Tag Archives: elizabeth debicki

Episode 157: The French Horn [The Man From UNCLE; Love and Mercy; Gemma Bovery]

  lovemercy

Episode 157: The French Horn
[1:15:39]
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It’s Episode 157 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


With the exception of Guy Ritchie’s “The Man from U.N.C.L.E,” this week’s selection of films is fairly highbrow, as we discuss the acclaimed story of Beach Boys founder Brian Wilson, “Love and Mercy,” and the elderly romance arthouse hit “I’ll See You In My Dreams,” while we seemed to spend an age discussing our various issues with Anne Fontaine’s “Gemma Bovery.” Elsewhere, Blythe Danner’s Pinot Grigio diet appeals to Cal, Universal’s domination of the marketplace gives us pause for thought, and there are titanic preconceptions for next week’s re-appearance of Charlotte Rampling.

The week’s news

[4:40 – 13:50]

Preconception Corner

Reviews of:

  • Love and Mercy                                 24:50 – 33:29
  • The Man From U.N.C.L.E               33:30 – 40:45
  • I’ll See You In My Dreams              40:46 – 51:59
  • Gemma Bovery                                  52:00 – 1:08:05


Shag, Marry or Kill?
The Pootsition
The Garrett Gauge

Outro Music: Boston, “More Than a Feeling”

Episode 50: Disparaging the Dead [The Great Gatsby; The Liability; In the Fog]


EPISODE 50: Disparaging the Dead
[1:25:00]
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Download MP3
(Right click… save as)

It’s Episode 50 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

Aside from digressions about Meryl Streep’s huge haul of Oscar nominations, and a Joe Wright rant about Ron Howard’s Oscar win, this week’s half-century edition is reasonably tight. The effervescent presence of Baz Luhrmann dominates, as we take a retrospective look at his work before discussing his latest picture, “The Great Gatsby.” We tackle a listener question concerning films booed at Cannes, specifically referencing the work of Michelangelo Antonioni, Martin Scorsese, and David Lynch. We launch into a review of comedic thriller “The Liability,” while Pete flies solo for British drama “Flying Blind,” and then we settle down for a Russian double-bill of Sergei Loznitsa’s acclaimed “In the Fog” and Alexey Balabanov’s “The Stoker.” The latter of those leads to a mid-podcast revelation which instigates guilty backtracking, but at least its Spanish-style soundtrack provides a handy accompaniment to this week’s episode.

Listener Question: Our thoughts on the BAM’s Booed At Cannes selection, pondering the reasons why people boo films, and the implications of that [3:35 – 10:30]

Opening Segment:  A retrospective on the work of Baz Luhrmann, featuring discussion of “Strictly Ballroom,” “Romeo & Juliet,” “Moulin Rouge!” and “Australia” [10:35 – 18:55]

*Preconception Corner*

Reviews of:

  • “The Liability”
  • “Flying Blind”
  • “The Stoker”
  • “In the Fog”

[22:00 – 57:00]

Closing Segment: Our take on Baz Luhrmann’s adaptation of F. Scott Fitzgerald’s popular novel “The Great Gatsby,” and our favourite films set in the ‘roaring’ Twenties [57:05 – 1:16:45]

*Shag, Marry or Kill?*

*The Watson Factor*
*The Poupaud Range*

Outro Music: Wild Belle, “It’s Too Late”

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