It’s Episode 124 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week the beer is flowing, and so is the innuendo, as Pete finally has the keys to his brand new house. This forces Cal into a distillation of jukebox classics, before we review the new releases, which include Michael Roskam’s “The Drop” and Roger Ebert documentary “Life Itself,” which prompts Pete to recite some of Roger Ebert’s more baffling reviews. In the wake of Alan Turing biopic “The Imitation Game” we get chatting about our favourite gay characters and icons of cinema, featuring discussion of Oscar Wilde and Billie Holiday, while Cal discloses some of the recent films he’s caught up with from earlier in the year, including a horror film about an urban archaeologist. A hefty news segment sees us discuss Angelina Jolie’s adoption of Derbyshire dialect, plus Eddie Redmayne’s fuckability sees a boost, and Fashion Police finally found a replacement for Joan Rivers. Elsewhere, the cast of Downton Abbey are out in force this week, Cal is feeling guilty for leaving Matthias Schoenaerts in the lurch, we float the possibility of a Tallulah Bankhead biopic starring Cate Blanchett, and Pete recounts a regretful dancefloor moment set to the music of Vanilla Ice.
- Chris Hemsworth voted People Magazine’s “Sexiest Man Alive”
- Angelina Jolie’s Derby Moment
- Kathy Griffin announced as Joan Rivers’ replacement on Fashion Police
- The trailer for Kenneth Branagh’s “Cinderella” is out
[4:15 – 23:10]
- The Drop
- Life Itself
[30:25 – 52:15]
Closing Segment: Our take on Oscar-tipped Alan Turing biopic “The Imitation Game,” and discussing LGBT heroes of the film world!
[52:20 – 1:13:00]
The Isaac Range
Outro Music: This Mortal Coil, “Holocaust”
Episode 101: The Besmirchment of Hermione
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It’s Episode 101 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week sees the debut review of perennial podcast talking point and all-around legend, Liv Ullmann, whose return to the screen in German Oscar entry “Two Lives” got tongues wagging, but did its tepid tale of espionage make a lasting impression on us? In the wake of this week’s Singapore film “Ilo Ilo,” we get to talking about other recent Camera d’Or winners at the Cannes Film Festival, touching on some films Pete doesn’t really like, and one in particular that he can’t get enough of. Elsewhere, only one of us saw Angelina Jolie strut her stuff in Disney spin-off “Maleficent,” and the sheer insanity of Doug Liman’s “Edge of Tomorrow” had us knocked for six. Listen, as we rue a series of missed opportunities and get into a passionate discussion about the importance of film critics, while Pete rants about the recent career choices of a podcast favourite and a former co-star of Emily Blunt gets an unexpected shout-out. Vive le Yorkshire!
The week’s news:
- Ken Loach complains about critics
[5:25 – 11:25]
Opening Segment: Discussing the winners of the Camera d’Or at the Cannes Film Festival, since 2000, featuring discussion of “Reconstruction,” “Hunger,” “Beasts of the Southern Wild,” and more!
[11:35 – 21:40]
- Ilo Ilo
- Two Lives
[29:10 – 58:05]
Closing Segment: Our take on Doug Liman’s “Edge of Tomorrow,” starring Tom Cruise and Emily Blunt!
[58:10 – 1:11:15]
The Isaac Range
Outro Music: The Shirelles, “Will You Still Love Me Tomorrow?”