actor race, find out why Pete needs a mocha before reviewing one of the week’s films, and the ranking of Paul Dano’s many crimes against humanity. 

The Week’s News:
  • Berlin Film Festival Jury is Announced
  • BAFTA member criticises nominations
  • Golden Globe winners (plus listener question from NW6 film!)

[4:35 – 17:30]

Preconception Corner

Reviews of:
  • The Railway Man
  • Delivery Man
  • After Tiller

[24:15 – 47:00]

Closing Segment: Our take on Steve McQueen’s “12 Years a Slave,” plus speculation on this week’s Oscar nominations!

[47:10 – 1:17:50]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range
Outro Music: Emily Wells, “Becomes the Colour” (Stoker); Kings of Leon, “Last Mile Home” (August: Osage County); Karen O, “The Moon Song” (Her)

Episode 81: Patience Is a Virtue [Mandela; Last Vegas; The Patience Stone]



Episode 81: Patience Is a Virtue

[1:22:17]
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It’s Episode 81 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
Any New Years resolutions to be kinder about films get well and truly broken today, as we discuss the merits (or lack thereof) of geriatric Hangover-style comedy “Last Vegas,” although at least one of the cast members appears to be keeping the hands of time at bay. Cal tackles the latest biopic of the late Nelson Mandela, subtitled “Long Walk to Freedom,” while Pete opted for the rigidity of Keanu Reeves in samurai tale “47 Ronin.” After recovering from Amy Adams’ sexy exploits last week, Pete finds a woman worth coveting in middle-Eastern drama “The Patience Stone,” but the film itself may have tested the patience of at least one of us too much. We discuss several organisations’ nominations this week, chief of which is BAFTA, while there are asides concerning Faye Dunaway’s lack of humility and Rinko Kikuchi’s vulpine ability, plus the Cage Scale makes a welcome return.

The Week’s News:

  • Jane Campion will head the jury at this year’s Cannes Film Festival
  • Costume Designers Guild nominations
  • American Society of Cinematographers nominations
  • Directors Guild of America nominations (plus listener question from Alex!)
  • BAFTA nominations

[5:00 – 21:50]

Preconception Corner


Reviews of:
  • Last Vegas
  • 47 Ronin
  • Mandela: Long Walk to Freedom
  • The Patience Stone

[27:15 – 1:06:15]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range


Outro Music: Kylie Minogue, “Love At First Sight”

Episode 78: The Nose of the Poots [Nebraska; Frozen; Kill Your Darlings]



Episode 78: The Nose of the Poots
[Or How Everyone Should Join Us in Loving Zack Snyder Being Owned]
[1:29:31]
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It’s Episode 78 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
Our latest episode was recorded in two parts due to a technical hitch, but hopefully you won’t be able to tell. The break allowed us to return post-Screen Actors Guild Awards announcement to give a brief run-down of our thoughts, but are we happy with the nominees? Cal had some worrying preconceptions about awards player “Nebraska,” after the (among other things) criminal voice-over in the first fifteen minutes of “The Descendants,” but did its monochrome mumblecore ways win us over? The big questions of the week are where Ethan Hawke’s 73rd film of 2013, “Getaway,” ranks on the dreaded Cage Scale, and whether Selena Gomez can manage to keep her clothes on, while some unexpected female casting in “Kill Your Darlings” threatens to shake up this week’s edition of The Watson Factor. We discuss the virtues of Disney’s “Frozen,” which has us both rapturous about one thing or another, and we take time out to consider the fragility of the Supporting Actor Oscar race, the allure of Imogen Poots’ nose, and revel in Zack Snyder being dealt a body blow by AMPAS. 

The Week’s News:

  • Woody Allen will not accept his Cecil B. DeMille award
  • “Man of Steel” not on Oscar’s Visual Effects shortlist
  • European Film Award winners
  • British Independent Film Award winners
  • L.A Film Critics winners
  • Boston Film Critics winners

[3:10 – 17:15]

Listener Question [Alex], plus some anticipation for this week’s Golden Globe nominations

[17:20 – 24:45]

Preconception Corner


Reviews of:
  • Nebraska
  • Kill Your Darlings
  • Getaway

[32:00 – 59:20]


Closing Segment: Our review of Disney’s “Frozen,” and discussing yesterday’s Screen Actors Guild nominees!

[59:25 – 1:18:20]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: Madonna, “Frozen”

Episode 74: The Single Life [Gravity; Gloria; The Nun]



Episode 74: The Single Life
[1:29:48]
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It’s Episode 74 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
This episode sees the belated return of the Red Light District, after it had to be excised from last week’s epic 100+-minute recording. Cal is the only one bringing glad tidings, with discussion of a Coen brothers classic, and a semi-positive take on one of Nicholas Cage’s stranger efforts. It’s the week of the singletons, as we caught up with Paulina Garcia’s free-spirited “Gloria,” while Sandra Bullock finds herself alone and stranded in awards juggernaut “Gravity.” It’s safe to say that one of us was rather unimpressed by the space-set adventure, which prompts a brief discussion on films that failed to convince us, including an Ashton Kutcher vehicle and a recent sci-fi hit. Pete’s back from the Leeds Film Festival having seen Serbia’s submission for the Foreign Language Film Oscar, “Circles,” and a concert marred by technical debacles. Listen as we discuss the year’s latest batch of nominations, Isabelle Huppert’s lustful imposition, and Pete’s lament over the lack of viable romantic options among women over thirty. Violins at the ready!

The Week’s News:

  • Lynne Ramsay is being sued by the producers of “Jane Got a Gun”
  • Judi Dench and Harvey Weinstein fight the MPAA
  • European Film Award nominations are announced
  • British Independent Film Award nominations are announced

[3:35 – 20:55]

Opening Segment: This month’s Red Light District, featuring comment on “Blood Simple,” “Knowing,” and “Mouchette”

Preconception Corner*


Reviews of:
  • Gloria
  • Circles
  • The Nun

[36:40 – 1:04:55]

Closing Segment: Our take on Alfonso Cuaron’s “Gravity,” and discussing films we struggle to find convincing!  [1:05:00 – 1:22:10]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range


Outro Music: Ugo Tozzi, “Gloria”

Episode 73: Smooth Digressions [Philomena; Enough Said; Turbo]



Episode 73: Smooth Digressions
[1:28:46]
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It’s Episode 73 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
We’ve got plenty of material for you this week, as we bring you five films, a healthy news segment, and an epic Preconception Corner. Having already achieved the Sheppard seal of approval, Cal caught up with Stephen Frears’ “Philomena,” plus we tackle the Romanian Oscar hopeful “Child’s Pose,” and well-received animated film “Turbo.” As Awards Season hots up, we assess where the finalists for the Best Animated Feature Oscar all stand, and look at the nominees for France’s distinguished Louis Delluc prize.  There’s a mini faux-pas regarding James Gandolfini during this week’s review of “Enough Said,” while only one of us managed to sit through all of booze-filled comedy “Drinking Buddies.” Listen to hear which former Oscar nominee’s family member contacted Cal this week, which sitcom scarred Pete’s early cinema-going days, and how anticipation of cartoon snails somehow evolves into a rant about a certain British radio station. You couldn’t make it up.

The Week’s News:

  • Wes Anderson’s “The Grand Budapest Hotel” will open next year’s Berlin Film Festival
  • “Renoir” snubbed by the Louis Delluc Prize committee
  • Pete’s going to another film festival
  • Cal has a story about a former Oscar nominee

[2:30 – 15:40]

*Preconception Corner*


Reviews of:
  • Philomena*
  • Enough Said*
  • Child’s Pose
  • Drinking Buddies

[25:00 – 1:02:00]

*Listener questions are addressed at the end of each review

Closing Segment: Our take on Dreamworks’ “Turbo”  plus a discussion of the finalised list of entries for the Animated Feature Oscar, and an analysis of the race!  [1:02:15 – 1:20:25]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range


Outro Music: Santana feat. Rob Thomas, “Smooth”

Episode 65: Preferential Pork [About Time; Blackfish; Any Day Now]



Episode 65: Preferential Pork
[1:29:33]
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It’s Episode 65 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

Festivals are on the brain this week, as we discuss the unexpected winners from Venice’s Bertolucci-headed jury, and what to expect from the London Film Festival in October. Cal saw a rare film outing for Alan Cumming, in gay adoption drama “Any Day Now,” and braced the bloody horror “No One Lives,” while Pete opted for killer whale documentary “Blackfish.” We have a review of the academic “Museum Hours,” and Richard Curtis’ “About Time,” which Cal only saw a quarter of, due to some terrible projection incompetence in Hammersmith, and the Red Light District returns with films from the 1940s and 1980s. All this, plus our usual digressions, in which we launch into tangents on the prospect of a Liv Ullman comeback, the benefits of “Certified Copy,” and why Charles Laughton’s ham is more tolerable than Philip Seymour Hoffman’s. 

The Week’s News, featuring discussion about this year’s honourary Oscars, Meryl Streep’s Oscar category reversal, Germany’s Foreign Language Oscar submission, and some “Blue is the Warmest Colour” controversy [3:00 – 12:20]

Opening Segment: Discussing the winners from this year’s Venice Film Festival, and the recently announced lineup for the London Film Festival! [12:25 – 22:10]

*Preconception Corner*

Reviews of:
  • Any Day Now
  • About Time
  • No One Lives
  • Blackfish
  • Museum Hours

[25:45 – 1:10:00]

Closing Segment: This month’s Red Light District, featuring discussion about “Barfly,” “Flying Lessons,” “The Suspect,” and “World War Z”  [1:10:05 – 1:18:40]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: Cat Power, “The Greatest”

Episode 64: The Return of Wowface [Venice Film Festival; Upstream Color; You’re Next]



Episode 64: The Return of Wowface
[1:29:24]
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It’s Episode 64 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

This week’s episode sees Pete return from the Venice Film Festival with reviews of Stephen Fears’ “Philomena” and Sion Sono’s “Why Don’t You Play In Hell,” among other work by Miguel Gomes, Kelly Reichardt, and John Curran. We also take time out to discuss reaction on the Lido to Alfonso Cuaron’s “Gravity.” This week’s films see the highly-anticipated release of abstract entanglement drama “Upstream Color,” claustrophobic horror “You’re Next,” and the return of Michael Bay with “Pain & Gain,” which had Cal somewhat worried. As usual we go off on a few tangents, as Pete pimps the beauty of 2004 in film, laments the absence of Nadine Labaki from one of the week’s offerings, and we ponder how Liv Ullman would have fared in “Miss Congeniality.” And then we reveal the exciting news that an underseen long-time podcast favourite may soon be coming to a website near you, but keep that one quiet, won’t you?
 

The Week’s News, featuring discussion about the death of Sir David Frost, and the casting of “Fifty Shades of Grey”!  [2:35 – 6:05]

*Preconception Corner*

Reviews of:
  • Upstream Color (warning: minor spoilers)
  • Pain & Gain
  • You’re Next

[9:10 – 33:45]

Closing Segment: Pete’s report from the Venice Film Festival, featuring reviews and commentary on “Why Don’t You Play In Hell?” “Tracks,” “Holding Breath,” “Redemption,” “We Are the Best!” “May in the Summer,” “Philomena,” “Night Moves,” and some brief thoughts about “Gravity”  [33:50 – 1:18:30]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: Placebo, “Taste In Men”

Episode 59: Car Crashes in Black & White [Frances Ha; Blancanieves; The Internship]



Episode 59: Car Crashes in Black & White
[1:26:32]
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It’s Episode 59 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

We’re going retro with this week’s podcast, as we discuss the otherworldly prowess of Rita Hayworth in 1946 noir “Gilda,” which Pete caught recently in all of its digitally restored glory. We also discuss two films deliberately harking back to the good old days, with silent fairy-tale “Blancanieves” facing off against Noah Baumbach’s “Manhattan” wannabe, “Frances Ha.” We both snubbed hairly Hugh Jackman in “The Wolverine,” Pete opting for French biographical drama “Renoir” and Cal badly in need of light relief in the form of “The Internship.” We take time out to discuss the lineup of this year’s Venice Film Festival, which Pete will be attending, while Cal is perturbed by the loss of a super comedic actress. Listen for digressions involving Miley Cyrus, Rose Byrne’s portrayal of blindness, and a distasteful slur on Greta Gerwig which caused Cal to label Pete “below the belt.”

Opening Segment:
 The week’s news, featuring three major deaths in the world of sport, TV, and film, and discussing this year’s Venice Film Festival lineup, featuring work from Stephen Frears, Terry Gilliam, and Kelly Reichardt!   [1:30 – 17:20]

*Preconception Corner*

Reviews of:
  • Blancanieves
  • The Internship
  • Renoir
  • Gilda (re-release)

[26:20 – 1:04:50]

Closing Segment: Our take on Noah Baumbach’s “Frances Ha,” Shag Marry or Kill, and discussing director/actor partnerships between real life partners!  [1:04:55 – 1:19:25]


*The Watson Factor*
*The Poupaud Range*

Outro Music: Mika, “Grace Kelly”

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