It’s Episode 158 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week we turn our attention to a flurry of recent awards news, as the recipients of this year’s Honorary Oscars were announced, and several countries have submitted their entries for this year’s Foreign Language Film contest. We pay tribute to the late great Wes Craven, while Cal uncorks a trio of European classics in the latest edition of the Red Light District, featuring discussion of Francois Truffaut and Vittorio De Sica. The week’s reviews include Andrew Haigh’s tense marital drama “45 Years” and Jonathan Demme’s rock star romp “Ricki and the Flash,” while Jesse Eisenberg and Kristen Stewart were reunited in action comedy “American Ultra,” and Jafar Panahi managed to get another film made (“Closed Curtain”) despite being a prisoner in his own home. Elsewhere, we discuss Charlotte Rampling’s incredible decade-and-a-half, Kristen Stewart’s hair dye does the trick, and there’s trepidation for double-Tom Hardy in next week’s Krays film.
The week’s news: Featuring a retrospective of Wes Craven’s career, plus we chat about the recipients of this year’s Honorary Oscars, and the first submissions for this year’s Foreign Language Film Oscar!
[2:30 – 24:14]
Opening Segment: This month’s Red Light District, featuring discussion of “The Garden of the Finzi-Continis,” “The Marquise of O,” and “Stolen Kisses”!
[24:15 – 29:35]
- Ricki and the Flash 42:20 – 51:40
- American Ultra 51:41 – 1:02:10
- Closed Curtain 1:02:11 – 1:07:15
- 45 Years 1:07:16 – 1:24:38
Shag, Marry or Kill?
The Garrett Gauge
Outro Music: The Platters, “Smoke Gets In Your Eyes”
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It’s Episode 113 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week we begin by discussing the recently-announced recipients of this year’s Honorary Oscars, which leads us to several Oscar-related issues of the past, including the 1937 Best Actress race and the much-maligned Best Picture winner of 1941. Masculinity is alive and well, as Guy Pearce exercises badass tendencies in David Michod’s “The Rover,” which, thankfully for Pete, Jacki Weaver was absent from, while the talent on show in Scandinavian crime drama “The Keeper of Lost Causes” had Cal clamouring for more. By contrast, there are reviews of two films from female directors, with Gillian Robespierre’s indie comedy “Obvious Child” tackling the tricky subject of abortion, and Kelly Reichardt’s “Night Moves” deconstructing the folly of environmental activism. Pete walked out of the latter at Venice and did not turn back, but tune in to find out whether he managed to finish it at the second time of asking. Meanwhile, Cal has much to say about the sexual politics in John Slattery’s “God’s Pocket,” Pete dictates when co-incidences in film scripts are acceptable, and we bitch about a particularly unwelcome trend in world cinema. Elsewhere, Cal is baffled by a bizarre Robert Pattinson car sing-a-long, there’s a rare shout-out for a former co-star of Dakota Fanning, and there is some serious trepidation in advance of next week’s trashy-looking Rowan Joffe thriller.
- The Academy announces the recipients of this year’s honorary Oscars
[3:10 – 13:50]
- Night Moves
- Obvious Child
- The Keeper of Lost Causes
- God’s Pocket
[25:35 – 1:04:00]
Closing Segment: Our take on David Michod’s revenge thriller “The Rover,” starring Guy Pearce and Robert Pattinson!
[1:04:05 – 1:17:50]
The Isaac Range
Outro Music: Keri Hilson, “Pretty Girl Rock”