Episode 144: From Maasai Mara to Agent Provocateur [Avengers: Age of Ultron; The Good Lie; The Falling]
It’s Episode 144 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week there’s some festival fever, with the upcoming Cannes Film Festival generating fervour abroad, and Derby’s incarnation providing some local interest. We split the reviews segment, as Pete was there for Marvel’s huge sequel to “The Avengers” and Carol Morley’s acclaimed period drama “The Falling,” while Cal caught the gothic thriller “Stonhearst Asylum” and his favourite, Reese Witherspoon, in immigrant tale “The Good Lie.” Elsewhere, we talk about a couple of deaths in the film community, which instigates a discussion of cinematography in the early Noughties, there’s been drama on the set of the new Adam Sandler film, and the return of Greta Scacchi leads to a bit of a love-in. Tune in to discover what Xavier Dolan’s huge faux-pas might have been, which Avengers actress does not survive The Pootsition, and why Reese Witherspoon’s underwear was somewhat of an issue for Cal.
- The death of Richard Corliss
- The death of Andrew Lesnie
- Denis Villeneuve to helm Blade Runner sequel
- Further Cannes Film Festival updates
- Upcoming Derby Film Festival
[2:20 – 14:28]
- The Avengers: Age of Ultron 22:27 – 30:54
- Stonehearst Asylum 30:55 – 39:58
- The Falling 39:59 – 50:20
- The Good Lie 50:21 – 1:01:34
Shag, Marry or Kill?
The Garrett Gauge
It’s Episode 123 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week we’re joined once again by Irini M., who brings us news from her home country’s Thessaloniki Film Festival in a notably more concise fashion than September’s Venice round-up. She also joins in our discussion of some interesting recent events, which includes some rare exciting news involving David O. Russell, and the bizarre spectrum of films vying for this year’s Animated Feature Oscar. We discuss two Foreign Language Oscar contenders, as Paolo Virzi’s “Human Capital” enlivens the middle-class misery of bourgeois Italy and Andrey Zvyagintsev’s “Leviathan” documents the coastal conflicts of rural Russia, before giving ambition a dressing down, as Christopher Nolan’s epic “Interstellar” comes to town. We reveal whether the cinematic influences used in the film are a blessing or curse, and whether Nolan’s scope and logic holds up under scrutiny. Elsewhere, we recount a horror show from Venice which saw Pete become a gay advocate, a mistaken text briefly convinced Cal that his niece was a child genius, while Keira Knightley’s recent quest to boost female self-image has us rather baffled.
- Darren Aronofsky to head the jury at next year’s Berlin Film Festival
- David O. Russell’s long-delayed “Nailed” re-titled as “Love in Politics” and scheduled for release in the UK
- Animated Feature Oscar qualifying list is announced
- European Film Award nominations are announced
[3:05 – 20:55]
[21:00 – 34:45]
- Human Capital
[43:25 – 1:01:30]
Closing Segment: Our take on Christopher Nolan’s space-set epic “Interstellar,” and discussing cine-literate films, with comment on “Allegro,” “Kill Bill,” and “Once Upon a Time in the West”!
[1:01:35 – 1:28:40]
The Isaac Range
Outro Music: Adam and the Ants, “Prince Charming”
(Right click… save as)
- Breathe In
- The Wall
[22:00 – 53:00]
Closing Segment: Our take on Edgar Wright’s “The World’s End,” the final film of his jokingly self-titled Cornetto Trilogy, and discussing great final films in trilogies! [53:05 – 1:08:10]
*Shag, Marry or Kill?*
*The Watson Factor*
*The Poupaud Range*
Outro Music: The Doors, “Whisky Bar”