It’s Episode 114 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week’s episode is a tale of two halves, as Irini M. joins us once again, having spent the past week or so trawling across the lido of Venice. She brings us extensive coverage of the film festival, reviewing most of the competition line-up, and dishing her verdict on (among other things) why Alejandro Gonzalez Inarritu’s “Birdman” left Italy empty-handed, and why Kim Ki-Duk’s filmmaking style is getting rather insufferable. Eventually we get to reviewing new releases, with Nicole Kidman’s new amnesiac thriller “Before I Go To Sleep” leaving us with head-scratching thoughts on the film’s title, and even more perplexing notions about its logic. We’re also on board for the sequel to Nicholas McCarthy’s promising “The Pact,” worryingly left in the hands of new directors, while Cal reviews David Wain’s romantic comedy pastiche “We Came Together,” and we tackle Elmore Leonard adaptation “Life of Crime. Listen for our theories on why Kirsten Dunst won Best Actress at Cannes, which former feline-loving Oscar winner Al Pacino may be slyly mocking, which British singer forces Pete to recoil in horror, and what this week’s Christie clanger has to do with Paris Hilton’s wardrobe.
The Week’s News
Opening Segment: Discussing the prizes awarded at this year’s Venice Film Festival, plus guest Irini M. provides coverage of many other films which played at the festival, including “Birdman,” “3 Hearts,” “Manglehorn,” “Red Amnesia,” and “She’s Funny That Way”
[4:35 – 40:40]
- The Pact II
- Life of Crime
- They Came Together
- Before I Go To Sleep
[47:20 – 1:23:50]
Shag, Marry or Kill?
The Olsen Factor
The Isaac Range
Episode 109: All About the Bantz
It’s Episode 109 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week we let the reviews take a back seat, as we focus on festival fare and classic cinema. Podcast stalwart Irini M. is back with us to discuss the line-up for this year’s Venice Film Festival (which she will be attending) but abandons us after half an hour, forcing Pete to turn to poetry for consolation. We take (a lot of) time out to discuss the year that was 1977, talking about the year’s critics prizes, Oscar winners, and our personal top tens, leading to digressions about a classic catfight between Shirley MaClaine and Anne Bancroft, and a disappointing gay denial from Cal’s student days. Elsewhere, we chat about David Gordon Green’s “Joe,” sci-fi adventure “Earth to Echo,” and mythological action film “Hercules,” which Pete’s piano pupil was conspicuously absent from. Tune in to discover which Hong Kong director (no – not that one) got Pete and Irini excited, how the approach to casting of Luis Bunuel and Pier Pasolini was beyond liberal, and why the party island of Ibiza will force a mini-podcast hiatus.
The Week’s News:
- The trailer for Liv Ullmann’s “Miss Julie” is released
Opening Segment: Discussing the recently-announced lineup for this year’s Venice Film Festival, featuring films from Roy Andersson, Ramin Bahrani, and Andrew Niccol!
[3:55 – 20:40]
Listener Questions [Ibbi]
[20:45 – 29:35]
Classic Segment: Discussing our favourite films and performances from 1977, touching upon films by William Friedkin, Paul Verhoeven, and Fred Zinnemann, and performances by Richard Burton, Vanessa Redgrave, and Quinn Cummings! Plus much more!
[38:35 – 1:16:55]
- Earth to Echo
[1:17:00 – 1:34:05]
The Isaac Range
Outro Music: Miley Cyrus, “Party in the U.S.A”
- Breathe In
- The Wall
[22:00 – 53:00]
Closing Segment: Our take on Edgar Wright’s “The World’s End,” the final film of his jokingly self-titled Cornetto Trilogy, and discussing great final films in trilogies! [53:05 – 1:08:10]
*Shag, Marry or Kill?*
*The Watson Factor*
*The Poupaud Range*
Outro Music: The Doors, “Whisky Bar”