Episode 101: The Besmirchment of Hermione
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It’s Episode 101 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week sees the debut review of perennial podcast talking point and all-around legend, Liv Ullmann, whose return to the screen in German Oscar entry “Two Lives” got tongues wagging, but did its tepid tale of espionage make a lasting impression on us? In the wake of this week’s Singapore film “Ilo Ilo,” we get to talking about other recent Camera d’Or winners at the Cannes Film Festival, touching on some films Pete doesn’t really like, and one in particular that he can’t get enough of. Elsewhere, only one of us saw Angelina Jolie strut her stuff in Disney spin-off “Maleficent,” and the sheer insanity of Doug Liman’s “Edge of Tomorrow” had us knocked for six. Listen, as we rue a series of missed opportunities and get into a passionate discussion about the importance of film critics, while Pete rants about the recent career choices of a podcast favourite and a former co-star of Emily Blunt gets an unexpected shout-out. Vive le Yorkshire!
The week’s news:
- Ken Loach complains about critics
[5:25 – 11:25]
Opening Segment: Discussing the winners of the Camera d’Or at the Cannes Film Festival, since 2000, featuring discussion of “Reconstruction,” “Hunger,” “Beasts of the Southern Wild,” and more!
[11:35 – 21:40]
- Ilo Ilo
- Two Lives
[29:10 – 58:05]
Closing Segment: Our take on Doug Liman’s “Edge of Tomorrow,” starring Tom Cruise and Emily Blunt!
[58:10 – 1:11:15]
The Isaac Range
Outro Music: The Shirelles, “Will You Still Love Me Tomorrow?”
Episode 95: The Pullitzer Puzzle
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It’s Episode 95 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week we welcome Irini M back to the podcast to help us discuss the much-anticipated lineup of this year’s Cannes Film Festival, featuring the upcoming works of David Cronenberg, Mike Leigh, and many more European auteurs, some of which fill us with dread. We’re reviewing the Miranda Otto-led lesbian drama “Reaching for the Moon,” British heist comedy “The Love Punch,” and Tom Hardy’s one-man show “Locke,” which divided the camp in its depiction of drama and geography. Cal’s review of psychological horror film “Magic Magic” gets hijacked by Pete’s rant about a certain Pullitzer Prize winner, while Irini had a bone to pick with him about his “failure to understand” the point of Xavier Dolan’s latest delight. There are predictably many digressions, concerning Mr. Potato Head’s liberal use of his lips, Tom Hardy’s neglect of his razor, and Faye Dunaway’s fear of apostrophes, as well as a shocking Hathaway Protocol. It’s a week of regrets, as Irini’s belief in her own festival foresight lost her a fair bit of cash, while Naomi Watts finally bit the bullet and admitted that “Diana” wasn’t all that. Who knew?
Opening Segment: Discussing the recently announced line-up for this year’s Cannes Film Festival, featuring anticipation of films by David Cronenberg, Xavier Dolan, Nuri Bilge Ceylan, and Andrey Zvyagintsev!
[3:50 – 26:55]
- Reaching for the Moon
- The Love Punch
- Magic Magic
[36:00 – 1:00:25]
Closing Segment: Our take on Steven Knight’s “Locke,” and random asides involving Steve McQueen and Faye Dunaway!
[1:00:30 – 1:17:05]
The Poupaud Range
Outro Music: Radiohead, “Jigsaw Falling Into Place”