Tag Archives: park chan-wook

Episode 165: The Tokyo Anecdote [Best Films of 2016 So Far; Venice and Toronto Festival Preview]

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Episode 165: The Tokyo Anecdote
[1:10:14]
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It’s Episode 165 of In the Mood for Podcast!

After an eight-month absence, Irini joins Cal to discuss all that cinema has had to offer us in 2016 so far, with both giving their favourite five films and performances of the year, and discussing their personal highlights. With Irini heading to Venice and Cal heading to Toronto, there’s plenty to be excited about concerning festival season. We dig into our biggest hopes from the festivals, and look ahead to year-end releases from Ang Lee and Martin Scorsese, among others. Elsewhere, there’s a Lobster-related story from the heart of Japan, trepidation over Xavier Dolan’s latest cinematic effort fails to faze Irini, and some unexpected virtues of Jaden Smith are revealed.

Best of 2016:

  • Counting down our top five films of the year so far!

[10:30 – 23:15]

2016 Round-Up:

  • Favourite performances, personal highlights, and discussing what films so far may be in the running for year-end awards!

[23:20 – 43:30]

Festival Previews and Anticipation:

  • Discussing our biggest hopes from the Venice and Toronto Film Festival lineups, and anticipating end-of-year releases! 

[43:35 – 1:06:50]

Intro Music: Channing Tatum, “No Dames”
Outro Music: Dev, “Fireball”

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Episode 39: Shostakovich & Shockers [To the Wonder; Stoker; Broken City]


EPISODE 39: Shostakovich & Shockers
[1:22:37]
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It’s Episode 39 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

We might be a little off-form this week, as Pete is still ill and Cal is hungover, but we’ve got some juicy-looking films to ponder. We aim to be positive by bringing out our irregular Red Light District segment and pimping the best films we’ve seen in the past month, which include a Russian classic and a film about a woman who rents cats. We check out “Stoker,” the latest bloodthirsty offering from arthouse favourite Park Chan-Wook, and there’s blood on the hands of Richard Gere’s troubled billionaire too, in Nicholas Jarecki’s “Arbitrage”. While Pete opted for masculine thriller “Broken City” Cal sat down for Lasse Hallstrom’s adaptation of Nicholas Sparks novel “Safe Haven,” but we both saw part two of Terrence Malick’s prolific streak, the grand, romantic “To the Wonder.” Tune in to find out which one of us was reduced to tears by Malick’s film, and listen to our confessions of which films never fail to make us blub.

Introduction: The week’s news, and announcing Pete’s forfeit

Opening Segment:  This month’s Red Light District! Films pimped include: “Another Woman’s Life,” “The Company,” “The Cranes Are Flying,” “Rent-a-Cat,” “Us Two,” and “Vanya on 42nd Street” [5:45 – 17:55]

*Preconception Corner*

Reviews of: 

  • “Stoker”
  • “Arbitrage”
  • “Broken City”
  • “Safe Haven”

[22:45 – 49:25]

Closing Segment: Discussing Terrence Malick’s “To the Wonder” and our top three films which make us cry [49:50 – 1:13:45]

*Shag, Marry or Kill?*

*The Watson Factor*
*The Poupaud Range*

Intro Music: New theme music!
Outro Music: Naughty Boy feat. Emeli Sande, “Wonder”

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