It’s Episode 158 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week we turn our attention to a flurry of recent awards news, as the recipients of this year’s Honorary Oscars were announced, and several countries have submitted their entries for this year’s Foreign Language Film contest. We pay tribute to the late great Wes Craven, while Cal uncorks a trio of European classics in the latest edition of the Red Light District, featuring discussion of Francois Truffaut and Vittorio De Sica. The week’s reviews include Andrew Haigh’s tense marital drama “45 Years” and Jonathan Demme’s rock star romp “Ricki and the Flash,” while Jesse Eisenberg and Kristen Stewart were reunited in action comedy “American Ultra,” and Jafar Panahi managed to get another film made (“Closed Curtain”) despite being a prisoner in his own home. Elsewhere, we discuss Charlotte Rampling’s incredible decade-and-a-half, Kristen Stewart’s hair dye does the trick, and there’s trepidation for double-Tom Hardy in next week’s Krays film.
The week’s news: Featuring a retrospective of Wes Craven’s career, plus we chat about the recipients of this year’s Honorary Oscars, and the first submissions for this year’s Foreign Language Film Oscar!
[2:30 – 24:14]
Opening Segment: This month’s Red Light District, featuring discussion of “The Garden of the Finzi-Continis,” “The Marquise of O,” and “Stolen Kisses”!
[24:15 – 29:35]
- Ricki and the Flash 42:20 – 51:40
- American Ultra 51:41 – 1:02:10
- Closed Curtain 1:02:11 – 1:07:15
- 45 Years 1:07:16 – 1:24:38
Shag, Marry or Kill?
The Garrett Gauge
Outro Music: The Platters, “Smoke Gets In Your Eyes”
Episode 64: The Return of Wowface
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It’s Episode 64 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week’s episode sees Pete return from the Venice Film Festival with reviews of Stephen Fears’ “Philomena” and Sion Sono’s “Why Don’t You Play In Hell,” among other work by Miguel Gomes, Kelly Reichardt, and John Curran. We also take time out to discuss reaction on the Lido to Alfonso Cuaron’s “Gravity.” This week’s films see the highly-anticipated release of abstract entanglement drama “Upstream Color,” claustrophobic horror “You’re Next,” and the return of Michael Bay with “Pain & Gain,” which had Cal somewhat worried. As usual we go off on a few tangents, as Pete pimps the beauty of 2004 in film, laments the absence of Nadine Labaki from one of the week’s offerings, and we ponder how Liv Ullman would have fared in “Miss Congeniality.” And then we reveal the exciting news that an underseen long-time podcast favourite may soon be coming to a website near you, but keep that one quiet, won’t you?
The Week’s News, featuring discussion about the death of Sir David Frost, and the casting of “Fifty Shades of Grey”! [2:35 – 6:05]
- Upstream Color (warning: minor spoilers)
- Pain & Gain
- You’re Next
[9:10 – 33:45]
Closing Segment: Pete’s report from the Venice Film Festival, featuring reviews and commentary on “Why Don’t You Play In Hell?” “Tracks,” “Holding Breath,” “Redemption,” “We Are the Best!” “May in the Summer,” “Philomena,” “Night Moves,” and some brief thoughts about “Gravity” [33:50 – 1:18:30]
The Watson Factor
The Poupaud Range
Outro Music: Placebo, “Taste In Men”