It’s Episode 160 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week there’s a ton of news, as we discuss the possibility of Damian Lewis as James Bond, the decision by Sean Penn to sue Lee Daniels, and the final submissions for the Foreign Language Oscar, which include a surprising move from the French committee, and a nationally-questionable entry from Ireland. The week’s reviews see us tackle the frosty climate and eclectic cast of Baltasar Kormakur’s “Everest,” Cal caught Anthony Hopkins’ clairvoyant antics in “Solace,” while an unforeseen plot device in Jack Black comedy “The D Train” saw us glimpse far more of him than we’d like. Elsewhere, Ryan Adams’ cover of Taylor Swift’s album has Pete enthused, and the week’s array of hunks pleases Cal greatly.
The week’s news:
- Sixty years without James Dean
- Damian Lewis rumoured to be the next James Bond
- Sean Penn sues Lee Daniels for $10m
- Foreign Language Oscar deadline ends
[4:45 – 20:40]
Opening Segment: This month’s Red Light District, featuring discussion of “Daisy Kenyon,” “It Follows,” “The Secret Life of Walter Mitty,” “Singles,” “So I Married An Axe Murderer,” and “There’s Always Tomorrow”!
[20:45 – 30:10]
- The D Train 34:35 – 47:20
- Solace 47:21 – 54:04
- Everest 54:05 – 1:07:30
Shag, Marry or Kill?
The Garrett Gauge
Outro Music: The Waterboys, “The Whole of the Moon”
Episode 89: Bad Badinage
(Right click… save as)
It’s Episode 89 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
In this week’s episode we finally put 2013 to bed with discussion of Sunday’s Oscar ceremony, which features theories on how rule changes may have helped a certain Italian film, and when on earth Amy Adams will get her moment in the sun. A listener question turns our attention to acting winners of years gone by, while we review airborne mystery/thriller “Non-Stop,” the first part of the racy “Nymphomaniac,” and Akiva Goldsman’s bewildering “A New York Winter’s Tale.” We have our say on holocaust drama “The Book Thief,” but did its Oscar-nominated score make as much impact on us as its intermittent voice-over? Plus: listen to find out how Uma Thurman is channelling Gena Rowlands this week, why Lars Von Trier’s use of Shostakovich is questionable, and a story from Pete about how unwelcome ‘entertainment’ almost turned nasty. It’s all about the badinage.
Introduction and non-film news
Discussing the winners of this year’s Academy Awards, plus a listener question!
[4:25 – 22:40]
- Nymphomaniac: Volume I
- The Book Thief
- A New York Winter’s Tale (mild spoilers!)
[31:40 – 1:17:50]
The Poupaud Range
Outro Music: The Cardigans, “Erase & Rewind”