It’s Episode 140 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week we discuss Sean Penn’s brawn in the critically-derided “The Gunman” and Ryan Reynolds’ form in the flat-out weird horror comedy “The Voices,” while the return of Shailene Woodley in Robert Schwentke’s “Insurgent” brings excitement (as does the surprise appearance of Naomi Watts), but did the Divergent sequel live up to the promise of its predecessor? Elsewhere, in the wake of the release of “Mommy” we take the opportunity to discuss the career of Xavier Dolan (leading to a Greek peace offering), we discuss the crowded Best Actor field of 2007, one of this week’s performers prompts a resurrection of the “best actress under thirty” debate, and Pete has taken to social media with his frustration at radio airplay.
A Conversation on Xavier Dolan: Discussing the filmmaker’s work thus far, in the wake of this week’s release of “Mommy”
[15:25 – 25:12]
- The Gunman 25:13 – 33:30
- The Voices 33:31 – 42:06
- Insurgent 42:07 – 58:08
Shag, Marry or Kill?
The Garrett Gauge
Episode 113: The Eight Year Drought
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It’s Episode 113 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week we begin by discussing the recently-announced recipients of this year’s Honorary Oscars, which leads us to several Oscar-related issues of the past, including the 1937 Best Actress race and the much-maligned Best Picture winner of 1941. Masculinity is alive and well, as Guy Pearce exercises badass tendencies in David Michod’s “The Rover,” which, thankfully for Pete, Jacki Weaver was absent from, while the talent on show in Scandinavian crime drama “The Keeper of Lost Causes” had Cal clamouring for more. By contrast, there are reviews of two films from female directors, with Gillian Robespierre’s indie comedy “Obvious Child” tackling the tricky subject of abortion, and Kelly Reichardt’s “Night Moves” deconstructing the folly of environmental activism. Pete walked out of the latter at Venice and did not turn back, but tune in to find out whether he managed to finish it at the second time of asking. Meanwhile, Cal has much to say about the sexual politics in John Slattery’s “God’s Pocket,” Pete dictates when co-incidences in film scripts are acceptable, and we bitch about a particularly unwelcome trend in world cinema. Elsewhere, Cal is baffled by a bizarre Robert Pattinson car sing-a-long, there’s a rare shout-out for a former co-star of Dakota Fanning, and there is some serious trepidation in advance of next week’s trashy-looking Rowan Joffe thriller.
- The Academy announces the recipients of this year’s honorary Oscars
[3:10 – 13:50]
- Night Moves
- Obvious Child
- The Keeper of Lost Causes
- God’s Pocket
[25:35 – 1:04:00]
Closing Segment: Our take on David Michod’s revenge thriller “The Rover,” starring Guy Pearce and Robert Pattinson!
[1:04:05 – 1:17:50]
The Isaac Range
Outro Music: Keri Hilson, “Pretty Girl Rock”
Episode 76: The Threesome
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It’s Episode 76 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
In this week’s episode we’re joined by special guest and friend of the podcast Irini Markogiannaki, who helps us discuss the new releases at UK cinemas and chimes in with thoughts on eventful news items from the past few days. Some minor audio issues should mostly have been ironed out in the editing process, so you can enjoy our reviews of Luc Besson’s mafia comedy “The Family,” and Peter Landesman’s JFK assassination movie “Parkland” in relatively audible splendour. Cal and Irini reveal whether indie critics darling “Short Term 12” lives up to the hype, and there are verdicts on angst-ridden baby swap drama “Like Father Like Son” and black and white mumblecore offering “Computer Chess.” We ponder Leeds Film Festival’s audience favourites, conduct a rather epic
The Week’s News:
- 50th anniversary episode of Doctor Who airs
- The first explicit trailer for Lars Von Trier’s “Nymphomaniac” is released
- Jason Statham calls for an Oscar to be introduced for stuntmen
- Leeds Film Festival reveals its top 20 audience favourites
[2:10 – 24:15]
- Short Term 12
- Like Father, Like Son
- Computer Chess
- The Family
[34:15 – 1:13:10]
The Poupaud Range
Outro Music: Cat Power, “The Greatest”