Episode 128: ‘Tis the Season to be Juli
It’s Episode 128 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
It’s our last episode of 2014 so we take the opportunity to celebrate the best films we’ve reviewed on the podcast this year, and our favourite performances, which includes a surprising Supporting Actress win from Pete. This week’s reviews include the Biblical epic “Exodus: Gods and Kings” and Angelina Jolie’s audacious survival tale “Unbroken,” while Pete caught Jimi Hendrix biopic “Jimi: All Is By My Side.” We discuss fradulent artist drama “Big Eyes,” starring Amy Adams, while we assess Julianne Moore’s bid for a long overdue Oscar in heavy-going Alzheimer’s tale “Still Alice.” Elsewhere, the death of the last remaining acting Oscar winner from the 1930s resurrects a common complaint, we scrutinize this year’s Foreign Language Oscar race some more, there’s a Razzie-level performance in one of this week’s films, and the podcast is interrupted by the children and dogs in Cal’s packed household.
- The death of Luise Rainer
- Tim Burton and Helena Bonham Carter split up
- Foreign Language Oscar Shortlist is revealed
[2:35 – 16:40]
- Big Eyes
- Exodus: Gods and Kings
- Jimi: All Is By My Side
- Still Alice
[24:25 – 1:11:40]
Closing Segment: Discussing our favourite films and performances reviewed on the podcast in 2014!
[1:11:45 – 1:17:55]
The Isaac Range
Outro Music: Baha Men, “Who Let the Dogs Out?”
Episode 113: The Eight Year Drought
(Right click… save as)
It’s Episode 113 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week we begin by discussing the recently-announced recipients of this year’s Honorary Oscars, which leads us to several Oscar-related issues of the past, including the 1937 Best Actress race and the much-maligned Best Picture winner of 1941. Masculinity is alive and well, as Guy Pearce exercises badass tendencies in David Michod’s “The Rover,” which, thankfully for Pete, Jacki Weaver was absent from, while the talent on show in Scandinavian crime drama “The Keeper of Lost Causes” had Cal clamouring for more. By contrast, there are reviews of two films from female directors, with Gillian Robespierre’s indie comedy “Obvious Child” tackling the tricky subject of abortion, and Kelly Reichardt’s “Night Moves” deconstructing the folly of environmental activism. Pete walked out of the latter at Venice and did not turn back, but tune in to find out whether he managed to finish it at the second time of asking. Meanwhile, Cal has much to say about the sexual politics in John Slattery’s “God’s Pocket,” Pete dictates when co-incidences in film scripts are acceptable, and we bitch about a particularly unwelcome trend in world cinema. Elsewhere, Cal is baffled by a bizarre Robert Pattinson car sing-a-long, there’s a rare shout-out for a former co-star of Dakota Fanning, and there is some serious trepidation in advance of next week’s trashy-looking Rowan Joffe thriller.
- The Academy announces the recipients of this year’s honorary Oscars
[3:10 – 13:50]
- Night Moves
- Obvious Child
- The Keeper of Lost Causes
- God’s Pocket
[25:35 – 1:04:00]
Closing Segment: Our take on David Michod’s revenge thriller “The Rover,” starring Guy Pearce and Robert Pattinson!
[1:04:05 – 1:17:50]
The Isaac Range
Outro Music: Keri Hilson, “Pretty Girl Rock”
(Right click… save as)
- Breathe In
- The Wall
[22:00 – 53:00]
Closing Segment: Our take on Edgar Wright’s “The World’s End,” the final film of his jokingly self-titled Cornetto Trilogy, and discussing great final films in trilogies! [53:05 – 1:08:10]
*Shag, Marry or Kill?*
*The Watson Factor*
*The Poupaud Range*
Outro Music: The Doors, “Whisky Bar”