It’s Episode 139 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week the Red Light District returns, bringing news of films from the fifties, a World Cinema classic from Scandinavia, and digressions involving Maria Schell, Ava Gardner, and Otto Preminger. We have reviews of the latest Jaume Collet-Serra/Liam Neeson project “Run All Night,” wartime romance “Suite Francaise,” and meditative drama “Still Life,” while one of us was more prepared than the other for the Sapphic shenanigans in Peter Strickland’s “The Duke of Burgundy.” Elsewhere, Pete’s fondness for Sidse Babett Knudsen goes into overdrive, Cal feels guilty for a second consecutive snub of Matthias Schoenaerts, and we’re all about the Arri Alexa.
Red Light District: Pimping the best old films we’ve seen in the past month, featuring discussion of “Gervaise,” “Pelle the Conqueror,” and “The Smallest Show on Earth”
[8:50 – 20:30]
- The Duke of Burgundy 30:45 – 44:54
- Suite Francaise 44:55 – 53:30
- Still Life 53:31 – 1:02:25
- Run All Night 1:02:26 – 1:14:28
Shag, Marry or Kill?
The Garrett Gauge
Episode 96: Pfists & Trysts
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It’s Episode 96 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week is especially sweet for Pete, as Rebecca Hall features in two very different releases: Wally Pfister’s ambitious Sci-fi project “Transcendence,” and Patrice Leconte’s reserved romantic drama “A Promise.” Despite general dread at the prospect of Jason Reitman’s “Labour Day,” Cal managed to catch it, but did he find something of worth besides an appreciation for Diane Lane’s taste in men? We both saw “The Amazing Spider-Man 2,” of which there are fairly lengthy preconceptions, and elsewhere we discuss some relationship news, an odd piece of casting, and the eclectic competition jury for this year’s Cannes Film Festival. Tune in to find out why Cal is on particularly grumpy form, how many times Pete had to recount the plot of “Transcendence” in order to perfect it, and our potentially epic plans for our upcoming 100th episode!
The Week’s News:
- Jodie foster marries her female partner
- George Clooney gets engaged
- Jessica Chastain cast as Marilyn Monroe
- A new Dad’s Army film to be made
- Cannes jury is announced
[4:45 – 16:10]
- The Amazing Spider-Man 2
- A Promise
- Labour Day
[28:05 – 59:15]
Closing Segment: Our take on Wally Pfister’s “Transcendence,” discussing debut screenwriting feats, and cinematographers-turned-directors!
[59:20 – 1:20:40]
The Poupaud Range
Outro Music: The National, “Bloodbuzz Ohio”
But for some football-related rants this week’s episode is surprisingly concise, as we turn our attention towards legacies. As Steven Soderbergh prepares to fold up his chair and retire (we’ll believe it when we see it) after his final film “Side Effects,” we reveal whether we think his pharmaceutical thriller is a worthy swansong, and offer our favourite examples of final films from directors. Sam Raimi is resurrecting L. Frank Baum’s series of Oz books with “Oz the Great and Powerful,” but can this kaleidoscopic 3D adventure even come close to replicating the magic of the original? And will Barbra Streisand’s Razzie-nominated return to acting in “The Guilt Trip” affect her long-standing reputation as a Queen among actresses? We have reviews of Jason Statham vehicle “Parker,” the acclaimed British thriller “Broken,” and Pete’s precious “Robot & Frank,” while we assess the power of Bette Midler’s Oscar-nominated performance in “The Rose” and look ahead to Sofia Coppola’s latest foray into the perils of youth, “The Bling Ring.” Sit back and listen to us bitch!
Opening Segment: Discussing the trailer for Sofia Coppola’s “The Bling Ring” [suggested by Irini] and Pete’s review of 1979’s “The Rose,” starring Bette Midler [3:45 – 16:55]
- “Oz the Great and Powerful”
- “Robot & Frank”
- “The Guilt Trip”
[21:30 – 52:00]
Closing Segment: Discussing Stephen Soderbergh’s self-proclaimed ‘final’ film “Side Effects,” and our top three directorial swansongs [52:05 – 1:09:55]
*Shag, Marry or Kill?*
*The Watson Factor*
*The Poupaud Range*
Outro Music: Gloria Estefan, “Go Away”