Tag Archives: nina hoss

Episode 142: Age Of Consent [The DUFF; John Wick; While We’re Young]

 johnw

Episode 142: Age Of Consent
[1:34:55]
You can Listen online

It’s Episode 142 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

We’re back after a two-and-a-half week absence with a packed lineup! As we catch up on the releases from the past fortnight, we’re reviewing five films, including the highly-anticipated new film from Christian Petzold, “Phoenix,” and Keanu Reeves’ foray into the action genre with “John Wick.” Cal reveals all about Noah Baumbach’s latest observation on the middle-classes, “While We’re Young” and Andrew Niccol’s moralistic war drama “Good Kill,” while we finish by talking about teen flick “The DUFF,” which Pete suspected that Cal would like. Elsewhere, in the wake of Thursday’s announcement of the Cannes Film Festival lineup, we assess upcoming films from Gus Van Sant, Paolo Sorrentino, and more, a listener’s rant re-instigates a costuming discussion from our last episode, and a controversial Pootsition flies narrowly close to the age of consent.

Listener question/rant [Ibbi]: Colleen Atwood vs. Sandy Powell 

Cannes Film Festival: We dig into the line-up for this year’s festival, featuring films by Todd Haynes, Gus Van Sant, Jacques Audiard, and Hirokazu Koreeda!
[10:52 – 27:52]

Preconception Corner

Reviews of:

  • Phoenix                                                         34:30 – 46:00
  • While We’re Young                                    46:01 – 52:47
  • John Wick                                                    52:48 – 1:03:12
  • Good Kill                                                      1:03:13 – 1:09:49
  • The DUFF                                                    1:09:50 – 1:23:07


Shag, Marry or Kill?
The Pootsition
The Garrett Gauge

Outro Music: Beyonce feat. Jay-Z, “Drunk In Love”

Episode 136: The Abrupt Apology [Blackhat; Cake; Predestination]

cake

Episode 136: The Abrupt Apology
[1:56:06]
You can Listen online

It’s Episode 136 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


Despite Pete’s efforts toward the contrary, this week’s episode is our longest yet, as we dig into our year-end awards, disclosing more than a little about our favourite films and performances. We also react to this past Sunday’s Academy Awards, measuring “Birdman” up against the Best Picture winners of the past and speculating about how its leading man couldn’t also sail to victory. The week’s reviews include time travel thriller “Predestination,” starring podcast favourite Ethan Hawke, Jennifer Aniston’s failed Oscar bid, “Cake,” and Michael Mann’s latest procedural drama “Blackhat,” which one of us walked out on. Meanwhile, Anna Kendrick is – quite literally – a vision, there’s an appearance from Gloria Gaynor, and Pete has an abrupt apology for one of last week’s performers after omitting her from The Pootsition.

The week’s news:
  • Kristin Stewart makes history with Cesar win
  • Birdman wins the Best Picture Oscar (+ other reaction)

[4:00 – 20:53]

Preconception Corner

Reviews of:

  • Blackhat                                28:10 – 38:48
  • Predestination                    38:49 – 46:55
  • Cake                                       46:56 – 1:00:26

Closing Segment: Revealing our top ten films of 2014, and discussing our favourite performances (in quite a bit of depth)!

[1:00:27 – 1:4]

Shag, Marry or Kill?
The Pootsition
The Garrett Gauge

Outro Music: Manic Street Preachers, “Australia”

Episode 119: The Joys of Denim [’71; The Rewrite; London Film Festival]


Episode 119: The Joys of Denim

[1:21:53]
You can Listen online
or Download MP3
(Right click… save as)

It’s Episode 119 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


To donate to Pete’s half-marathon run, on behalf of the Midlands Arts Centre, follow this link


We’re a little late this week, but we hope it’s worth the wait, as Cal has been to the London Film Festival, bringing news of films by Christian Petzold, Andrei Zvyagintsev, Francois Ozon, and a doozy of a performance by Reese Witherspoon. The week’s reviews consist of IRA thriller “’71,” starring everyone’s favourite young actor, Jack O’Connell, and scriptwriting comedy “The Rewrite,” which was somewhat overshadowed by Marisa Tomei’s jeans. Cal saw Susan Sarandon play Sheriff in religious serial killer drama “The Calling,” which just about escaped the dreaded “F” grade, while we also had time to discuss Stephen Frears’ BFI Fellowship, Lindsay Lohan’s theatre stint, and Michelle Pfeiffer’s history at the Oscars. Elsewhere, we argue about the main concerns of Billy Wilder’s “Sunset Boulevard,” pimp an underseen German exorcist drama, and chat about the eclectic cast of Judd Apatow’s upcoming film, the title of which greatly amuses Pete.

The Week’s News:
  • Stephen Frears receives a BFI Fellowship

[5:40 – 14:30]


Opening Segment: 
Coverage from the London Film Festival, featuring discussion of “Leviathan,” “The New Girlfriend,” “Phoenix,” and “Wild”

[14:35 – 26:45]

Preconception Corner

Reviews of:
  • ’71
  • The Calling
  • The Rewrite

[34:50 – 1:04:30]

Shag, Marry or Kill?
The Olsen Factor
The Isaac Range

Outro Music: Culture Beat, “Mr. Vain”

Episode 116: The Decoy Tots [The Giver; Magic in the Moonlight; A Walk Among the Tombstones]


Episode 116: The Decoy Tots

[1:26:57]
You can Listen online
or Download MP3
(Right click… save as)

It’s Episode 116 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


After last week’s super-long episode, we lament Cal’s laissez faire approach to editing, but this edition managed to sail under the ninety-minute mark fairly smoothly. The Red Light District is back, as we discuss films starring Nina Hoss and Richard Burton, a dishonest Dogme flick, plus Cal’s return to awards completion gets us analysing two Best Actress Oscar races, one of which features one of the biggest snubs of all time. New releases include baseball underdog drama “Million Dollar Arm,” of which the MVP was plain for both of us to see, and Woody Allen’s “Magic in the Moonlight,” which Pete unsurprisingly snubbed. There’s also Liam Neeson thriller “A Walk Among the Tombstones,” and Philip Noyce’s “The Giver,” which Pete managed to smear in innuendo and spend forever on divulging the plot of. Taylor Swift’s presence in the film forces both of us to admit some admiration for her lyrical hand, while her likeness to a famously jilted tennis player instigates discussion of a disastrous celebrity relationship. Elsewhere, there’s a postponed Joe Wright rant from last week, Pete’s parents’ holiday snaps struggle to emulate Michael Ballhaus, and the natural charm of one of this week’s actresses leads to a new qualification in the Olsen Factor.


The Week’s News
    • Foreign Language submissions from France, Belgium, Canada, and Hong Kong

[2:25 – 8:20]


Opening Segment: 
This month’s Red Light District, featuring discussion of “Barbara,” “Elena,” “Mifune’s Last Song,” “Mourning Becomes Electra,” “Passion Fish,” “The Spy Who Came In From the Cold” and “Win/Win”

[8:25 – 23:15]

Preconception Corner

Reviews of:
  • Million Dollar Arm
  • A Walk Among the Tombstones
  • Magic in the Moonlight
  • The Giver

[29:15 – 1:12:15]

Shag, Marry or Kill?
The Olsen Factor
The Isaac Range

Outro Music: Tori Amos, “Give”
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