It’s Episode 161 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
A big congratulations to Pete, as this week he proposed to his other half Jane, prompting the women of the West Midlands to cross him out in their little black books, and the podcast to indulge in a Taylor Swift-inspired celebration. The week’s reviews include “The Intern,” Nancy Meyers’ latest frothy window into the life of a working woman, and “McFarland,” the latest of many sports movies in the lengthy filmography of Kevin Costner. Cal dares to take on William Shakespeare’s story structure in his review of the latest adaptation of “Macbeth,” while many of the plot developments in “The Martian” are up for scrutiny, particularly with regard to the Chinese. Elsewhere, two composers’ birthdays get us discussing their finest works, there’s a sizeable digression about the Best Actress crop of 2003, and Pete can’t help but veer into profanity while ranting about one of the week’s scripts.
The week’s news: The career of the late John Guillermin, plus the week’s birthdays!
- Macbeth 19:55 – 32:25
- McFarland 32:26 – 43:19
- The Intern 43:20 – 50:54
- The Martian 50:55 – 1:05:40
Shag, Marry or Kill?
The Garrett Gauge
Outro Music: Britney Spears, “Oops, I Did it Again”
It’s a special episode of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
It’s been three long years and the podcast is still going, so sit back and listen to a compilation of our past year of putdowns, innuendo, and general banter. For those unfamiliar with the podcast, we do discuss films with intelligence and depth, and sometimes even like them, but none of that seemed as entertaining as Pete’s homoerotic plot rundown of “The Giver,” Cal’s unexpected remark about Jodie Foster, or our dissection of Roger Ebert’s anecdotal “Memoirs of a Geisha” review. Anyway, enjoy!
It’s Episode 147 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This much-delayed episode sees us discuss last week’s big releases at the cinema, including Brad Bird’s adventure tale “Tomorrowland,” and horror remake “Poltergeist.” We also had time to chat about Rosamund Pike’s latest twisted thriller, “Return to Sender,” and Cal reveals all about Samuel L. Jackson’s “Big Game,” which had a rather ludicrous plot setup to live up to. Simon Pegg’s recent outspoken antics may have upset comic-book geeks far and wide, but his thoughts on modern blockbusters instigate a lengthy chat about the future of the industry, while the prizes from the Cannes Film Festival dredge up longstanding observations about the festival’s politics. We may only be in June, but tune in to find out which leading performance Cal has already declared the worst of the year, which fishy figurehead Nick Nolte reminded Pete of, and which lesser-known actress emerged as the star of her film.
The week’s news: Discussing some interesting birthdays in the world of film, Simon Pegg’s assault on modern studio filmmaking, and the prizes from the Cannes Film Festival!
[3:10 – 22:00]
- Poltergeist 29:28 – 38:21
- Return to Sender 38:22 – 50:07
- Big Game 50:08 – 56:39
- Tomorrowland 56:40 – 1:08:12
Shag, Marry or Kill?
The Garrett Gauge
It’s Episode 123 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week we’re joined once again by Irini M., who brings us news from her home country’s Thessaloniki Film Festival in a notably more concise fashion than September’s Venice round-up. She also joins in our discussion of some interesting recent events, which includes some rare exciting news involving David O. Russell, and the bizarre spectrum of films vying for this year’s Animated Feature Oscar. We discuss two Foreign Language Oscar contenders, as Paolo Virzi’s “Human Capital” enlivens the middle-class misery of bourgeois Italy and Andrey Zvyagintsev’s “Leviathan” documents the coastal conflicts of rural Russia, before giving ambition a dressing down, as Christopher Nolan’s epic “Interstellar” comes to town. We reveal whether the cinematic influences used in the film are a blessing or curse, and whether Nolan’s scope and logic holds up under scrutiny. Elsewhere, we recount a horror show from Venice which saw Pete become a gay advocate, a mistaken text briefly convinced Cal that his niece was a child genius, while Keira Knightley’s recent quest to boost female self-image has us rather baffled.
- Darren Aronofsky to head the jury at next year’s Berlin Film Festival
- David O. Russell’s long-delayed “Nailed” re-titled as “Love in Politics” and scheduled for release in the UK
- Animated Feature Oscar qualifying list is announced
- European Film Award nominations are announced
[3:05 – 20:55]
[21:00 – 34:45]
- Human Capital
[43:25 – 1:01:30]
Closing Segment: Our take on Christopher Nolan’s space-set epic “Interstellar,” and discussing cine-literate films, with comment on “Allegro,” “Kill Bill,” and “Once Upon a Time in the West”!
[1:01:35 – 1:28:40]
The Isaac Range
Outro Music: Adam and the Ants, “Prince Charming”