Tag Archives: Mickey Rourke

Episode 159: Cruising for a Bruising [Legend; Irrational Man; No Escape]


Episode 159: Cruising for a Bruising
[1:27:14]
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It’s Episode 159 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


This week we sliced up the new releases, which include Tom Hardy’s dual-role as the Kray twins in “Legend,” Willem Dafoe as famous Italian director Pier Paolo “Pasolini,” and action-packed thriller “No Escape.” Cal caught this year’s German entry for the Foreign Language Film Oscar, “Labyrinth of Lies,” and Woody Allen’s latest, “Irrational Man,” starring Joaquin Phoenix and Emma Stone, plus the week’s birthdays see us discuss the great Alexander Korda, and everyone’s favourite beefcake, Mickey Rourke. Elsewhere, the pair of us lament the absence of “Phoenix” from this year’s Oscar hunt, a Lake Bell monologue is memorable for all the wrong reasons, and one of the biggest surprises on the podcast ever sees one of the week’s performers redeemed in Pete’s eyes.

The week’s news: Featuring discussion of Wendy Ide’s exit from The Times, the week’s birthdays, and the winners from this year’s Venice Film Festival!

[4:30 – 18:50]

Preconception Corner

Reviews of:

  • Irrational Man                   28:10 – 39:00
  • No Escape                           39:01 – 45:23
  • Pasolini                               45:24 – 53:19
  • Labyrinth of Lies             53:20 – 1:04:30
  • Legend                               1:07:00 – 1:17:30


Shag, Marry or Kill?
The Pootsition
The Garrett Gauge

Outro Music: Queen, “Hammer to Fall”

Episode 65: Preferential Pork [About Time; Blackfish; Any Day Now]



Episode 65: Preferential Pork
[1:29:33]
You can Listen online 
or Download MP3
(Right click… save as)

It’s Episode 65 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

Festivals are on the brain this week, as we discuss the unexpected winners from Venice’s Bertolucci-headed jury, and what to expect from the London Film Festival in October. Cal saw a rare film outing for Alan Cumming, in gay adoption drama “Any Day Now,” and braced the bloody horror “No One Lives,” while Pete opted for killer whale documentary “Blackfish.” We have a review of the academic “Museum Hours,” and Richard Curtis’ “About Time,” which Cal only saw a quarter of, due to some terrible projection incompetence in Hammersmith, and the Red Light District returns with films from the 1940s and 1980s. All this, plus our usual digressions, in which we launch into tangents on the prospect of a Liv Ullman comeback, the benefits of “Certified Copy,” and why Charles Laughton’s ham is more tolerable than Philip Seymour Hoffman’s. 

The Week’s News, featuring discussion about this year’s honourary Oscars, Meryl Streep’s Oscar category reversal, Germany’s Foreign Language Oscar submission, and some “Blue is the Warmest Colour” controversy [3:00 – 12:20]

Opening Segment: Discussing the winners from this year’s Venice Film Festival, and the recently announced lineup for the London Film Festival! [12:25 – 22:10]

*Preconception Corner*

Reviews of:
  • Any Day Now
  • About Time
  • No One Lives
  • Blackfish
  • Museum Hours

[25:45 – 1:10:00]

Closing Segment: This month’s Red Light District, featuring discussion about “Barfly,” “Flying Lessons,” “The Suspect,” and “World War Z”  [1:10:05 – 1:18:40]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: Cat Power, “The Greatest”

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