Tag Archives: jeff bridges

Episode 145: The Two Toms [Far From the Madding Crowd; Unfriended; Elsa + Fred]

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Episode 145: The Two Toms
[58:49]
You can Listen online

It’s Episode 145 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


Our latest episode is our shortest yet, as connection problems plagued our recording, and this week’s offering of films was fairly minimal. The big question this week is whether negative preconceptions about Thomas Hardy and Thomas Vinterberg respectively, could be conquered when we sat down for  period romance “Far From the Madding Crowd”. Elsewhere, we both caught geriatric romance “Elsa + Fred,” starring Shirley MacLaine and Christopher Plummer, while Cal was in the queue for social media horror “Unfriended,” which gets us talking about the value of gimmicks. Plus: a series of listener questions leads to an inquisition into last week’s Pootsition and the advent of a new segment, there are digressions about the strength of 1964’s Best Actress and 2004’s Best Actor fields, and Pete launches an unexpectedly vicious assault on the work of Julian Jarrold.

Listener Questions [Ibbi]

[3:50 – 13:19]

Red Light District: Revealing the non-new films we’ve been catching up with in the past month, featuring discussion of “Dead Ringer,” “Middle of the Night,” The Pirate,” and “Up”

[13:20 – 19:08]

Preconception Corner

Reviews of:

  • Elsa + Fred                                                    22:45 – 31:52
  • Unfriended                                                    31:53 – 37:40
  • Far From the Madding Crowd                 37:41 – 47:32


Shag, Marry or Kill?
The Pootsition
The Garrett Gauge

Outro Music: Disclosure feat. Mary J. Blige, “F For You”
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Episode 141: The Sprinkler of Sadness [Cinderella; Get Hard; Seventh Son]

Episode 141: The Sprinkler of Sadness
[1:12:25]
You can Listen online

It’s Episode 141 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

This week’s reviews include medieval fantasy adventure “Seventh Son,” the latest incarnation of the fairy tale “Cinderella,” and Argentinian Oscar nominee “Wild Tales,” which is courting controversy in the wake of some bad release timing. Elsewhere, we discuss comedy caper “Get Hard,” which already had preconceptions reeling from Tim Robey’s assault on its homophobic tendencies, plus we chat about the horrendous title of Russell Crowe’s upcoming directorial debut feature, and the bizarre nature of Jeff Bridges’ vocal work. Meanwhile, the memory of Marlene Dietrich lives on the attire of one of this week’s performers, Ed Sheeran’s Australian exploits has Pete hoping he’ll stay there, and why is nobody mentioning the Grimm brothers’ glaring plot hole? Cal’s off to New York next week, so we’re taking a fortnight hiatus, but hopefully we’ll return with news of Pete’s first four-star film of the year.

The week’s news

Preconception Corner

Reviews of:

  • Seventh Son                                17:41 – 29:26
  • Get Hard                                      29:27 – 40:50
  • Wild Tales                                    40:51 – 48:22
  • Cinderella                                   48:23 – 1:00:32


Shag, Marry or Kill?
The Pootsition
The Garrett Gauge

Outro Music: Fiona Apple, “Extraordinary Machine”

Episode 117: The Ballad of Pitt & Brit [Maps to the Stars; I Origins; Ida]


Episode 117: The Ballad of Pitt & Brit

[1:29:34]
You can Listen online

It’s Episode 117 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


This week’s episode is a distinctly non-sober affair, as birthday drinks crippled Cal’s ability to function (he wants you to know that he is fully aware that Joanne Woodward is American), but we managed to get through this week’s busy line-up of films in under ninety minutes. Pete caught Denzel Washington thriller “The Equalizer” and Mike Cahill’s treatise on faith vs. science, “I Origins,” while Cal was in the queue for horror flick “Honeymoon” and had time to rewatch Pawel Pawlikowski’s “Ida.” After that, both of us weigh in on David Cronenberg’s Hollywood satire “Maps to the Stars,” featuring Cannes Best Actress winner Julianne Moore, which leads us into a discussion of women from the past who have received that honour. Elsewhere, banter about pop music shifts from Taylor Swift onto Cheryl Cole, we ponder how long George Clooney’s marriage will last, a Christie Clanger from last week is addressed, and preconceptions for David Fincher’s “Gone Girl” (reviewed next week) get laid bare.

The Week’s News:
  • George Clooney marries in Venice
  • Foreign Language Oscar submissions: Russia submit “Leviathan”; Argentina submit “Wild Tales”
  • Al Pacino receives a BAFTA Fellowship

[5:10 – 19:15]

Preconception Corner

Reviews of:
  • Ida
  • The Equalizer
  • Honeymoon
  • I Origins

[25:00 – 1:00:05]

Closing Segment: Our take on David Cronenberg’s “Maps to the Stars,” and discussing the history of Best Actress winners at the Cannes Film Festival!

[1:00:10 – 1:21:15]

Shag, Marry or Kill?
The Olsen Factor
The Isaac Range

Outro Music: Cheryl Cole, “Crazy Stupid Love”

Episode 116: The Decoy Tots [The Giver; Magic in the Moonlight; A Walk Among the Tombstones]


Episode 116: The Decoy Tots

[1:26:57]
You can Listen online
or Download MP3
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It’s Episode 116 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


After last week’s super-long episode, we lament Cal’s laissez faire approach to editing, but this edition managed to sail under the ninety-minute mark fairly smoothly. The Red Light District is back, as we discuss films starring Nina Hoss and Richard Burton, a dishonest Dogme flick, plus Cal’s return to awards completion gets us analysing two Best Actress Oscar races, one of which features one of the biggest snubs of all time. New releases include baseball underdog drama “Million Dollar Arm,” of which the MVP was plain for both of us to see, and Woody Allen’s “Magic in the Moonlight,” which Pete unsurprisingly snubbed. There’s also Liam Neeson thriller “A Walk Among the Tombstones,” and Philip Noyce’s “The Giver,” which Pete managed to smear in innuendo and spend forever on divulging the plot of. Taylor Swift’s presence in the film forces both of us to admit some admiration for her lyrical hand, while her likeness to a famously jilted tennis player instigates discussion of a disastrous celebrity relationship. Elsewhere, there’s a postponed Joe Wright rant from last week, Pete’s parents’ holiday snaps struggle to emulate Michael Ballhaus, and the natural charm of one of this week’s actresses leads to a new qualification in the Olsen Factor.


The Week’s News
    • Foreign Language submissions from France, Belgium, Canada, and Hong Kong

[2:25 – 8:20]


Opening Segment: 
This month’s Red Light District, featuring discussion of “Barbara,” “Elena,” “Mifune’s Last Song,” “Mourning Becomes Electra,” “Passion Fish,” “The Spy Who Came In From the Cold” and “Win/Win”

[8:25 – 23:15]

Preconception Corner

Reviews of:
  • Million Dollar Arm
  • A Walk Among the Tombstones
  • Magic in the Moonlight
  • The Giver

[29:15 – 1:12:15]

Shag, Marry or Kill?
The Olsen Factor
The Isaac Range

Outro Music: Tori Amos, “Give”
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