It’s Episode 156 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
We’re back this week with laments of last week’s disastrous attempted episode, and some devastating news from the film world, as we say goodbye to a much beloved cinematic canine. We chat about Aaron Sorkin’s latest project and Edward Norton’s controversial comments about the Academy Awards, plus this month’s Red Light District brings rapturous word about a French model-turned-actress and some rare positivity concerning Neil Diamond. The week’s reviews include Judd Apatow-helmed “Trainwreck,” desert-set thriller “Beyond the Reach,” Nanni Moretti’s meditiative drama “Mia Madre,” and Joel Edgerton’s directorial debut, “The Gift,” plus Jeremy Irvine’s physique wins points from Cal, Tilda Swinton’s stylist wins points from Pete, and LeBron James’ appearance in one of the week’s films wins (off-the-court) points all round.
The week’s news
Opening Segment: This month’s Red Light District, featuring discussion of “Blind Date,” “Death of a Salesman,” “Empire of Passion,” “The Jazz Singer,” “Love in the Afternoon,” “Raiders of the Lost Ark,” “That Is the Dawn,” and “Walk on the Wild Side”!
[10:46 – 27:10]
- The Gift 38:13 – 50:49
- Beyond the Reach 50:50 – 1:00:12
- Mia Madre 1:00:13 – 1:06:00
- Trainwreck 1:06:01 – 1:18:03
Shag, Marry or Kill?
The Garrett Gauge
Outro Music: Lana Del Rey, “Ride”
It’s a special episode of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
It’s been three long years and the podcast is still going, so sit back and listen to a compilation of our past year of putdowns, innuendo, and general banter. For those unfamiliar with the podcast, we do discuss films with intelligence and depth, and sometimes even like them, but none of that seemed as entertaining as Pete’s homoerotic plot rundown of “The Giver,” Cal’s unexpected remark about Jodie Foster, or our dissection of Roger Ebert’s anecdotal “Memoirs of a Geisha” review. Anyway, enjoy!