Tag Archives: grace of monaco

Episode 102: Dial M for Mayday [Grace of Monaco; 22 Jump Street; Venus in Fur]



Episode 102: Dial M for Mayday

[1:35:51]
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It’s Episode 102 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
This week fears of a Greek backlash bubble to the surface, as we review friend of the podcast Irini’s favourite film of last year, Roman Polanski’s “Venus in Fur,” touching on the prowess of an older, fishnet-less Emmanuelle Seigner. Meanwhile, Cal was the only one in the queue for buddy cop sequel “22 Jump Street,” and creepy cult horror “The Sacrament,” while Pete caught Cal off-guard at the last minute with a surprise review that absolutely nobody was expecting. Find out whether this podcast is kinder to Olivier Dahan’s “Grace of Monaco” than most critics have been thus far, and listen to us discuss the ups and downs of Grace Kelly’s short-lived film career, including her generally-disliked Best Actress Oscar win. Elsewhere, we float potential nicknames for Channing Tatum, anticipation for an upcoming Richard Linklater film is at fever pitch, while there’s yet more concern voiced for Shailene Woodley (and a distinct lack of medical knowledge) as her new cancer flick edges perilously closer.


The week’s news: 

  • The death of Rik Mayall

Preconception Corner

Reviews of:
  • Venus in Fur
  • 22 Jump Street
  • A Million Ways to Die in the West
  • The Sacrament

[16:35 – 52:35]

Closing Segment: Our take on Olivier Dahan’s critically-savaged “Grace of Monaco,” and discussing the career of the one and only Grace Kelly!

[52:40 – 1:26:05]

Shag, Marry or Kill?
The Olsen Factor
The Isaac Range

Outro Music: Sia, “Breathe Me”
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Episode 99: The Changing of the Guard [Godzilla; Two Faces of January; In Secret]



Episode 99: The Changing of the Guard

[1:25:59]
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It’s Episode 99 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
This week marks the end of an era, as we announce who will take over from Emma Watson and Melvil Poupaud in our factor and range segments, so tune in to find out which delectable actor and actress will assume the baton. It’s a week of good cast lists, as the latest blockbuster incarnation of “Godzilla” managed to assemble a who’s who of Thespian talent (if you discount Aaron Taylor-Johnson), and we review period thriller “The Two Faces of January,” despite not having a clue why it’s titled as such. Cal goes it alone for “Concussion,” the sapphic answer to “Belle De Jour,” which Pete took as a cue to go into innuendo overdrive, while love triangle melodrama “In Secret” instigates fierce preconceptions about Jessica Lange. A recent death in the cinematography world leads to a digression about the best shot films of 1990, a discussion of anti-heroes turns into an analysis of category placement politics, plus the Huston problem rears its ugly head to plague one of our new replacements.


The week’s news: 

  • “Grace of Monaco” trashed at Cannes
  • Broadchurch wins three BAFTAs
  • The death of Malik Bendjelloul
  • The death of Gordon Willis

[4:20 – 10:55]

Preconception Corner

Reviews of:
  • The Two Faces of January
  • In Secret
  • Concussion

[19:40 – 52:50]

Closing Segment: Our take on Gareth Edwards’ “Godzilla,” and discussing the history of anti-heroes in cinema!

[52:55 – 1:13:00]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: Shout Out Louds, “1999”

Episode 95: The Pullitzer Puzzle [Locke; The Love Punch; Cannes Lineup]



Episode 95: The Pullitzer Puzzle

[1:29:47]
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It’s Episode 95 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
This week we welcome Irini M back to the podcast to help us discuss the much-anticipated lineup of this year’s Cannes Film Festival, featuring the upcoming works of David Cronenberg, Mike Leigh, and many more European auteurs, some of which fill us with dread. We’re reviewing the Miranda Otto-led lesbian drama “Reaching for the Moon,” British heist comedy “The Love Punch,” and Tom Hardy’s one-man show “Locke,” which divided the camp in its depiction of drama and geography. Cal’s review of psychological horror film “Magic Magic” gets hijacked by Pete’s rant about a certain Pullitzer Prize winner, while Irini had a bone to pick with him about his “failure to understand” the point of Xavier Dolan’s latest delight. There are predictably many digressions, concerning Mr. Potato Head’s liberal use of his lips, Tom Hardy’s neglect of his razor, and Faye Dunaway’s fear of apostrophes, as well as a shocking Hathaway Protocol. It’s a week of regrets, as Irini’s belief in her own festival foresight lost her a fair bit of cash, while Naomi Watts finally bit the bullet and admitted that “Diana” wasn’t all that. Who knew?


Opening Segment: 
Discussing the recently announced line-up for this year’s Cannes Film Festival, featuring anticipation of films by David Cronenberg, Xavier Dolan, Nuri Bilge Ceylan, and Andrey Zvyagintsev!

[3:50 – 26:55]

Preconception Corner

Reviews of:
  • Reaching for the Moon
  • The Love Punch
  • Magic Magic

[36:00 – 1:00:25]

Closing Segment: Our take on Steven Knight’s “Locke,” and random asides involving Steve McQueen and Faye Dunaway!

[1:00:30 – 1:17:05]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: Radiohead, “Jigsaw Falling Into Place”

Episode 84: Race to the Finish [Inside Llewyn Davis; August: Osage County; The Missing Picture]



Episode 84: Race to the Finish

[1:00:00]
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It’s Episode 84 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
This week’s episode is our shortest yet, as Pete seized the opportunity to cut the podcast at its knees in the final fleeting minutes. We didn’t quite manage to get it under an hour, but our reviews of starry ensemble drama “August:Osage County” and dour folk-scene tale “Inside Llewyn Davis” are concise enough. We discuss lesser known Oscar-nominated films “The Missing Picture” and “Cutie and the Boxer,” and ponder the Cold War charms of Kenneth Branagh’s “Jack Ryan: Shadow Recruit.” Pete pines for the presence of Lena Endre in one of this week’s movies, while we also chat about the politics behind foreign, animated, and documentary crossover movies, and 2013’s highs in cinematography.


The Week’s News:

    • “Grace of Monaco” to open Cannes Film Festival, but which cut?
    • Lindsay Lohan announces her latest project
    • Alfonso Cuaron wins the Directors Guild Award

[2:25 – 8:15]

Preconception Corner

Reviews of:
  • August: Osage County
  • Jack Ryan: Shadow Recruit
  • Cutie and the Boxer
  • The Missing Picture

[14:50 – 43:30]

Closing Segment: Our take on the Coen brothers’ “Inside Llewyn Davis,” and our favourite fictional musicians on film!

[43:35 – 57:20]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: Go West, “King of Wishful Thinking”

Episode 71: The Lazarus Situation [London Film Festival; Captain Phillips; Prince Avalanche]



Episode 71: The Lazarus Situation
[1:26:29]
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It’s Episode 71 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
This week’s episode is a London Film Festival special, as we round up some of the films we caught in the capital, including competition winner “Ida,” and acclaimed German drama “The Police Officer’s Wife.” We discuss directors battling conflicts with studios, including Darren Aronofsky and Olivier Dahan, before launching into an assault on Harvey Weinstein, after one of us saw the compromised cut of Wong Kar-Wai’s “The Grandmaster.” Cal tackles new releases “Prince Avalanche” and Belgian Oscar entry “The Broken Circle Breakdown,” before we reveal whether we liked Paul Greengrass’ “Captain Phillips” as much as similar Danish thriller “A Hijacking,” and ponder what on earth Catherine Keener is doing in the film. Tune in for digressions about Melissa George’s hair, the Best Actor Oscar lineup of 1994, and the dangers of meeting Americans in Eastern Europe.

The Week’s News:

  • Catherine Deneuve turns 70
  • “The Wolf of Wall Street” to be released this year
  • Olivier Dahan vs. Harvey Weinstein
  • Darren Aronofsky vs. Christians

[3:35 – 12:30]

Opening Segment: Our round-up of the London Film Festival, featuring discussion of “Bends,” “The Grandmaster,” “Ida,” “Must Have Been Love,” “On My Way,” and “The Police Officer’s Wife.”
[12:35 – 47:50]

*Preconception Corner*

Reviews of:
  • Prince Avalanche
  • The Broken Circle Breakdown

[52:25 – 1:02:30]

Closing Segment: Our take on seaboard-set adventure “Captain Phillips,” and discussing our favourite films set on the open water! [1:02:35 – 1:17:10]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range


Outro Music: Tori Amos, “Talula”

Episode 67: Advanced Iconography [Diana; 42; The Call]



Episode 67: Advanced Iconography
[1:28:59]
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It’s Episode 67 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

This week we’re asking ourselves whether this is the real life or just fantasy, as biographical dramas about two very different people hit cinema screens in the UK. As self-confessed baseball fans, the Jackie Robinson movie “42” was very high on our agenda, while Olivier Hirschbiegel’s heavily derided “Diana” gave us uneasy preconceptions. From there, Cal tackles serial-killer thriller “The Call,” and Pete caught coming-of-age tale “The Way Way Back” and Arabian drama “Winter of Discontent.” A modest news segment turns into a lengthy discussion about Foreign Language Oscar nominees of the past (like that’s never happened before) and we launch into digressions involving the measure of Marcello Mastrioianni’s Oscar nominations, the patriotism of the French, and some huge concerns about next week’s releases.  

The Week’s News:

  • Foreign Language Oscar submissions: Hong Kong submit “The Grandmaster,” France submit “Renoir,” and the UK submit “Metro Manila”
  • “Grace of Monaco” and “Wolf of Wall Street” pushed to 2014
  • Terrence Malick is counter-suiting the people suing him for the “Voyage of Time” debacle
  • Quentin Tarantino to star as Roger Corman in a biopic directed by Joe Dante
  • Sofia Coppola directing the next Phoenix video
  • Abdellatif Kechiche hits back at criticism

 [2:15 – 20:15]

*Preconception Corner*

Reviews of:
  • 42
  • The Way, Way Back
  • The Call
  • Winter Of Discontent

[29:30 – 1:02:10]

Closing Segment: Our take on Olivier Hirschbiegel’s “Diana,” and assessing just how much of a disaster it is for those involved! [1:02:15 – 1:17:55]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: D:Ream, “Things Can Only Get Better”

Episode 66: Fast and Loose [Rush; White House Down; Ain’t Them Bodies Saints]



Episode 66: Fast and Loose
[1:21:45]
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It’s Episode 66 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

It’s a loose, on-form episode this week, as a modest amount of films allows the digressions to flow! Pete is quick to take down James Franco, before launching into a vitriolic monologue about Rooney Mara in his assessment of Malick-inspired “Ain’t Them Bodies Saints, and hijacking Cal’s “White House Down” review with theories on how Bill Clinton’s former indiscretions could have killed us all, and how on earth James Woods managed to get an Oscar nomination for “Ghosts of Mississippi.” The barrage of lowbrow jibes is stemmed by a review of French drama “The Artist and the Model,” before we follow up an epic set of preconceptions about Ron Howard with our remarkably attuned view of sports flick “Rush,” and some views on its awards prospects. Sit back for random tangents on who Pete’s Orient Princess is, what we think 2011’s Best Picture lineup would have looked like with just five nominees, and how Nicholas Cage’s filmography forms the basis of a brand new measure of cinematic absurdity.

The Week’s News:

  • Foreign Language Oscar submissions from Saudia Arabia, The Netherlands, and Australia
  • Woody Allen to receive the Cecil B. DeMille award at this year’s Golden Globes
  • “12 Years a Slave” wins the People’s Choice award at the Toronto Film Festival
  • “The Butler” passes $100m in domestic box-office
  • The first teaser trailer is released for “Grace of Monaco”

 [1:40 – 15:10]

Listener Request: Discussing Venice’s 70th anniversary short films project [Irini] [15:15 – 20:05]

*Preconception Corner*

Reviews of:
  • Ain’t Them Bodies Saints
  • White House Down
  • The Artist and the Model

[26:35 – 54:35]

Closing Segment: Our take on Ron Howard’s “Rush,” dissecting its Oscar chances, and discussing our favourite cinematic playboys [54:45 – 1:12:35]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: Kelis, “Caught Out There”

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