Tag Archives: jeremie renier

Episode 168: The Garrel Grievance [Cannes Film Festival Line-Up]

Episode 168: The Garrel Grievance
[1:05:33]
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News from the Croisette lures Irini and Cal back to the microphone, as we discuss yesterday’s announcement of the 70th Cannes Film Festival lineup, featuring (among others) new films from Andrey Zvyagintsev, Lynne Ramsay, Todd Haynes, and podcast favourite Sofia Coppola. We’re also catching up with news we haven’t discussed since the last episode, chief of which is *that* infamous Oscar mix-up, plus we touch upon the surprise smash hit “Get Out” and dig into some seriously juicy female-led TV shows. Elsewhere, Irini shamelessly flaunts some national pride when we discuss one of the festival’s entries, we vehemently disagree on the virtues of the Safdie brothers, and Cal tests Irini’s patience by taking a pop at Xavier Dolan and all but killing off Michael Haneke.

News Catch Up:

  • Oscars catastrophe
  • Oscar rule changes
  • Get Out
  • Big Little Lies / Feud

[1:51 – 11:53]

Listener Question [ibbi]

Cannes Film Festival:

  • Discussing the line-up for this year’s Cannes Film Festival in May!

[16:20 – 56:25]

Intro Music: Alma, “Requiem”
Outro Music: Loreen, “Statements”

Episode 51: False Advertising [Epic; The Moth Diaries; White Elephant]

EPISODE 51: False Advertising
[1:16:20]
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It’s Episode 51 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

This week we’re forced to address the issue of movie titles which bear no relation to their content, when new animated film “Epic” underwhelmingly proves not to be. World cinema is out in force this week with films from Belgium, Sweden, and Argentina, in “Our Children,” “White Elephant,” and the joyously-named “Snabba Cash.” Pete spent most of “The Moth Diaries” jotting down notable quotes, but will this be yet another high point for Mary Harron? And we open by discussing the winners from this year’s Cannes Film Festival, the festival’s high and low points, and the politics behind choosing who gets which prize. The temptation to have another dig at Tarantino proves too great for some, while a late digression involving Li Gong reveals our fondness for bitchy supporting turns. It’s all in the delivery…

Opening Segment:  Discussing the winners of prizes at this year’s Cannes Film Festival, discussing the high points in the festival’s history, and some major injustices [2:15 – 16:45]

*Preconception Corner*

Reviews of:

  • “The Moth Diaries”
  • “Our Children”
  • “Snabba Cash” aka “Easy Money”
  • “White Elephant”

[21:35 – 56:25]

Closing Segment: Our take on Fox’s new animated film “Epic,” and discussing movie titles which are confusing or irrelevant, given their subject matter [56:30 – 1:09:15]

*Shag, Marry or Kill?*

*The Watson Factor*
*The Poupaud Range*

Outro Music: Dana International, “Diva”

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