Tag Archives: michelle pfeiffer

Episode 76: The Threesome [The Family; Parkland; Short Term 12] with Special Guest Irini M.



Episode 76: The Threesome
[1:31:01]
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It’s Episode 76 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
In this week’s episode we’re joined by special guest and friend of the podcast Irini Markogiannaki, who helps us discuss the new releases at UK cinemas and chimes in with thoughts on eventful news items from the past few days. Some minor audio issues should mostly have been ironed out in the editing process, so you can enjoy our reviews of Luc Besson’s mafia comedy “The Family,” and Peter Landesman’s JFK assassination movie “Parkland” in relatively audible splendour. Cal and Irini reveal whether indie critics darling “Short Term 12” lives up to the hype, and there are verdicts on angst-ridden baby swap drama “Like Father Like Son” and black and white mumblecore offering “Computer Chess.” We ponder Leeds Film Festival’s audience favourites, conduct a
 rather epic pre greekconception corner, while a revelation about a planned remake of one of the week’s films causes Pete to recoil in horror. Tune in to find out which movie dumbfounded us with its music choices, which actor caused the man-loving podcasters to go weak at the knees, and why Irini’s encounter with Quentin Tarantino means that she owes Pete a huge apology.

The Week’s News:

  • 50th anniversary episode of Doctor Who airs
  • The first explicit trailer for Lars Von Trier’s “Nymphomaniac” is released
  • Jason Statham calls for an Oscar to be introduced for stuntmen
  • Leeds Film Festival reveals its top 20 audience favourites

[2:10 – 24:15]

Preconception Corner


Reviews of:
  • Parkland
  • Short Term 12
  • Like Father, Like Son
  • Computer Chess
  • The Family

[34:15 – 1:13:10]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: Cat Power, “The Greatest”

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Episode 58: Less Quality Fringe [The World’s End; Breathe In; Stories We Tell]


Episode 58: Less Quality Fringe
[1:18:30]
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It’s Episode 58 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog. The Gods of podcasting deride us from above as several interruptions (including a mouse!) curtailed last week’s documentary-heavy episode. We provide a quick round-up of last week’s offerings including Alex Gibney’s topical Wikileaks feature, “We Steal Secrets,” grim Indonesian piece, “The Act of Killing,” and Sarah Polley’s third theatrical venture, “Stories We Tell.” Pixar is mercifully spared as Pete summarises “Monsters University” in less than a minute, and Cal has some observations about “The Deep.” Moving onto this week, we tackle the pub crawl politics in Edgar Wright’s “The World’s End,” while Pete goes it alone for Austrian film “The Wall,” and Cal dishes the dirt on crime thriller “Eden” and Drake Doremus’s “Breathe In.” Listen as Cal apologises for last week’s technical debacle, and we go on tangents involving Samsara, the Best Actress Oscar race of 1989, Felicity Jones’s eternal youth, and some personal drinking anecdotes.
Opening Segment: The week’s news (including a big festival announcement!) and a round-up of last week’s reviews, featuring comment on “Monsters University,” “The Deep,” “The Act of Killing,” “We Steal Secrets: The Story of Wikileaks,” and “Stories We Tell”  [2:30 – 16:10]
*Preconception Corner*
Reviews of:
  • Breathe In
  • The Wall
  • Eden

[22:00 – 53:00]

Closing Segment: Our take on Edgar Wright’s “The World’s End,” the final film of his jokingly self-titled Cornetto Trilogy, and discussing great final films in trilogies!  [53:05 – 1:08:10]

*Shag, Marry or Kill?*
*The Watson Factor*
*The Poupaud Range*

Outro Music: The Doors, “Whisky Bar”

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