Episode 169: Givenchy in No Man’s Land [The Beguiled; Okja; Wonder Woman]
It’s Episode 169 of In the Mood for Podcast!
This week we’re finally back with a jam-packed episode full of news and reviews! First on the agenda is Daniel Day-Lewis’ shock retirement announcement (which fails to convince) and Annette Bening ruling the roost in Venice, plus a record amount of invitations from AMPAS gets our seal of approval. There are reviews of Bong Joon-ho’s madcap fable “Okja” and Sofia Coppola’s period potboiler “The Beguiled,” while we venture into superhero territory with verdicts on Marvel’s latest spidey story “Spiderman: Homecoming” and DC’s critical and box-office hit “Wonder Woman”. Elsewhere, Gal Gadot’s pacing on the front line conjured up images of the catwalk for Cal, there’s a pitch for a Miranda July-led superhero movie, and Irini unforgivably mistakes Garrett Hedlund for a certain Amazonian explorer.
The week’s news:
- “The Square” wins the Palme d’Or
- Daniel Day-Lewis retires from acting
- Annette Bening to head this year’s Venice Film Festival jury
- 774 people invited to AMPAS
[3:30 – 11:25]
- Wonder Woman 17:45 – 26:55
- Spider Man: Homecoming 26:56 – 32:29
- Okja 32:30 – 42:02
- The Beguiled 42:03 – 54:18
- Top Films, Performances and Moments of 2017 so far
[54:19 – 1:15:55]
Shag, Marry or Kill?
The Garrett Gauge
Intro Music: Lolawolf, “House Key”
Outro Music: Dua Lipa, “Be the One”
Episode 113: The Eight Year Drought [Night Moves; The Rover; Obvious Child]
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It’s Episode 113 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week we begin by discussing the recently-announced recipients of this year’s Honorary Oscars, which leads us to several Oscar-related issues of the past, including the 1937 Best Actress race and the much-maligned Best Picture winner of 1941. Masculinity is alive and well, as Guy Pearce exercises badass tendencies in David Michod’s “The Rover,” which, thankfully for Pete, Jacki Weaver was absent from, while the talent on show in Scandinavian crime drama “The Keeper of Lost Causes” had Cal clamouring for more. By contrast, there are reviews of two films from female directors, with Gillian Robespierre’s indie comedy “Obvious Child” tackling the tricky subject of abortion, and Kelly Reichardt’s “Night Moves” deconstructing the folly of environmental activism. Pete walked out of the latter at Venice and did not turn back, but tune in to find out whether he managed to finish it at the second time of asking. Meanwhile, Cal has much to say about the sexual politics in John Slattery’s “God’s Pocket,” Pete dictates when co-incidences in film scripts are acceptable, and we bitch about a particularly unwelcome trend in world cinema. Elsewhere, Cal is baffled by a bizarre Robert Pattinson car sing-a-long, there’s a rare shout-out for a former co-star of Dakota Fanning, and there is some serious trepidation in advance of next week’s trashy-looking Rowan Joffe thriller.
- The Academy announces the recipients of this year’s honorary Oscars
[3:10 – 13:50]
- Night Moves
- Obvious Child
- The Keeper of Lost Causes
- God’s Pocket
[25:35 – 1:04:00]
Closing Segment: Our take on David Michod’s revenge thriller “The Rover,” starring Guy Pearce and Robert Pattinson!
[1:04:05 – 1:17:50]
The Isaac Range
Outro Music: Keri Hilson, “Pretty Girl Rock”
Episode 52: Finding Our Voice [Byzantium; The Purge; Populaire]
EPISODE 52: Finding Our Voice
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It’s Episode 52 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
You’ll need to forgive us this week, but we’re a little late to the party. Pete is a very weary traveller having just returned from Nice, but we’re on top form with our discussions of this week’s bevy of releases. We start off with a little news and discussion of our compilation episode, before Cal launches into a colourful review of “Byzantium,” and divulges the somewhat welcome left-wing politics in “The Purge.” “The Big Wedding” left us so bemused and bewildered that our review turns into a barnstorming takedown, and then we dish all on frothy comedy “Populaire,” which we’ve been anticipating for some time. Listen for digressions about “Vertigo,” Oscar’s Best Actor politics, and Pete’s semi-faux pas regarding Gemma Arterton, which barely made the final cut.
Opening Segment: Discussing our compilation episode and the week’s film news [1:50 – 10:40]
- The Big Wedding
- The Purge
[17:40 – 1:01:05]
Closing Segment: This month’s Red Light District! We pimp “10 Years,” “Compulsion,” “The Guard,” “House of Pleasures,” and “Rashomon” [1:01:10 – 1:15:20]
*Shag, Marry or Kill?*
*The Watson Factor*
*The Poupaud Range*
Outro Music: New Order, “Ceremony”