Episode 131: The Oxford Issue [American Sniper; Whiplash; Wild]
It’s Episode 131 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week was so jam-packed that we had to cut the entire news segment, but don’t worry, we’ll get around to that in our next episode. Instead, we react to last week’s Oscar nominations with theories on everything from the race row, to the surprise Marion Cotillard inclusion, to the unexpected haul for “American Sniper”. We also review Clint Eastwood’s latest delight, as well as other nominated films, including musical drama “Whiplash,” and soul-searching adventure “Wild,” starring Cal’s favourite, Reese Witherspoon. We’re on board with a wine-quaffing Kevin Kline in Parisian jaunt “My Old Lady,” and Pete dishes all on Alicia Vikander’s received pronunciation in wartime romance “Testament of Youth,” which featured too much Oxford reverence for his liking. Elsewhere, Bradley Cooper’s fuller face is up for scrutiny, there’s an unexpected bit of advocacy from Jane Fonda, and Sienna Miller’s dark locks threaten to steal the gold in The Pootsition.
- American Sniper 10:40 – 22:24
- Whiplash 22:25 – 37:21
- My Old Lady 37:22 – 45:50
- Testament of Youth 45:51 – 54:40
- Wild 54:41 – 1:07:23
Closing Segment: Our reaction to the Oscar nominations, featuring discussion of the snubs, the race row, and the quality of the nominees as a whole!
[1:07:24 – 1:27:12]
The Isaac Range
Outro Music: Kristina Train, “Dark Black”
Episode 51: False Advertising [Epic; The Moth Diaries; White Elephant]
EPISODE 51: False Advertising
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It’s Episode 51 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week we’re forced to address the issue of movie titles which bear no relation to their content, when new animated film “Epic” underwhelmingly proves not to be. World cinema is out in force this week with films from Belgium, Sweden, and Argentina, in “Our Children,” “White Elephant,” and the joyously-named “Snabba Cash.” Pete spent most of “The Moth Diaries” jotting down notable quotes, but will this be yet another high point for Mary Harron? And we open by discussing the winners from this year’s Cannes Film Festival, the festival’s high and low points, and the politics behind choosing who gets which prize. The temptation to have another dig at Tarantino proves too great for some, while a late digression involving Li Gong reveals our fondness for bitchy supporting turns. It’s all in the delivery…
Opening Segment: Discussing the winners of prizes at this year’s Cannes Film Festival, discussing the high points in the festival’s history, and some major injustices [2:15 – 16:45]
- “The Moth Diaries”
- “Our Children”
- “Snabba Cash” aka “Easy Money”
- “White Elephant”
[21:35 – 56:25]
Closing Segment: Our take on Fox’s new animated film “Epic,” and discussing movie titles which are confusing or irrelevant, given their subject matter [56:30 – 1:09:15]
*Shag, Marry or Kill?*
*The Watson Factor*
*The Poupaud Range*
Outro Music: Dana International, “Diva”