Episode 161: The Chinese Intervention [The Martian; Macbeth; The Intern]
It’s Episode 161 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
A big congratulations to Pete, as this week he proposed to his other half Jane, prompting the women of the West Midlands to cross him out in their little black books, and the podcast to indulge in a Taylor Swift-inspired celebration. The week’s reviews include “The Intern,” Nancy Meyers’ latest frothy window into the life of a working woman, and “McFarland,” the latest of many sports movies in the lengthy filmography of Kevin Costner. Cal dares to take on William Shakespeare’s story structure in his review of the latest adaptation of “Macbeth,” while many of the plot developments in “The Martian” are up for scrutiny, particularly with regard to the Chinese. Elsewhere, two composers’ birthdays get us discussing their finest works, there’s a sizeable digression about the Best Actress crop of 2003, and Pete can’t help but veer into profanity while ranting about one of the week’s scripts.
The week’s news: The career of the late John Guillermin, plus the week’s birthdays!
[5:40 -13:40]
Preconception Corner
Reviews of:
- Macbeth 19:55 – 32:25
- McFarland 32:26 – 43:19
- The Intern 43:20 – 50:54
- The Martian 50:55 – 1:05:40
Shag, Marry or Kill?
The Pootsition
The Garrett Gauge
Outro Music: Britney Spears, “Oops, I Did it Again”
Episode 148: The No in Pacino [San Andreas; Man Up; Danny Collins]
It’s Episode 148 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week begins with a lengthy opening, featuring discussion of Sofia Coppola’s travails with the studio system, a long overdue film on the Suffragette movement, and a retrospective of Al Pacino in the wake of the release of “Danny Collins.” There are also reviews of disaster action movie “San Andreas,” Iranian vampire flick “A Girl Walks Home Alone At Night,” and romantic comedy “Man Up,” which propelled us into a digression concerning the politics of internet dating. Elsewhere, Cal is forced into a Neil Diamond-style rendition, a certain Antipodean singer narrowly avoids a dreaded Ehle Omission, while Pete disses the vocal talents of a British redhead, much to Cal’s chagrin.
The week’s news: Some Birthday wishes, plus news on Sofia Coppola’s exit from “The Little Mermaid,” the opener of this year’s London Film Festival, and a chat about Al Pacino!
[4:40 – 23:43]
Preconception Corner
Reviews of:
- Danny Collins 33:15 – 44:29
- Man Up 44:30 – 55:14
- A Girl Walks Home Alone At Night 55:15 – 1:02:15
- San Andreas 1:02:16 – 1:15:07
Shag, Marry or Kill?
The Pootsition
The Garrett Gauge
Episode 120: L’entrecôte de Belgique [The Maze Runner; The Judge; Annabelle]
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It’s Episode 120 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week Pete is recovering from the gruelling tasks of running a half-marathon and tackling the Cougars of Sutton, while Cal is exhausted from a week’s worth of screenings at the London Film Festival. We’re braving hit horror prequel “Annabelle,” despite Pete being unable to remember its predecessor, “The Conjuring,” and we both saw futuristic flick “The Maze Runner,” which we only really watched for the presence of the delectable Kaya Scoledario. Pete saw Robert Duvall get his grump on in David Dobkin’s courtroom thriller “The Judge,” while Cal caught the James Franco-penned “Palo Alto,” the plot of which forced Pete into demonstrating his eye-rolls through sound bites. Audio cues continue to invade the episode from then on, so listen as we discuss a history of unappealing subplots involving Vera Farmiga, an 80s cult classic starring David Bowie, and the promise of Val Kilmer’s son Jack. Elsewhere, a certain horticultural film sees much of Matthias Schoenaerts on display, Cal braves the wrath of Irini when he reviews Xavier Dolan’s latest, and anticipation for next week’s “The Babadook” leads to hilarity.
The Week’s News:
- The death of Misty Upham
- The death of Kit Carson
- Neil Patrick Harris to host the Oscars
- Leviathan wins Best Film at the London Film Festival
[4:45 – 12:25]
Opening Segment: Coverage from the London Film Festival, featuring discussion of “A Little Chaos,” “Mommy,” and “Something Must Break”
[12:30 – 22:50]
Preconception Corner
- Annabelle
- The Judge
- Palo Alto
- The Maze Runner
[32:55 – 1:18:00]
Shag, Marry or Kill?
The Olsen Factor
The Isaac Range
Episode 119: The Joys of Denim [’71; The Rewrite; London Film Festival]
Episode 119: The Joys of Denim
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It’s Episode 119 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
To donate to Pete’s half-marathon run, on behalf of the Midlands Arts Centre, follow this link
We’re a little late this week, but we hope it’s worth the wait, as Cal has been to the London Film Festival, bringing news of films by Christian Petzold, Andrei Zvyagintsev, Francois Ozon, and a doozy of a performance by Reese Witherspoon. The week’s reviews consist of IRA thriller “’71,” starring everyone’s favourite young actor, Jack O’Connell, and scriptwriting comedy “The Rewrite,” which was somewhat overshadowed by Marisa Tomei’s jeans. Cal saw Susan Sarandon play Sheriff in religious serial killer drama “The Calling,” which just about escaped the dreaded “F” grade, while we also had time to discuss Stephen Frears’ BFI Fellowship, Lindsay Lohan’s theatre stint, and Michelle Pfeiffer’s history at the Oscars. Elsewhere, we argue about the main concerns of Billy Wilder’s “Sunset Boulevard,” pimp an underseen German exorcist drama, and chat about the eclectic cast of Judd Apatow’s upcoming film, the title of which greatly amuses Pete.
The Week’s News:
- Stephen Frears receives a BFI Fellowship
[5:40 – 14:30]
Opening Segment: Coverage from the London Film Festival, featuring discussion of “Leviathan,” “The New Girlfriend,” “Phoenix,” and “Wild”
[14:35 – 26:45]
Preconception Corner
- ’71
- The Calling
- The Rewrite
[34:50 – 1:04:30]
Shag, Marry or Kill?
The Olsen Factor
The Isaac Range
Episode 117: The Ballad of Pitt & Brit [Maps to the Stars; I Origins; Ida]
Episode 117: The Ballad of Pitt & Brit
It’s Episode 117 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week’s episode is a distinctly non-sober affair, as birthday drinks crippled Cal’s ability to function (he wants you to know that he is fully aware that Joanne Woodward is American), but we managed to get through this week’s busy line-up of films in under ninety minutes. Pete caught Denzel Washington thriller “The Equalizer” and Mike Cahill’s treatise on faith vs. science, “I Origins,” while Cal was in the queue for horror flick “Honeymoon” and had time to rewatch Pawel Pawlikowski’s “Ida.” After that, both of us weigh in on David Cronenberg’s Hollywood satire “Maps to the Stars,” featuring Cannes Best Actress winner Julianne Moore, which leads us into a discussion of women from the past who have received that honour. Elsewhere, banter about pop music shifts from Taylor Swift onto Cheryl Cole, we ponder how long George Clooney’s marriage will last, a Christie Clanger from last week is addressed, and preconceptions for David Fincher’s “Gone Girl” (reviewed next week) get laid bare.
- George Clooney marries in Venice
- Foreign Language Oscar submissions: Russia submit “Leviathan”; Argentina submit “Wild Tales”
- Al Pacino receives a BAFTA Fellowship
[5:10 – 19:15]
- Ida
- The Equalizer
- Honeymoon
- I Origins
[25:00 – 1:00:05]
Closing Segment: Our take on David Cronenberg’s “Maps to the Stars,” and discussing the history of Best Actress winners at the Cannes Film Festival!
[1:00:10 – 1:21:15]
The Isaac Range
Outro Music: Cheryl Cole, “Crazy Stupid Love”
Episode 115: The Torvill and Dean Years [A Most Wanted Man; Pride; The Boxtrolls]
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It’s Episode 115 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week’s episode tops the 100-minute mark, as we take (a lot of) time out to discuss the many memorable films from 1999, revealing our top tens, and weighing in on some grandiose performances from the year. We also tackle some new releases, with Pete dishing all on the bonkers animation “The Boxtrolls” and Cal revealing how proud the LGBT community should be of “Pride”. We review Norwegian festival circuit favourite “Blind” and Anton Corbijn’s Hamburg-set thriller “A Most Wanted Man,” which features the final leading performance from Philip Seymour Hoffman. Tune in to find out what Pete has spent an excessive amount of money on this week, why Dominic West’s dancing is under scrutiny, and the sheer volume of affection extended to Rachel McAdams. Elsewhere, we discuss the unstoppable Jack O’Connell, Pete’s interruptions during Cal’s review of “Pride” leads to strikes being called, while this week’s Christie Clanger concerns the presence (or lackthereof) of Julie Delpy.
- “The Imitation Game” wins the People’s Choice award at the Toronto Film Festival
- George Clooney to receive the Cecil B. DeMille award at the Golden Globes
[3:40 – 10:45]
- A Most Wanted Man
- Pride
- Blind
- The Boxtrolls
[22:05 – 1:05:00]
Closing Segment: Our take on the cinema of 1999, featuring discussion of films such as “The Road Home,” “The Talented Mr. Ripley,” and “Rosetta,” and performances by Russell Crowe, Reese Witherspoon, and Cameron Diaz!
[1:05:05 – 1:45:15]
The Isaac Range
Outro Music: Ravel, “Bolero”
Episode 111: The Moribund Monologues [The Congress; Finding Vivian Maier; Blood Ties]
Episode 111: The Moribund Monologues
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It’s Episode 111 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week we pay tribute to two legends of the screen, as we discuss our favourite career highlights of Robin Williams and Lauren Bacall. The week’s releases offered few options, but we both managed to catch photographic documentary “Finding Vivian Maier” and Ari Folman’s live action/animation hybrid “The Congress,” which led us to some mighty preconceptions about Robin Wright. Pete saw the latest Simon Pegg comedy “Hector and the Search for Happiness” but only managed to come out of it with appreciation for one woman, while a surprise masculine presence in Guillaume Canet’s “Blood Ties” had Cal rather satisfied. Digressions are aplenty this week, as we take time out from the films to discuss the downfall of Gary Busey, lament Miley Cyrus’s break from acting, and list the problems that arise when normal moviegoers see foreign films. Elsewhere, an unexpected Gorillaz sing-off makes the final edit, recent dread for Daniel Radcliffe’s new film sees it excised from this month’s schedule, while a factual clanger from last week’s episode forces Cal into an apology, much to the amusement of Pete.
- David Ayer’s “Fury” to close London Film Festival
- The death of Robin Williams
- The death of Lauren Bacall
[4:45 – 21:00]
- Finding Vivian Maier
- Hector and the Search for Happiness
- Blood Ties
[32:00 – 1:02:55]
Closing Segment: Discussing Ari Folman’s “The Congress,” the career path of Robin Wright, and revealing our favourite films that are bat-shit crazy!
[1:03:00 – 1:19:30]
The Isaac Range
Outro Music: A-Ha, “Take On Me”
Episode 95: The Pullitzer Puzzle [Locke; The Love Punch; Cannes Lineup]
Episode 95: The Pullitzer Puzzle
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It’s Episode 95 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week we welcome Irini M back to the podcast to help us discuss the much-anticipated lineup of this year’s Cannes Film Festival, featuring the upcoming works of David Cronenberg, Mike Leigh, and many more European auteurs, some of which fill us with dread. We’re reviewing the Miranda Otto-led lesbian drama “Reaching for the Moon,” British heist comedy “The Love Punch,” and Tom Hardy’s one-man show “Locke,” which divided the camp in its depiction of drama and geography. Cal’s review of psychological horror film “Magic Magic” gets hijacked by Pete’s rant about a certain Pullitzer Prize winner, while Irini had a bone to pick with him about his “failure to understand” the point of Xavier Dolan’s latest delight. There are predictably many digressions, concerning Mr. Potato Head’s liberal use of his lips, Tom Hardy’s neglect of his razor, and Faye Dunaway’s fear of apostrophes, as well as a shocking Hathaway Protocol. It’s a week of regrets, as Irini’s belief in her own festival foresight lost her a fair bit of cash, while Naomi Watts finally bit the bullet and admitted that “Diana” wasn’t all that. Who knew?
Opening Segment: Discussing the recently announced line-up for this year’s Cannes Film Festival, featuring anticipation of films by David Cronenberg, Xavier Dolan, Nuri Bilge Ceylan, and Andrey Zvyagintsev!
[3:50 – 26:55]
Preconception Corner
- Reaching for the Moon
- The Love Punch
- Magic Magic
[36:00 – 1:00:25]
Closing Segment: Our take on Steven Knight’s “Locke,” and random asides involving Steve McQueen and Faye Dunaway!
[1:00:30 – 1:17:05]
The Poupaud Range
Outro Music: Radiohead, “Jigsaw Falling Into Place”
Episode 71: The Lazarus Situation [London Film Festival; Captain Phillips; Prince Avalanche]
Episode 71: The Lazarus Situation
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It’s Episode 71 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week’s episode is a London Film Festival special, as we round up some of the films we caught in the capital, including competition winner “Ida,” and acclaimed German drama “The Police Officer’s Wife.” We discuss directors battling conflicts with studios, including Darren Aronofsky and Olivier Dahan, before launching into an assault on Harvey Weinstein, after one of us saw the compromised cut of Wong Kar-Wai’s “The Grandmaster.” Cal tackles new releases “Prince Avalanche” and Belgian Oscar entry “The Broken Circle Breakdown,” before we reveal whether we liked Paul Greengrass’ “Captain Phillips” as much as similar Danish thriller “A Hijacking,” and ponder what on earth Catherine Keener is doing in the film. Tune in for digressions about Melissa George’s hair, the Best Actor Oscar lineup of 1994, and the dangers of meeting Americans in Eastern Europe.
The Week’s News:
- Catherine Deneuve turns 70
- “The Wolf of Wall Street” to be released this year
- Olivier Dahan vs. Harvey Weinstein
- Darren Aronofsky vs. Christians
[3:35 – 12:30]
Opening Segment: Our round-up of the London Film Festival, featuring discussion of “Bends,” “The Grandmaster,” “Ida,” “Must Have Been Love,” “On My Way,” and “The Police Officer’s Wife.”
[12:35 – 47:50]
Reviews of:
- Prince Avalanche
- The Broken Circle Breakdown
[52:25 – 1:02:30]
Closing Segment: Our take on seaboard-set adventure “Captain Phillips,” and discussing our favourite films set on the open water! [1:02:35 – 1:17:10]
The Watson Factor
The Poupaud Range
Outro Music: Tori Amos, “Talula”
Episode 69: Lowering the Brow [How I Live Now; Filth; Thanks For Sharing]
Episode 69: Lowering the Brow
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It’s Episode 69 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week we hit rock bottom in terms of class, as we review several films depicting trashy and/or deviant sexual behaviour. Saoirse Ronan sheds blood and taboos in her third outing this year, post-apocalyptic drama “How I Live Now,” while her once-“Atonement” co-star James McAvoy is off the leash in crazed thriller “Filth.” Elsewhere, Cal tuned in for sex addiction ensemble piece “Thanks For Sharing” and the sobering World War II-set “Emperor,” while Pete’s affection for Aubrey Plaza led him to high-school comedy “The To Do List.” Our early segments see the return of podcast favourites Lindsay Lohan and Miley Cyrus, before we discuss James L. Brooks’ degrees of success with actresses, and Cal tries to kill off Debbie Reynolds. Listen to find out how kids favourite Peppa Pig features in this week’s episode, how many digressions concern Jennifer Connelly, and why Roger Michell really needs to stop making films about horny old men.
The Week’s News:
- Miley Cyrus’s album ‘Bangerz’ was released
- The death of Patrice Chereau
- The BFI reveal a new video-on-demand service
- Quentin Tarantino discloses his top ten of 2013 (yes… already!)
[1:20 – 9:20]
This month’s Red Light District! Featuring discussion of “I Know Who Killed Me,” “The Peach Thief,” “Postcards from the Edge,” “Robot & Frank” and “White Space” [9:25 – 20:20]
Reviews of:
- Filth
- Thanks For Sharing
- The To-Do List
- Emperor
[27:50 – 1:00:35]
Closing Segment: Our take on Kevin MacDonald’s post-apocalyptic drama “How I Live Now,” and discussing our favourite film soundtracks! [1:00:40 – 1:19:15]
The Watson Factor
The Poupaud Range
Outro Music: Christina Millian, “Dip It Low”
Episode 65: Preferential Pork [About Time; Blackfish; Any Day Now]
Episode 65: Preferential Pork
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It’s Episode 65 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
Festivals are on the brain this week, as we discuss the unexpected winners from Venice’s Bertolucci-headed jury, and what to expect from the London Film Festival in October. Cal saw a rare film outing for Alan Cumming, in gay adoption drama “Any Day Now,” and braced the bloody horror “No One Lives,” while Pete opted for killer whale documentary “Blackfish.” We have a review of the academic “Museum Hours,” and Richard Curtis’ “About Time,” which Cal only saw a quarter of, due to some terrible projection incompetence in Hammersmith, and the Red Light District returns with films from the 1940s and 1980s. All this, plus our usual digressions, in which we launch into tangents on the prospect of a Liv Ullman comeback, the benefits of “Certified Copy,” and why Charles Laughton’s ham is more tolerable than Philip Seymour Hoffman’s.
The Week’s News, featuring discussion about this year’s honourary Oscars, Meryl Streep’s Oscar category reversal, Germany’s Foreign Language Oscar submission, and some “Blue is the Warmest Colour” controversy [3:00 – 12:20]
Opening Segment: Discussing the winners from this year’s Venice Film Festival, and the recently announced lineup for the London Film Festival! [12:25 – 22:10]
Reviews of:
- Any Day Now
- About Time
- No One Lives
- Blackfish
- Museum Hours
[25:45 – 1:10:00]
Closing Segment: This month’s Red Light District, featuring discussion about “Barfly,” “Flying Lessons,” “The Suspect,” and “World War Z” [1:10:05 – 1:18:40]
The Watson Factor
The Poupaud Range
Outro Music: Cat Power, “The Greatest”
Episode 61: Harsh Terrain [The Lone Ranger; The Canyons; From Up on Poppy Hill]
Episode 61: Harsh Terrain
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It’s Episode 61 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
After Pete’s whirlwind trip to Croatia we unite for cinematic visits to canyons, hills, and valleys. The return of a flesh-baring Lindsay Lohan sets pulses racing, but the trashy politics and Hollywood commentary of “The Canyons” only works for one of us. Cal goes it alone for the latest Studio Ghibli offering “From Up on Poppy Hill,” before we dig into Disney’s big-budget “The Lone Ranger,” ending with a fierce takedown of attempts by its producer and stars to blame the film’s failure on critics. We have a ton of film news to chew up, as well as part two of our 2009 Venice retrospective, and digressions about Rosalind Russell, Sergio Leone, and Oscar’s Foreign Language Film category. Yes, again.
Opening Segment: Part two of our 2009 Venice retrospective, featuring discussion about [14:25 – 35:40]
Reviews of:
- The Canyons
- From Up on Poppy Hill
[42:40 – 1:02:35]
Closing Segment: Our take on Disney’s “The Lone Ranger,” and discussing whether the critics are at fault for its box-office failure and discussing memorable buddy/cop movies! [1:02:40 – 1:20:45]
The Watson Factor
The Poupaud Range
Outro Music: Foxes, “Youth”
Episode 60: Sobriety Is a Virtue [The Conjuring; The Heat; Only God Forgives]
Episode 60: Sobriety Is a Virtue
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It’s Episode 60 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
A peroni-less podcast sees Pete on his best behaviour when confronted with a listener question that dares to approach the subject of Keira Knightley (see, we will answer questions about literally anything!) and when forced to tackle “Paris-Manhattan,” a French love letter to Woody Allen. Cal shows less resistance when he reviews “Only God Forgives,” before we unite for reviews of the week’s Hollywood fare, buddy-cop comedy “The Heat,” star-studded action sequel “Red 2,” and spooky box-office smash “The Conjuring.” We’ve also got this week’s Red Light District, which handily ties into Joe Wright’s filmography, and part one of our 2009 Venice retrospective, featuring comment on “I Am Love” and “White Material,” among others. Tune in to find out which country Pete is jetting off to this week, which film’s marketing annoys Cal, and whether Kristin Scott-Thomas’s embodiment of a famous fashion personality bests Helen Mirren’s channeling of Bette Davis. It’s diva overload!
The Week’s News
Listener Question: Is Keira Knightley the Queen of period films? [Zed] [8:15 – 13:00]
Opening Segment: This month’s Red Light District (pimped films include “Letter Never Sent” and “Romancing in Thin Air”) and part one of our 2009 Venice Diaries! [13:05 – 32:30]
*Preconception Corner*
Reviews of:
- The Conjuring
- Red 2
- Paris-Manhattan
- Only God Forgives
[37:45 – 1:04:05]
Closing Segment: Our take on Paul Feig’s feminist comedy “The Heat,” and discussing memorable buddy/cop movies! [1:04:10 – 1:16:50]
The Watson Factor
The Poupaud Range
Outro Music: Holly Valance, “Down Boy”
In the Mood for Podcast 
