Tag Archives: Emmanuelle Beart
It’s Episode 122 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week we’re going retro again, as the Red Light District is back for its monthly outing, bringing news of an amibitious take on spirituality and a French poison-pen mystery, while a BAFTA-winning Maggie Smith performance and a glorious turn by Anne Bancroft turn the discussion to the year of 1987, in which we discuss the qualities of Holly Hunter, Olympia Dukakis, Jack Nicholson, and more! Current releases reviewed include the much-delayed “Charlie Countryman,” Polish surgery procedural “Bogowie,” and Dan Gilroy’s “Nightcrawler,” which had Seydoux repercussions for Jake Gyllenhaal. After that, attention is drawn to the painterly attributes of Mike Leigh’s “Mr. Turner,” but did either of us respond to the grunts and thrusts of Cannes Best Actor winner Timothy Spall? We engage in a brief hum-a-long of the film’s score, before taking the opportunity to discuss our favourite flicks based on the lives of artists, which includes talk of a Ken Russell biopic, a Tarkovsky epic, and a rare moment of non-objectification afforded to Emmanuelle Beart. There’s time to bitch about the running times of recent films in the wake of next week’s near three-hour “Interstellar,” while there are some rare kind words about Shia LaBoeuf, and an Adidas tracksuit unexpectedly provides a retrospective Huston Problem. Elsewhere, one of this week’s performers is unfavourably compared to Danny DeVito, the appeal of Mads Mikkelsen’s blondeness is swiftly dismissed by Cal, and the very thought of Lake Bell causes Pete to malfunction.
- British Independent Film Award nominations are announced
[2:25 – 9:20]
[9:25 – 25:05]
- Charlie Countryman
- Bogowie (Gods)
[29:55 – 53:00]
Closing Segment: Our take on Mike Leigh’s biographical drama “Mr. Turner,” and discussing films based on the lives of artists!
[53:05 – 1:10:45]
The Isaac Range
Outro Music: Kate Bush, “The Painter’s Link”