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Episode 132: The Virtues of Ed [A Most Violent Year; Citizenfour; Ex Machina]

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Episode 132: The Virtues of Ed
[1:17:33]
You can Listen online

It’s Episode 132 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


This week’s episode sees us catch up on last week’s excised news segment by discussing the line-up for the upcoming Berlin Film Festival, as well as the announcement that the Coen brothers will rule over this year’s Cannes jury. Elsewhere, we offer our thoughts on the shifting Oscar races in the wake of the PGA and SAG winners, before revealing our thoughts on the week’s releases which includes controversial nominated documentary “Citizenfour.” Cal was in the queue for Anna Karenina lovers Domnhall Gleeson and Alicia Vikander’s reunion in sci-fi flick “Ex Machina,” and he also had time to see Mark Wahlberg’s blackjack skills in Rupert Wyatt’s “The Gambler,” while we both settled down for the latest work from podcast favourites Oscar Isaac and Jessica Chastain, in eighties-set drama “A Most Violent Year.” Elsewhere, some random digressions test our film geek credentials, an underappreciated child performance gets us discussing the 2001 Best Actor Oscar roster, and the unexpected cosmetic virtues of a certain whistleblower tickles Cal’s fancy.

The week’s news:
  • Joel and Ethan Coen to preside over this year’s Cannes Film Festival jury
  • The full line-up is revealed for this year’s Berlin Film Festival
  • Birdman wins the PGA
  • Screen Actors Guild award winners

[1:50 – 23:05]

Preconception Corner


Reviews of:

  • Ex Machina                                                   27:55 – 36:19
  • Citizenfour                                                    36:20 – 46:16
  • The Gambler                                                 46:17 – 55:17
  • A Most Violent Year                                   55:18 – 1:05:52


Shag, Marry or Kill?
The Pootsition
The Garrett Gauge

Outro Music: Liza Minnelli + Joel Grey, “Money Money”

Episode 118: The Dangers of Swiping Right [Gone Girl; Life After Beth; Draft Day]


Episode 118: The Dangers of Swiping Right

[1:24:05]
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It’s Episode 118 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


To donate to Pete’s half-marathon run, on behalf of the Midlands Arts Centre, follow this link


This week’s episode begins with an apology from Cal for last week’s drunken debacle, plus we plug Pete’s athletic abilities, and Cal tips a couple of worthwhile films playing at this year’s London Film Festival. In the wake of this week’s “Gone Girl” we dig into David Fincher’s chilly and distinguished career, before reviewing his new mystery thriller, but who was the unexpected stand-out of the cast? We tackle zombie comedy “Life After Beth,” before speculating on why The Times critic Wendy Ide may not have taken too kindly to the whole affair, while Pete left Cal to watch NFL procedural “Draft Day” alone, despite him knowing almost nothing (thank you, Mrs. Henderson) about the inner workings of the sport. Elsewhere, we conclude that Blake Lively’s impending arrival spells good news for the entire film community, Ellen Burstyn’s savvy use of social networking is too much for one of us to comprehend, and Ed Sheeran’s lyrical over-sensitivity towards hookups doesn’t go down too well. The bright side? There’s no sing-a-long.


The Week’s News:
  • David Lynch’s “Twin Peaks” to return for a third season in 2016!
  • Steve Martin to receive a Lifetime Achievement Award from the AFI
  • Blake Lively is pregnant
  • Films to look out for ahead of this week’s London Film Festival

[6:25 – 16:15]


Opening Segment:
In anticipation of “Gone Girl”: A retrospective of David Fincher’s career to date, featuring discussion of all of his films!

[16:20 – 32:45]

Preconception Corner

Reviews of:
  • Gone Girl
  • Draft Day
  • Life After Beth

[38:30 – 1:13:15]

Shag, Marry or Kill?
The Olsen Factor
The Isaac Range

Outro Music: La Roux, “Bulletproof”
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