Tag Archives: paul giamatti

Episode 148: The No in Pacino [San Andreas; Man Up; Danny Collins]


Episode 148: The No in Pacino
[1:25:34]
You can Listen online

It’s Episode 148 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


This week begins with a lengthy opening, featuring discussion of Sofia Coppola’s travails with the studio system, a long overdue film on the Suffragette movement, and a retrospective of Al Pacino in the wake of the release of “Danny Collins.” There are also reviews of disaster action movie “San Andreas,” Iranian vampire flick “A Girl Walks Home Alone At Night,” and romantic comedy “Man Up,” which propelled us into a digression concerning the politics of internet dating. Elsewhere, Cal is forced into a Neil Diamond-style rendition, a certain Antipodean singer narrowly avoids a dreaded Ehle Omission, while Pete disses the vocal talents of a British redhead, much to Cal’s chagrin.

The week’s news: Some Birthday wishes, plus news on Sofia Coppola’s exit from “The Little Mermaid,” the opener of this year’s London Film Festival, and a chat about Al Pacino!

[4:40 – 23:43]

Preconception Corner

Reviews of:

  • Danny Collins                                                       33:15 – 44:29
  • Man Up                                                                  44:30 – 55:14
  • A Girl Walks Home Alone At Night               55:15 – 1:02:15
  • San Andreas                                                        1:02:16 – 1:15:07


Shag, Marry or Kill?
The Pootsition
The Garrett Gauge

Outro Music: The Connells, “74-75”
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Episode 117: The Ballad of Pitt & Brit [Maps to the Stars; I Origins; Ida]


Episode 117: The Ballad of Pitt & Brit

[1:29:34]
You can Listen online

It’s Episode 117 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


This week’s episode is a distinctly non-sober affair, as birthday drinks crippled Cal’s ability to function (he wants you to know that he is fully aware that Joanne Woodward is American), but we managed to get through this week’s busy line-up of films in under ninety minutes. Pete caught Denzel Washington thriller “The Equalizer” and Mike Cahill’s treatise on faith vs. science, “I Origins,” while Cal was in the queue for horror flick “Honeymoon” and had time to rewatch Pawel Pawlikowski’s “Ida.” After that, both of us weigh in on David Cronenberg’s Hollywood satire “Maps to the Stars,” featuring Cannes Best Actress winner Julianne Moore, which leads us into a discussion of women from the past who have received that honour. Elsewhere, banter about pop music shifts from Taylor Swift onto Cheryl Cole, we ponder how long George Clooney’s marriage will last, a Christie Clanger from last week is addressed, and preconceptions for David Fincher’s “Gone Girl” (reviewed next week) get laid bare.

The Week’s News:
  • George Clooney marries in Venice
  • Foreign Language Oscar submissions: Russia submit “Leviathan”; Argentina submit “Wild Tales”
  • Al Pacino receives a BAFTA Fellowship

[5:10 – 19:15]

Preconception Corner

Reviews of:
  • Ida
  • The Equalizer
  • Honeymoon
  • I Origins

[25:00 – 1:00:05]

Closing Segment: Our take on David Cronenberg’s “Maps to the Stars,” and discussing the history of Best Actress winners at the Cannes Film Festival!

[1:00:10 – 1:21:15]

Shag, Marry or Kill?
The Olsen Factor
The Isaac Range

Outro Music: Cheryl Cole, “Crazy Stupid Love”

Episode 96: Pfists & Trysts [Transcendence; Amazing Spider-Man 2; Labour Day]



Episode 96: Pfists & Trysts

[1:32:16]
You can Listen online
or Download MP3
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It’s Episode 96 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
This week is especially sweet for Pete, as Rebecca Hall features in two very different releases: Wally Pfister’s ambitious Sci-fi project “Transcendence,” and Patrice Leconte’s reserved romantic drama “A Promise.” Despite general dread at the prospect of Jason Reitman’s “Labour Day,” Cal managed to catch it, but did he find something of worth besides an appreciation for Diane Lane’s taste in men? We both saw “The Amazing Spider-Man 2,” of which there are fairly lengthy preconceptions, and elsewhere we discuss some relationship news, an odd piece of casting, and the eclectic competition jury for this year’s Cannes Film Festival. Tune in to find out why Cal is on particularly grumpy form, how many times Pete had to recount the plot of “Transcendence” in order to perfect it, and our potentially epic plans for our upcoming 100th episode!


The Week’s News:

    • Jodie foster marries her female partner
    • George Clooney gets engaged
    • Jessica Chastain cast as Marilyn Monroe
    • A new Dad’s Army film to be made
    • Cannes jury is announced

[4:45 – 16:10]

Preconception Corner

Reviews of:
  • The Amazing Spider-Man 2
  • A Promise
  • Labour Day

[28:05 – 59:15]

Closing Segment: Our take on Wally Pfister’s “Transcendence,” discussing debut screenwriting feats, and cinematographers-turned-directors!

[59:20 – 1:20:40]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: The National, “Bloodbuzz Ohio”

Episode 76: The Threesome [The Family; Parkland; Short Term 12] with Special Guest Irini M.



Episode 76: The Threesome
[1:31:01]
or Download MP3
(Right click… save as)

It’s Episode 76 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
In this week’s episode we’re joined by special guest and friend of the podcast Irini Markogiannaki, who helps us discuss the new releases at UK cinemas and chimes in with thoughts on eventful news items from the past few days. Some minor audio issues should mostly have been ironed out in the editing process, so you can enjoy our reviews of Luc Besson’s mafia comedy “The Family,” and Peter Landesman’s JFK assassination movie “Parkland” in relatively audible splendour. Cal and Irini reveal whether indie critics darling “Short Term 12” lives up to the hype, and there are verdicts on angst-ridden baby swap drama “Like Father Like Son” and black and white mumblecore offering “Computer Chess.” We ponder Leeds Film Festival’s audience favourites, conduct a
 rather epic pre greekconception corner, while a revelation about a planned remake of one of the week’s films causes Pete to recoil in horror. Tune in to find out which movie dumbfounded us with its music choices, which actor caused the man-loving podcasters to go weak at the knees, and why Irini’s encounter with Quentin Tarantino means that she owes Pete a huge apology.

The Week’s News:

  • 50th anniversary episode of Doctor Who airs
  • The first explicit trailer for Lars Von Trier’s “Nymphomaniac” is released
  • Jason Statham calls for an Oscar to be introduced for stuntmen
  • Leeds Film Festival reveals its top 20 audience favourites

[2:10 – 24:15]

Preconception Corner


Reviews of:
  • Parkland
  • Short Term 12
  • Like Father, Like Son
  • Computer Chess
  • The Family

[34:15 – 1:13:10]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: Cat Power, “The Greatest”

Episode 73: Smooth Digressions [Philomena; Enough Said; Turbo]



Episode 73: Smooth Digressions
[1:28:46]
You can Listen online 
or Download MP3
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It’s Episode 73 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
We’ve got plenty of material for you this week, as we bring you five films, a healthy news segment, and an epic Preconception Corner. Having already achieved the Sheppard seal of approval, Cal caught up with Stephen Frears’ “Philomena,” plus we tackle the Romanian Oscar hopeful “Child’s Pose,” and well-received animated film “Turbo.” As Awards Season hots up, we assess where the finalists for the Best Animated Feature Oscar all stand, and look at the nominees for France’s distinguished Louis Delluc prize.  There’s a mini faux-pas regarding James Gandolfini during this week’s review of “Enough Said,” while only one of us managed to sit through all of booze-filled comedy “Drinking Buddies.” Listen to hear which former Oscar nominee’s family member contacted Cal this week, which sitcom scarred Pete’s early cinema-going days, and how anticipation of cartoon snails somehow evolves into a rant about a certain British radio station. You couldn’t make it up.

The Week’s News:

  • Wes Anderson’s “The Grand Budapest Hotel” will open next year’s Berlin Film Festival
  • “Renoir” snubbed by the Louis Delluc Prize committee
  • Pete’s going to another film festival
  • Cal has a story about a former Oscar nominee

[2:30 – 15:40]

*Preconception Corner*


Reviews of:
  • Philomena*
  • Enough Said*
  • Child’s Pose
  • Drinking Buddies

[25:00 – 1:02:00]

*Listener questions are addressed at the end of each review

Closing Segment: Our take on Dreamworks’ “Turbo”  plus a discussion of the finalised list of entries for the Animated Feature Oscar, and an analysis of the race!  [1:02:15 – 1:20:25]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range


Outro Music: Santana feat. Rob Thomas, “Smooth”

Episode 71: The Lazarus Situation [London Film Festival; Captain Phillips; Prince Avalanche]



Episode 71: The Lazarus Situation
[1:26:29]
You can Listen online 
or Download MP3
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It’s Episode 71 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
This week’s episode is a London Film Festival special, as we round up some of the films we caught in the capital, including competition winner “Ida,” and acclaimed German drama “The Police Officer’s Wife.” We discuss directors battling conflicts with studios, including Darren Aronofsky and Olivier Dahan, before launching into an assault on Harvey Weinstein, after one of us saw the compromised cut of Wong Kar-Wai’s “The Grandmaster.” Cal tackles new releases “Prince Avalanche” and Belgian Oscar entry “The Broken Circle Breakdown,” before we reveal whether we liked Paul Greengrass’ “Captain Phillips” as much as similar Danish thriller “A Hijacking,” and ponder what on earth Catherine Keener is doing in the film. Tune in for digressions about Melissa George’s hair, the Best Actor Oscar lineup of 1994, and the dangers of meeting Americans in Eastern Europe.

The Week’s News:

  • Catherine Deneuve turns 70
  • “The Wolf of Wall Street” to be released this year
  • Olivier Dahan vs. Harvey Weinstein
  • Darren Aronofsky vs. Christians

[3:35 – 12:30]

Opening Segment: Our round-up of the London Film Festival, featuring discussion of “Bends,” “The Grandmaster,” “Ida,” “Must Have Been Love,” “On My Way,” and “The Police Officer’s Wife.”
[12:35 – 47:50]

*Preconception Corner*

Reviews of:
  • Prince Avalanche
  • The Broken Circle Breakdown

[52:25 – 1:02:30]

Closing Segment: Our take on seaboard-set adventure “Captain Phillips,” and discussing our favourite films set on the open water! [1:02:35 – 1:17:10]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range


Outro Music: Tori Amos, “Talula”

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