Tag Archives: matthew goode

Episode 124: The Gay in Engaging [The Imitation Game; The Drop; Life Itself]

Episode 124: The Gay in Engaging
[1:24:54]
You can Listen online

It’s Episode 124 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

This week the beer is flowing, and so is the innuendo, as Pete finally has the keys to his brand new house. This forces Cal into a distillation of jukebox classics, before we review the new releases, which include Michael Roskam’s “The Drop” and Roger Ebert documentary “Life Itself,” which prompts Pete to recite some of Roger Ebert’s more baffling reviews. In the wake of Alan Turing biopic “The Imitation Game” we get chatting about our favourite gay characters and icons of cinema, featuring discussion of Oscar Wilde and Billie Holiday, while Cal discloses some of the recent films he’s caught up with from earlier in the year, including a horror film about an urban archaeologist. A hefty news segment sees us discuss Angelina Jolie’s adoption of Derbyshire dialect, plus Eddie Redmayne’s fuckability sees a boost, and Fashion Police finally found a replacement for Joan Rivers. Elsewhere, the cast of Downton Abbey are out in force this week, Cal is feeling guilty for leaving Matthias Schoenaerts in the lurch, we float the possibility of a Tallulah Bankhead biopic starring Cate Blanchett, and Pete recounts a regretful dancefloor moment set to the music of Vanilla Ice.

The Week’s News:
  • Chris Hemsworth voted People Magazine’s “Sexiest Man Alive”
  • Angelina Jolie’s Derby Moment
  • Kathy Griffin announced as Joan Rivers’ replacement on Fashion Police
  • The trailer for Kenneth Branagh’s “Cinderella” is out
Plus! Cal gives a round-up of 2014 films he’s been catching up with, including “As Above, So Below,” “Black Coal, Thin Ice,” and “The Guest”!

[4:15 – 23:10]

Preconception Corner

Reviews of:

  • The Drop
  • Life Itself

[30:25 – 52:15]

Closing Segment: Our take on Oscar-tipped Alan Turing biopic “The Imitation Game,” and discussing LGBT heroes of the film world! 

[52:20 – 1:13:00]

Shag, Marry or Kill?
The Olsen Factor
The Isaac Range

Outro Music: This Mortal Coil, “Holocaust”

Episode 39: Shostakovich & Shockers [To the Wonder; Stoker; Broken City]


EPISODE 39: Shostakovich & Shockers
[1:22:37]
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It’s Episode 39 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

We might be a little off-form this week, as Pete is still ill and Cal is hungover, but we’ve got some juicy-looking films to ponder. We aim to be positive by bringing out our irregular Red Light District segment and pimping the best films we’ve seen in the past month, which include a Russian classic and a film about a woman who rents cats. We check out “Stoker,” the latest bloodthirsty offering from arthouse favourite Park Chan-Wook, and there’s blood on the hands of Richard Gere’s troubled billionaire too, in Nicholas Jarecki’s “Arbitrage”. While Pete opted for masculine thriller “Broken City” Cal sat down for Lasse Hallstrom’s adaptation of Nicholas Sparks novel “Safe Haven,” but we both saw part two of Terrence Malick’s prolific streak, the grand, romantic “To the Wonder.” Tune in to find out which one of us was reduced to tears by Malick’s film, and listen to our confessions of which films never fail to make us blub.

Introduction: The week’s news, and announcing Pete’s forfeit

Opening Segment:  This month’s Red Light District! Films pimped include: “Another Woman’s Life,” “The Company,” “The Cranes Are Flying,” “Rent-a-Cat,” “Us Two,” and “Vanya on 42nd Street” [5:45 – 17:55]

*Preconception Corner*

Reviews of: 

  • “Stoker”
  • “Arbitrage”
  • “Broken City”
  • “Safe Haven”

[22:45 – 49:25]

Closing Segment: Discussing Terrence Malick’s “To the Wonder” and our top three films which make us cry [49:50 – 1:13:45]

*Shag, Marry or Kill?*

*The Watson Factor*
*The Poupaud Range*

Intro Music: New theme music!
Outro Music: Naughty Boy feat. Emeli Sande, “Wonder”

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