Episode 95: The Pullitzer Puzzle
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It’s Episode 95 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week we welcome Irini M back to the podcast to help us discuss the much-anticipated lineup of this year’s Cannes Film Festival, featuring the upcoming works of David Cronenberg, Mike Leigh, and many more European auteurs, some of which fill us with dread. We’re reviewing the Miranda Otto-led lesbian drama “Reaching for the Moon,” British heist comedy “The Love Punch,” and Tom Hardy’s one-man show “Locke,” which divided the camp in its depiction of drama and geography. Cal’s review of psychological horror film “Magic Magic” gets hijacked by Pete’s rant about a certain Pullitzer Prize winner, while Irini had a bone to pick with him about his “failure to understand” the point of Xavier Dolan’s latest delight. There are predictably many digressions, concerning Mr. Potato Head’s liberal use of his lips, Tom Hardy’s neglect of his razor, and Faye Dunaway’s fear of apostrophes, as well as a shocking Hathaway Protocol. It’s a week of regrets, as Irini’s belief in her own festival foresight lost her a fair bit of cash, while Naomi Watts finally bit the bullet and admitted that “Diana” wasn’t all that. Who knew?
Opening Segment: Discussing the recently announced line-up for this year’s Cannes Film Festival, featuring anticipation of films by David Cronenberg, Xavier Dolan, Nuri Bilge Ceylan, and Andrey Zvyagintsev!
[3:50 – 26:55]
- Reaching for the Moon
- The Love Punch
- Magic Magic
[36:00 – 1:00:25]
Closing Segment: Our take on Steven Knight’s “Locke,” and random asides involving Steve McQueen and Faye Dunaway!
[1:00:30 – 1:17:05]
The Poupaud Range
Outro Music: Radiohead, “Jigsaw Falling Into Place”
Episode 70: Home Truths
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It’s Episode 70 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week’s epic episode is our longest yet, as we give our take on two films with radically different approaches to marriage. We found romantic comedy “Baggage Claim” a tad bonkers, but certain members of its Paula Patton-led cast won us over, while we reveal whether Roger Michell’s “Le Weekend” can shrug off its terrible title and avoid becoming another chronicle of an elderly gentleman’s libido. We have reviews of Wikileaks drama “The Fifth Estate” and Kim Ki-Duk’s twisted thriller “Pieta,” before embarking on a lengthy discussion of Oscar highs and lows from years gone by. We take your suggestions, address a listener question regarding this year’s Best Actress race, and tease next week’s report from the London Film Festival. Tune in to find out which film prompted Pete to start juggling marshmallows, which critical faux-pas caused Cal to become appalled, which famous British actress played the flute in Pete’s school orchestra, and how Willem Dafoe’s character poster for “Nymphomaniac” may have us crying out for “Body of Evidence,” despite what Julianne Moore might think.
The Week’s News:
- The Death of Mark ‘Chopper’ Read
- Character posters are released for “Nymphomaniac”
- The first Oscar screeners are sent out (“Mud”; “Stories We Tell”; “The Croods)
- Tina Fey and Amy Poehler will return to host the Golden Globes
- Golden Globe category placements: “Blue Jasmine” goes drama, while “Before Midnight” goes comedy
[1:40 – 14:30]
Listener Question: “Is there ANY WAY Cate Blanchett won’t win the Oscar for “Blue Jasmine”? [Eoin]
[14:40 – 18:55]
- The Fifth Estate
- Baggage Claim
- Le Week-End
[27:05 – 1:09:30]
Closing Segment: Revealing our most loved and loathed Oscar lineups from years gone by, and discussing listener suggestions! With comment on 1937’s Best Actress Lineup and 1955’s list of supporting actresses, plus much more! [1:09:35 – 1:27:55]
The Watson Factor
The Poupaud Range
Outro Music: Javiera Mena, “Luz de Piedra de Luna”