Tag Archives: joan crawford

Episode 168: The Garrel Grievance [Cannes Film Festival Line-Up]

Episode 168: The Garrel Grievance
[1:05:33]
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News from the Croisette lures Irini and Cal back to the microphone, as we discuss yesterday’s announcement of the 70th Cannes Film Festival lineup, featuring (among others) new films from Andrey Zvyagintsev, Lynne Ramsay, Todd Haynes, and podcast favourite Sofia Coppola. We’re also catching up with news we haven’t discussed since the last episode, chief of which is *that* infamous Oscar mix-up, plus we touch upon the surprise smash hit “Get Out” and dig into some seriously juicy female-led TV shows. Elsewhere, Irini shamelessly flaunts some national pride when we discuss one of the festival’s entries, we vehemently disagree on the virtues of the Safdie brothers, and Cal tests Irini’s patience by taking a pop at Xavier Dolan and all but killing off Michael Haneke.

News Catch Up:

  • Oscars catastrophe
  • Oscar rule changes
  • Get Out
  • Big Little Lies / Feud

[1:51 – 11:53]

Listener Question [ibbi]

Cannes Film Festival:

  • Discussing the line-up for this year’s Cannes Film Festival in May!

[16:20 – 56:25]

Intro Music: Alma, “Requiem”
Outro Music: Loreen, “Statements”

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Episode 160: The Back of Black [Everest; The D Train; Solace]

  everest



Episode 160: The Back of Black
[1:17:26]
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It’s Episode 160 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


This week there’s a ton of news, as we discuss the possibility of Damian Lewis as James Bond, the decision by Sean Penn to sue Lee Daniels, and the final submissions for the Foreign Language Oscar, which include a surprising move from the French committee, and a nationally-questionable entry from Ireland. The week’s reviews see us tackle the frosty climate and eclectic cast of Baltasar Kormakur’s “Everest,” Cal caught Anthony Hopkins’ clairvoyant antics in “Solace,” while an unforeseen plot device in Jack Black comedy “The D Train” saw us glimpse far more of him than we’d like. Elsewhere, Ryan Adams’ cover of Taylor Swift’s album has Pete enthused, and the week’s array of hunks pleases Cal greatly.

The week’s news: 

  • Sixty years without James Dean
  • Damian Lewis rumoured to be the next James Bond
  • Sean Penn sues Lee Daniels for $10m
  • Foreign Language Oscar deadline ends

[4:45 – 20:40]

Opening Segment: This month’s Red Light District, featuring discussion of “Daisy Kenyon,” “It Follows,” “The Secret Life of Walter Mitty,” “Singles,” “So I Married An Axe Murderer,” and “There’s Always Tomorrow”!

[20:45 – 30:10]

Preconception Corner

Reviews of:

  • The D Train               34:35 – 47:20
  • Solace                         47:21 – 54:04
  • Everest                      54:05 – 1:07:30


Shag, Marry or Kill?
The Pootsition
The Garrett Gauge

Outro Music: The Waterboys, “The Whole of the Moon”

Episode 116: The Decoy Tots [The Giver; Magic in the Moonlight; A Walk Among the Tombstones]


Episode 116: The Decoy Tots

[1:26:57]
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It’s Episode 116 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


After last week’s super-long episode, we lament Cal’s laissez faire approach to editing, but this edition managed to sail under the ninety-minute mark fairly smoothly. The Red Light District is back, as we discuss films starring Nina Hoss and Richard Burton, a dishonest Dogme flick, plus Cal’s return to awards completion gets us analysing two Best Actress Oscar races, one of which features one of the biggest snubs of all time. New releases include baseball underdog drama “Million Dollar Arm,” of which the MVP was plain for both of us to see, and Woody Allen’s “Magic in the Moonlight,” which Pete unsurprisingly snubbed. There’s also Liam Neeson thriller “A Walk Among the Tombstones,” and Philip Noyce’s “The Giver,” which Pete managed to smear in innuendo and spend forever on divulging the plot of. Taylor Swift’s presence in the film forces both of us to admit some admiration for her lyrical hand, while her likeness to a famously jilted tennis player instigates discussion of a disastrous celebrity relationship. Elsewhere, there’s a postponed Joe Wright rant from last week, Pete’s parents’ holiday snaps struggle to emulate Michael Ballhaus, and the natural charm of one of this week’s actresses leads to a new qualification in the Olsen Factor.


The Week’s News
    • Foreign Language submissions from France, Belgium, Canada, and Hong Kong

[2:25 – 8:20]


Opening Segment: 
This month’s Red Light District, featuring discussion of “Barbara,” “Elena,” “Mifune’s Last Song,” “Mourning Becomes Electra,” “Passion Fish,” “The Spy Who Came In From the Cold” and “Win/Win”

[8:25 – 23:15]

Preconception Corner

Reviews of:
  • Million Dollar Arm
  • A Walk Among the Tombstones
  • Magic in the Moonlight
  • The Giver

[29:15 – 1:12:15]

Shag, Marry or Kill?
The Olsen Factor
The Isaac Range

Outro Music: Tori Amos, “Give”
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