Tag Archives: nicole kidman

Episode 169: Givenchy in No Man’s Land [The Beguiled; Okja; Wonder Woman]

  

Episode 169: Givenchy in No Man’s Land
[1:23:49]
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It’s Episode 169 of In the Mood for Podcast!

This week we’re finally back with a jam-packed episode full of news and reviews! First on the agenda is Daniel Day-Lewis’ shock retirement announcement (which fails to convince) and Annette Bening ruling the roost in Venice, plus a record amount of invitations from AMPAS gets our seal of approval. There are reviews of Bong Joon-ho’s madcap fable “Okja” and Sofia Coppola’s period potboiler “The Beguiled,” while we venture into superhero territory with verdicts on Marvel’s latest spidey story “Spiderman: Homecoming” and DC’s critical and box-office hit “Wonder Woman”. Elsewhere, Gal Gadot’s pacing on the front line conjured up images of the catwalk for Cal, there’s a pitch for a Miranda July-led superhero movie, and 
Irini unforgivably mistakes Garrett Hedlund for a certain Amazonian explorer.

The week’s news: 

  • “The Square” wins the Palme d’Or
  • Daniel Day-Lewis retires from acting
  • Annette Bening to head this year’s Venice Film Festival jury
  • 774 people invited to AMPAS

[3:30 – 11:25]

Preconception Corner

Reviews of:

  • Wonder Woman                               17:45 – 26:55
  • Spider Man: Homecoming           26:56 – 32:29
  • Okja                                                       32:30 – 42:02
  • The Beguiled                                      42:03 – 54:18

Final Segment: 

  • Top Films, Performances and Moments of 2017 so far

[54:19 – 1:15:55]

Shag, Marry or Kill?

The Garrett Gauge

Intro Music: Lolawolf, “House Key”
Outro Music: Dua Lipa, “Be the One”

Episode 168: The Garrel Grievance [Cannes Film Festival Line-Up]

Episode 168: The Garrel Grievance
[1:05:33]
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News from the Croisette lures Irini and Cal back to the microphone, as we discuss yesterday’s announcement of the 70th Cannes Film Festival lineup, featuring (among others) new films from Andrey Zvyagintsev, Lynne Ramsay, Todd Haynes, and podcast favourite Sofia Coppola. We’re also catching up with news we haven’t discussed since the last episode, chief of which is *that* infamous Oscar mix-up, plus we touch upon the surprise smash hit “Get Out” and dig into some seriously juicy female-led TV shows. Elsewhere, Irini shamelessly flaunts some national pride when we discuss one of the festival’s entries, we vehemently disagree on the virtues of the Safdie brothers, and Cal tests Irini’s patience by taking a pop at Xavier Dolan and all but killing off Michael Haneke.

News Catch Up:

  • Oscars catastrophe
  • Oscar rule changes
  • Get Out
  • Big Little Lies / Feud

[1:51 – 11:53]

Listener Question [ibbi]

Cannes Film Festival:

  • Discussing the line-up for this year’s Cannes Film Festival in May!

[16:20 – 56:25]

Intro Music: Alma, “Requiem”
Outro Music: Loreen, “Statements”

Episode 167: The Life of Pablo [Oscar Nominations Reaction; Top Ten Films of 2016]

Episode 167: The Life of Pablo
[1:00:52]
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In the wake of the Oscar nominations, Cal and Irini are back to discuss the exciting inclusions and dastardly snubs from this year’s crop, dishing our opinions on an unfortunate Amy Adams and a crowded Best Actress race, conceding to the power of Michael Shannon, and generally shaking our heads in disapproval at Mel Gibson. Elsewhere, we each give our top ten films of 2016, which includes those from Korea, Germany, Argentina, and more! Plus there’s a lot of love for Pablo Larrain, and one of Irini’s favourites receives a less-than-enthusiastic response from Cal.

Oscar Nominations:

  • Our reactions to this year’s nominees!

[1:35 – 21:00]

Top Ten Films of 2016:

  • Our favourite films and performances from the year!

[21:05 – 56:55]

Intro Music: Lady Antebellum, “American Honey”
Outro Music: “Drive It Like You Stole It” (From Sing Street)

Episode 161: The Chinese Intervention [The Martian; Macbeth; The Intern]


Episode 161: The Chinese Intervention
[1:15:39]
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It’s Episode 161 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


A big congratulations to Pete, as this week he proposed to his other half Jane, prompting the women of the West Midlands to cross him out in their little black books, and the podcast to indulge in a Taylor Swift-inspired celebration. The week’s reviews include “The Intern,” Nancy Meyers’ latest frothy window into the life of a working woman, and “McFarland,” the latest of many sports movies in the lengthy filmography of Kevin Costner. Cal dares to take on William Shakespeare’s story structure in his review of the latest adaptation of “Macbeth,” while many of the plot developments in “The Martian” are up for scrutiny, particularly with regard to the Chinese. Elsewhere, two composers’ birthdays get us discussing their finest works, there’s a sizeable digression about the Best Actress crop of 2003, and Pete can’t help but veer into profanity while ranting about one of the week’s scripts.

The week’s news: The career of the late John Guillermin, plus the week’s birthdays!

[5:40 -13:40]

Preconception Corner

Reviews of:

  • Macbeth                          19:55 – 32:25
  • McFarland                      32:26 – 43:19
  • The Intern                      43:20 – 50:54
  • The Martian                  50:55 – 1:05:40


Shag, Marry or Kill?
The Pootsition
The Garrett Gauge

Outro Music: Britney Spears, “Oops, I Did it Again”

Episode 125: Empty and Chortleless [Paddington; Mockingjay Part I; The Homesman]


Episode 125: Empty and Chortleless

[1:18:58]
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It’s Episode 125 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


This week we’re catching up for lost time with two weeks’ worth of films, and a ton of news, from the sad demise of Mike Nichols to the influx of awards action, featuring discussion of Marion Cotillard’s Oscar prospects and the underachievement of Edward Norton, while Pete is particularly aghast at the NBR’s fondness for “The Lego Movie.” Reviews this week include our take on podcast favourite Chadwick Boseman’s portrayal of James Brown in “Get On Up,” the less-than-popular Hilary Swank in Tommy Lee Jones’ maybe-Western “The Homesman,” and the daunting prospect of Michael Bond’s “Paddington” being adapted for the big screen. Elsewhere, Pete found time to see Antipodean vampire comedy “What We Do In the Shadows,” while Cal was the only one queuing up to see Jennifer Lawrence in the latest instalment of The Hunger Games, “Mockingjay Part I.” Meanwhile, there’s a digression about 2006’s Best Actress Oscar lineup, one of Faye Dunaway’s many camp film roles is celebrated, Kevin Spacey’s private life gets an airing, and Pete is seriously torn between allegiance and detest in anticipation for Jason Reitman’s upcoming film, which stars the one and only Judy Greer.

The Week’s News:
  • The death of Mike Nichols
  • Cahiers du Cinema announce their top ten
  • New York Film Critics Circle awards
  • National Board of Review

[2:20 – 20:10]


Preconception Corner

Reviews of:

  • Get On Up
  • The Homesman
  • The Hunger Games: Mockingjay Part I
  • What We Do in the Shadows

[27:00 – 54:10]

Closing Segment: Our take on quirky children’s tale “Paddington” and discussing our favourite cinematic female villains!

[54:15 – 1:05:55]

Shag, Marry or Kill?
The Olsen Factor
The Isaac Range

Outro Music: Lana Del Rey, “Blue Jeans”

Episode 115: The Torvill and Dean Years [A Most Wanted Man; Pride; The Boxtrolls]

Episode 115: The Torvill & Dean Years
[1:52:05]
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It’s Episode 115 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


This week’s episode tops the 100-minute mark, as we take (a lot of) time out to discuss the many memorable films from 1999, revealing our top tens, and weighing in on some grandiose performances from the year. We also tackle some new releases, with Pete dishing all on the bonkers animation “The Boxtrolls” and Cal revealing how proud the LGBT community should be of “Pride”. We review Norwegian festival circuit favourite “Blind” and Anton Corbijn’s Hamburg-set thriller “A Most Wanted Man,” which features the final leading performance from Philip Seymour Hoffman. Tune in to find out what Pete has spent an excessive amount of money on this week, why Dominic West’s dancing is under scrutiny, and the sheer volume of affection extended to Rachel McAdams. Elsewhere, we discuss the unstoppable Jack O’Connell, Pete’s interruptions during Cal’s review of “Pride” leads to strikes being called, while this week’s Christie Clanger concerns the presence (or lackthereof) of Julie Delpy. 

The Week’s News:
  • “The Imitation Game” wins the People’s Choice award at the Toronto Film Festival
  • George Clooney to receive the Cecil B. DeMille award at the Golden Globes

[3:40 – 10:45]

Reviews of:
  • A Most Wanted Man
  • Pride
  • Blind
  • The Boxtrolls

[22:05 – 1:05:00]

Closing Segment: Our take on the cinema of 1999, featuring discussion of films such as “The Road Home,” “The Talented Mr. Ripley,” and “Rosetta,” and performances by Russell Crowe, Reese Witherspoon, and Cameron Diaz!

[1:05:05 – 1:45:15]

Shag, Marry or Kill?
The Olsen Factor
The Isaac Range

Outro Music: Ravel, “Bolero”

Episode 114: The Paris Clanger [Before I Go To Sleep; Life of Crime; They Came Together]

Episode 114: The Paris Clanger
[1:31:26]
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It’s Episode 114 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


This week’s episode is a tale of two halves, as Irini M. joins us once again, having spent the past week or so trawling across the lido of Venice. She brings us extensive coverage of the film festival, reviewing most of the competition line-up, and dishing her verdict on (among other things) why Alejandro Gonzalez Inarritu’s “Birdman” left Italy empty-handed, and why Kim Ki-Duk’s filmmaking style is getting rather insufferable. Eventually we get to reviewing new releases, with Nicole Kidman’s new amnesiac thriller “Before I Go To Sleep” leaving us with head-scratching thoughts on the film’s title, and even more perplexing notions about its logic. We’re also on board for the sequel to Nicholas McCarthy’s promising “The Pact,” worryingly left in the hands of new directors, while Cal reviews David Wain’s romantic comedy pastiche “We Came Together,” and we tackle Elmore Leonard adaptation “Life of Crime. Listen for our theories on why Kirsten Dunst won Best Actress at Cannes, which former feline-loving Oscar winner Al Pacino may be slyly mocking, which British singer forces Pete to recoil in horror, and what this week’s Christie clanger has to do with Paris Hilton’s wardrobe.


The Week’s News


Opening Segment: 
Discussing the prizes awarded at this year’s Venice Film Festival, plus guest Irini M. provides coverage of many other films which played at the festival, including “Birdman,” “3 Hearts,” “Manglehorn,” “Red Amnesia,” and “She’s Funny That Way”

[4:35 – 40:40]

Preconception Corner

Reviews of:
  • The Pact II
  • Life of Crime
  • They Came Together
  • Before I Go To Sleep

[47:20 – 1:23:50]

Shag, Marry or Kill?
The Olsen Factor
The Isaac Range

Outro Music: Friendly Fires, “Paris”

Episode 113: The Eight Year Drought [Night Moves; The Rover; Obvious Child]

Episode 113: The Eight Year Drought
[1:29:57]
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It’s Episode 113 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


This week we begin by discussing the recently-announced recipients of this year’s Honorary Oscars, which leads us to several Oscar-related issues of the past, including the 1937 Best Actress race and the much-maligned Best Picture winner of 1941. Masculinity is alive and well, as Guy Pearce exercises badass tendencies in David Michod’s “The Rover,” which, thankfully for Pete, Jacki Weaver was absent from, while the talent on show in Scandinavian crime drama “The Keeper of Lost Causes” had Cal clamouring for more. By contrast, there are reviews of two films from female directors, with Gillian Robespierre’s indie comedy “Obvious Child” tackling the tricky subject of abortion, and Kelly Reichardt’s “Night Moves” deconstructing the folly of environmental activism. Pete walked out of the latter at Venice and did not turn back, but tune in to find out whether he managed to finish it at the second time of asking. Meanwhile, Cal has much to say about the sexual politics in John Slattery’s “God’s Pocket,” Pete dictates when co-incidences in film scripts are acceptable, and we bitch about a particularly unwelcome trend in world cinema. Elsewhere, Cal is baffled by a bizarre Robert Pattinson car sing-a-long, there’s a rare shout-out for a former co-star of Dakota Fanning, and there is some serious trepidation in advance of next week’s trashy-looking Rowan Joffe thriller.

The Week’s News:
  • The Academy announces the recipients of this year’s honorary Oscars

[3:10 – 13:50]

Reviews of:
  • Night Moves
  • Obvious Child
  • The Keeper of Lost Causes
  • God’s Pocket

[25:35 – 1:04:00]

Closing Segment: Our take on David Michod’s revenge thriller “The Rover,” starring Guy Pearce and Robert Pattinson!

[1:04:05 – 1:17:50]

Shag, Marry or Kill?
The Olsen Factor
The Isaac Range

Outro Music: Keri Hilson, “Pretty Girl Rock”

Episode 102: Dial M for Mayday [Grace of Monaco; 22 Jump Street; Venus in Fur]



Episode 102: Dial M for Mayday

[1:35:51]
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It’s Episode 102 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
This week fears of a Greek backlash bubble to the surface, as we review friend of the podcast Irini’s favourite film of last year, Roman Polanski’s “Venus in Fur,” touching on the prowess of an older, fishnet-less Emmanuelle Seigner. Meanwhile, Cal was the only one in the queue for buddy cop sequel “22 Jump Street,” and creepy cult horror “The Sacrament,” while Pete caught Cal off-guard at the last minute with a surprise review that absolutely nobody was expecting. Find out whether this podcast is kinder to Olivier Dahan’s “Grace of Monaco” than most critics have been thus far, and listen to us discuss the ups and downs of Grace Kelly’s short-lived film career, including her generally-disliked Best Actress Oscar win. Elsewhere, we float potential nicknames for Channing Tatum, anticipation for an upcoming Richard Linklater film is at fever pitch, while there’s yet more concern voiced for Shailene Woodley (and a distinct lack of medical knowledge) as her new cancer flick edges perilously closer.


The week’s news: 

  • The death of Rik Mayall

Preconception Corner

Reviews of:
  • Venus in Fur
  • 22 Jump Street
  • A Million Ways to Die in the West
  • The Sacrament

[16:35 – 52:35]

Closing Segment: Our take on Olivier Dahan’s critically-savaged “Grace of Monaco,” and discussing the career of the one and only Grace Kelly!

[52:40 – 1:26:05]

Shag, Marry or Kill?
The Olsen Factor
The Isaac Range

Outro Music: Sia, “Breathe Me”

Episode 99: The Changing of the Guard [Godzilla; Two Faces of January; In Secret]



Episode 99: The Changing of the Guard

[1:25:59]
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It’s Episode 99 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
This week marks the end of an era, as we announce who will take over from Emma Watson and Melvil Poupaud in our factor and range segments, so tune in to find out which delectable actor and actress will assume the baton. It’s a week of good cast lists, as the latest blockbuster incarnation of “Godzilla” managed to assemble a who’s who of Thespian talent (if you discount Aaron Taylor-Johnson), and we review period thriller “The Two Faces of January,” despite not having a clue why it’s titled as such. Cal goes it alone for “Concussion,” the sapphic answer to “Belle De Jour,” which Pete took as a cue to go into innuendo overdrive, while love triangle melodrama “In Secret” instigates fierce preconceptions about Jessica Lange. A recent death in the cinematography world leads to a digression about the best shot films of 1990, a discussion of anti-heroes turns into an analysis of category placement politics, plus the Huston problem rears its ugly head to plague one of our new replacements.


The week’s news: 

  • “Grace of Monaco” trashed at Cannes
  • Broadchurch wins three BAFTAs
  • The death of Malik Bendjelloul
  • The death of Gordon Willis

[4:20 – 10:55]

Preconception Corner

Reviews of:
  • The Two Faces of January
  • In Secret
  • Concussion

[19:40 – 52:50]

Closing Segment: Our take on Gareth Edwards’ “Godzilla,” and discussing the history of anti-heroes in cinema!

[52:55 – 1:13:00]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: Shout Out Louds, “1999”

Episode 95: The Pullitzer Puzzle [Locke; The Love Punch; Cannes Lineup]



Episode 95: The Pullitzer Puzzle

[1:29:47]
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It’s Episode 95 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
This week we welcome Irini M back to the podcast to help us discuss the much-anticipated lineup of this year’s Cannes Film Festival, featuring the upcoming works of David Cronenberg, Mike Leigh, and many more European auteurs, some of which fill us with dread. We’re reviewing the Miranda Otto-led lesbian drama “Reaching for the Moon,” British heist comedy “The Love Punch,” and Tom Hardy’s one-man show “Locke,” which divided the camp in its depiction of drama and geography. Cal’s review of psychological horror film “Magic Magic” gets hijacked by Pete’s rant about a certain Pullitzer Prize winner, while Irini had a bone to pick with him about his “failure to understand” the point of Xavier Dolan’s latest delight. There are predictably many digressions, concerning Mr. Potato Head’s liberal use of his lips, Tom Hardy’s neglect of his razor, and Faye Dunaway’s fear of apostrophes, as well as a shocking Hathaway Protocol. It’s a week of regrets, as Irini’s belief in her own festival foresight lost her a fair bit of cash, while Naomi Watts finally bit the bullet and admitted that “Diana” wasn’t all that. Who knew?


Opening Segment: 
Discussing the recently announced line-up for this year’s Cannes Film Festival, featuring anticipation of films by David Cronenberg, Xavier Dolan, Nuri Bilge Ceylan, and Andrey Zvyagintsev!

[3:50 – 26:55]

Preconception Corner

Reviews of:
  • Reaching for the Moon
  • The Love Punch
  • Magic Magic

[36:00 – 1:00:25]

Closing Segment: Our take on Steven Knight’s “Locke,” and random asides involving Steve McQueen and Faye Dunaway!

[1:00:30 – 1:17:05]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: Radiohead, “Jigsaw Falling Into Place”

Episode 90: Celtic Confusion [Under the Skin; The Past; The Zero Theorem]



Episode 90: Celtic Confusion

[1:17:03]
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It’s Episode 90 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
The podcast is back after a fortnight’s absence with some St. Patrick’s day cheer, but will we be cheering in response to this week’s films? Asghar Farhadi fans may want to beware, as we review French language drama “The Past,” while those who helped kick-start a movie adaptation of TV show “Veronica Mars” will have to deal with a fresh take on the crime caper. Pete’s seen another quirky Tilda Swinton film this week in Terry Gilliam’s “The Zero Theorem,” before Cal reveals whether the second half of Lars Von Trier’s “Nymphomaniac” lived up to the educational might of the first. Jonathan Glazer’s shady “Under the Skin” gets us discussing (among other things) why meeting Scarlett Johansson in a nightclub is a very bad omen, and which football team’s fans bears the brunt of her seduction. The usual digressions occur, as we’re forced to address the original Huston Problem, Pete’s trepidation for an upcoming Dostoyevsky adaptation, and which TV shows we’d love to see a big-screen version of. We offer a quick lesson on grammatical composition, the Earth threatens to fall off its axis when Cal associates Katy Perry with Bjork, and Cillian Murphy throws a spanner in the works of this week’s Watson Factor. It’s all about the Celts.


Introduction and news


Preconception Corner

Reviews of:
  • The Past
  • Veronica Mars
  • The Zero Theorem
  • Nymphomaniac: Part II

[13:40 – 51:20]

Closing Segment: Our take on Jonathan Glazer’s “Under the Skin,” and discussing films set in Glasgow

[51:25 – 1:07:10]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: Beach Boys, “Caroline No”

Episode 84: Race to the Finish [Inside Llewyn Davis; August: Osage County; The Missing Picture]



Episode 84: Race to the Finish

[1:00:00]
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It’s Episode 84 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
This week’s episode is our shortest yet, as Pete seized the opportunity to cut the podcast at its knees in the final fleeting minutes. We didn’t quite manage to get it under an hour, but our reviews of starry ensemble drama “August:Osage County” and dour folk-scene tale “Inside Llewyn Davis” are concise enough. We discuss lesser known Oscar-nominated films “The Missing Picture” and “Cutie and the Boxer,” and ponder the Cold War charms of Kenneth Branagh’s “Jack Ryan: Shadow Recruit.” Pete pines for the presence of Lena Endre in one of this week’s movies, while we also chat about the politics behind foreign, animated, and documentary crossover movies, and 2013’s highs in cinematography.


The Week’s News:

    • “Grace of Monaco” to open Cannes Film Festival, but which cut?
    • Lindsay Lohan announces her latest project
    • Alfonso Cuaron wins the Directors Guild Award

[2:25 – 8:15]

Preconception Corner

Reviews of:
  • August: Osage County
  • Jack Ryan: Shadow Recruit
  • Cutie and the Boxer
  • The Missing Picture

[14:50 – 43:30]

Closing Segment: Our take on the Coen brothers’ “Inside Llewyn Davis,” and our favourite fictional musicians on film!

[43:35 – 57:20]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: Go West, “King of Wishful Thinking”

Episode 77: To Seydoux Or Not Seydoux [Saving Mr. Banks; Blue Is the Warmest Colour; Catching Fire]



Episode 77: To Seydoux Or Not Seydoux
[1:33:49]
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It’s Episode 77 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
This week’s episode is particularly risque, as controversial erotic French drama, “Blue is the Warmest Colour,” hits UK screens. Both of us were taken aback by the sapphic desires, but did its all-girl relationship work for us? We had dramatically different opinions of Brian De Palma’s “Carrie,” but Cal caught Kimberley Peirce’s remake and had some choice words to say about it, while a review of “The Hunger Games: Catching Fire” forces Pete to ponder questionable costume designing. We discuss the mythologising in Disney’s factually dodgy “Saving Mr. Banks,” before chatting about our favourite films about authors. Tune in to hear us re-introduce the Cage Scale, joke about vagina and side-boob shots, and reveal which of the week’s films channels “Mommie Dearest.” All that, plus an epic news segment concerning the latest critics awardsfoils Pete’s plan for an hour-long episode. Maybe one day we’ll get there.  

The Week’s News:

  • Smooth FM’s Top 500
  • Tom Daley comes out of the closet
  • The death of Paul Walker
  • Peter O’ Toole comes out of retirement
  • Oscar Documentary Shortlist announced
  • New York Film Critics winners
  • National Board of Review winners

[2:10 – 26:25]

Preconception Corner


Reviews of:
  • The Hunger Games: Catching Fire
  • Blue Is the Warmest Colour
  • Carrie

[31:35 – 1:04:25]


Closing Segment: Our review of Disney’s “Saving Mr. Banks,” and discussing our favourite films about real-life authors!

[1:04:30 – 1:24:05]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: The Temptations, “Treat Her Like a Lady”

Episode 63: Puzzling Downfalls [Elysium; Lovelace; We’re the Millers]



Episode 63: Puzzling Downfalls
[1:29:11]
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It’s Episode 63 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

Peroni comes out to play in this week’s episode, as Pete prepares for his impending flight to Venice by cracking open a bottle or two and lays into some usual suspects, including Nicolas Winding Refn and Kate Hudson. Cal saw Jennifer Aniston bare all in “We’re the Millers” and Amanda Seyfried get it all out in “Lovelace,” and reveals a risqué podcast game to test Pete’s knowledge of steamy film scenes. We review Nell Blonkamp’s sci-fi spectacle “Elysium,” which features some remarkable performances, and welcome Julianne Moore’s return to the podcast in “What Maisie Knew.” All that, plus an epic news segment, some banter about Glenn vs. Sigourney in 1988, and discussing how nobody can quite remember what Ruby Dee’s two lines were in “American Gangster.”

The Week’s News, featuring discussion of Miley Cyrus’ performance at the VMAs, the casting of Ben Affleck as Batman, and the death of Julie Harris, among other things!  [1:55 – 15:10]

 

*Preconception Corner*

Reviews of:
  • Lovelace (plus a game!)
  • What Maisie Knew
  • We’re the Millers

[21:40 – 1:03:00]

Closing Segment: Our take on Nell Blonkamp’s “Elysium,” starring Matt Damon, and summarising this past Summer in film!  [1:03:05 – 1:19:50]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: Alice Russell, “Drinking Song Interlude”

Episode 51: False Advertising [Epic; The Moth Diaries; White Elephant]

EPISODE 51: False Advertising
[1:16:20]
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It’s Episode 51 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

This week we’re forced to address the issue of movie titles which bear no relation to their content, when new animated film “Epic” underwhelmingly proves not to be. World cinema is out in force this week with films from Belgium, Sweden, and Argentina, in “Our Children,” “White Elephant,” and the joyously-named “Snabba Cash.” Pete spent most of “The Moth Diaries” jotting down notable quotes, but will this be yet another high point for Mary Harron? And we open by discussing the winners from this year’s Cannes Film Festival, the festival’s high and low points, and the politics behind choosing who gets which prize. The temptation to have another dig at Tarantino proves too great for some, while a late digression involving Li Gong reveals our fondness for bitchy supporting turns. It’s all in the delivery…

Opening Segment:  Discussing the winners of prizes at this year’s Cannes Film Festival, discussing the high points in the festival’s history, and some major injustices [2:15 – 16:45]

*Preconception Corner*

Reviews of:

  • “The Moth Diaries”
  • “Our Children”
  • “Snabba Cash” aka “Easy Money”
  • “White Elephant”

[21:35 – 56:25]

Closing Segment: Our take on Fox’s new animated film “Epic,” and discussing movie titles which are confusing or irrelevant, given their subject matter [56:30 – 1:09:15]

*Shag, Marry or Kill?*

*The Watson Factor*
*The Poupaud Range*

Outro Music: Dana International, “Diva”

Episode 41: Beyond the Surface [Burt Wonderstone; The Paperboy; Welcome to the Punch]


EPISODE 41: Beyond the Surface
[1:20:23]
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It’s Episode 41 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

The highlight of a quiet week at the cinema is Lee Daniels’ “The Paperboy,” but will he finally impress us “Precious” skeptics with his Florida-set thriller? We discuss the controversy of that jellyfish scene, as well as other films that kicked up a fuss, for one reason or another.  The rest of the releases include showbiz comedy “The Incredible Burt Wonderstone” and British thriller “Welcome to the Punch.” We’re looking ahead to the next few episodes by dishing our thoughts on trailers for films out in the next month or so, including Seth Gordon’s “Identity Thief,” which one of us has already vetoed. Cal promotes a re-release of Joseph Losey’s “The Servant,” while his unflattering review of “Beyond the Hills” is hijacked by Pete’s desire to turn it into a Catholic-style remake of “Wreck-It Ralph.” Just another week, then…

Opening Segment:  A trailer round-up, featuring upcoming releases “Trance,” “Spring Breakers,” “The Host,” “Identity Thief,” “Jack the Giant Slayer,” “Dark Skies,” and “Look of Love” [4:55 – 19:55]

*Preconception Corner*

Reviews of: 

  • “The Incredible Burt Wonderstone”
  • “Welcome to the Punch”
  • “Beyond the Hills”
  • “The Servant” (50th anniversary re-release)

[24:30 – 53:45]

Closing Segment: Our take on Lee Daniels’ controversial “The Paperboy,” and discussing past controversies in cinema [53:50 – 1:10:35]

*Shag, Marry or Kill?*

*The Watson Factor*
*The Poupaud Range*

Outro Music: Heart, “Crazy On You”

Episode 39: Shostakovich & Shockers [To the Wonder; Stoker; Broken City]


EPISODE 39: Shostakovich & Shockers
[1:22:37]
You can Listen online or
Download MP3
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It’s Episode 39 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

We might be a little off-form this week, as Pete is still ill and Cal is hungover, but we’ve got some juicy-looking films to ponder. We aim to be positive by bringing out our irregular Red Light District segment and pimping the best films we’ve seen in the past month, which include a Russian classic and a film about a woman who rents cats. We check out “Stoker,” the latest bloodthirsty offering from arthouse favourite Park Chan-Wook, and there’s blood on the hands of Richard Gere’s troubled billionaire too, in Nicholas Jarecki’s “Arbitrage”. While Pete opted for masculine thriller “Broken City” Cal sat down for Lasse Hallstrom’s adaptation of Nicholas Sparks novel “Safe Haven,” but we both saw part two of Terrence Malick’s prolific streak, the grand, romantic “To the Wonder.” Tune in to find out which one of us was reduced to tears by Malick’s film, and listen to our confessions of which films never fail to make us blub.

Introduction: The week’s news, and announcing Pete’s forfeit

Opening Segment:  This month’s Red Light District! Films pimped include: “Another Woman’s Life,” “The Company,” “The Cranes Are Flying,” “Rent-a-Cat,” “Us Two,” and “Vanya on 42nd Street” [5:45 – 17:55]

*Preconception Corner*

Reviews of: 

  • “Stoker”
  • “Arbitrage”
  • “Broken City”
  • “Safe Haven”

[22:45 – 49:25]

Closing Segment: Discussing Terrence Malick’s “To the Wonder” and our top three films which make us cry [49:50 – 1:13:45]

*Shag, Marry or Kill?*

*The Watson Factor*
*The Poupaud Range*

Intro Music: New theme music!
Outro Music: Naughty Boy feat. Emeli Sande, “Wonder”

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