It’s Episode 147 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This much-delayed episode sees us discuss last week’s big releases at the cinema, including Brad Bird’s adventure tale “Tomorrowland,” and horror remake “Poltergeist.” We also had time to chat about Rosamund Pike’s latest twisted thriller, “Return to Sender,” and Cal reveals all about Samuel L. Jackson’s “Big Game,” which had a rather ludicrous plot setup to live up to. Simon Pegg’s recent outspoken antics may have upset comic-book geeks far and wide, but his thoughts on modern blockbusters instigate a lengthy chat about the future of the industry, while the prizes from the Cannes Film Festival dredge up longstanding observations about the festival’s politics. We may only be in June, but tune in to find out which leading performance Cal has already declared the worst of the year, which fishy figurehead Nick Nolte reminded Pete of, and which lesser-known actress emerged as the star of her film.
The week’s news: Discussing some interesting birthdays in the world of film, Simon Pegg’s assault on modern studio filmmaking, and the prizes from the Cannes Film Festival!
[3:10 – 22:00]
- Poltergeist 29:28 – 38:21
- Return to Sender 38:22 – 50:07
- Big Game 50:08 – 56:39
- Tomorrowland 56:40 – 1:08:12
Shag, Marry or Kill?
The Garrett Gauge
It’s Episode 139 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week the Red Light District returns, bringing news of films from the fifties, a World Cinema classic from Scandinavia, and digressions involving Maria Schell, Ava Gardner, and Otto Preminger. We have reviews of the latest Jaume Collet-Serra/Liam Neeson project “Run All Night,” wartime romance “Suite Francaise,” and meditative drama “Still Life,” while one of us was more prepared than the other for the Sapphic shenanigans in Peter Strickland’s “The Duke of Burgundy.” Elsewhere, Pete’s fondness for Sidse Babett Knudsen goes into overdrive, Cal feels guilty for a second consecutive snub of Matthias Schoenaerts, and we’re all about the Arri Alexa.
Red Light District: Pimping the best old films we’ve seen in the past month, featuring discussion of “Gervaise,” “Pelle the Conqueror,” and “The Smallest Show on Earth”
[8:50 – 20:30]
- The Duke of Burgundy 30:45 – 44:54
- Suite Francaise 44:55 – 53:30
- Still Life 53:31 – 1:02:25
- Run All Night 1:02:26 – 1:14:28
Shag, Marry or Kill?
The Garrett Gauge
Episode 100: Don’t Fear the Reaper
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It’s Episode 100 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
As we close in on a century of episodes, our 100th is our longest yet, as we take a week off from new releases at the cinema to bring you our one hundred films you must see before you die. We take a moment to consider the people who have departed us since the podcast began, we discuss the recent winners from the Cannes Film Festival, plus the positivity continues with the latest installment of the Red Light District! Listen for discussion of films from France, Russia, Hong Kong, Greece, and more, digressions concerning Greta Garbo and Bryan Forbes, and find out which auteur Pete shockingly left out of his personal canon.
The Week’s News:
- Cannes Film Festival prize winners
Red Light District: featuring discussion of “Once,” “The Passion of Anna,” “Skyfall,” “Sorcerer,” “The Spirit of the Beehive,” “To Paint, or Make Love” and “The Wrong Box”
[6:10 – 20:20]
Our 100 Films to See Before You Die: featuring discussion of tons of classics, ranging from “M,” to “Onibaba,” to “Titanic.”
[20:25 – 1:48:30]
Outro Music: Blue Oyster Cult, “Don’t Fear the Reaper”
This week we’re forced to address the issue of movie titles which bear no relation to their content, when new animated film “Epic” underwhelmingly proves not to be. World cinema is out in force this week with films from Belgium, Sweden, and Argentina, in “Our Children,” “White Elephant,” and the joyously-named “Snabba Cash.” Pete spent most of “The Moth Diaries” jotting down notable quotes, but will this be yet another high point for Mary Harron? And we open by discussing the winners from this year’s Cannes Film Festival, the festival’s high and low points, and the politics behind choosing who gets which prize. The temptation to have another dig at Tarantino proves too great for some, while a late digression involving Li Gong reveals our fondness for bitchy supporting turns. It’s all in the delivery…
Opening Segment: Discussing the winners of prizes at this year’s Cannes Film Festival, discussing the high points in the festival’s history, and some major injustices [2:15 – 16:45]
- “The Moth Diaries”
- “Our Children”
- “Snabba Cash” aka “Easy Money”
- “White Elephant”
[21:35 – 56:25]
Closing Segment: Our take on Fox’s new animated film “Epic,” and discussing movie titles which are confusing or irrelevant, given their subject matter [56:30 – 1:09:15]
*Shag, Marry or Kill?*
*The Watson Factor*
*The Poupaud Range*
Outro Music: Dana International, “Diva”