Episode 164: Awakenings [The Revenant; The Force Awakens; Spotlight; Carol]
It’s Episode 164 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
We’re back from a two-month absence with a jam-packed podcast, focusing on the big juggernauts of this year’s awards season, as well as the seventh instalment of a certain sci-fi franchise. We tackle Steven Spielberg’s latest moody historical drama “Bridge of Spies,” claustrophobic double-hander “Room,” and Todd Haynes’ lesbian tale “Carol,” which had to hurdle prickly preconceptions from Pete about one of its main stars. We give our verdict on Alejandro Gonzalez Inarritu’s forest-set revenge tale “The Revenant,” Thomas McCarthy’s journalism drama “Spotlight,” and the biggest film of 2015, “The Force Awakens,” while we may have had a few choice words to say about the use of Margot Robbie in fancied finance crisis comedy “The Big Short.” Elsewhere, we predict this year’s Academy Award nominations (happening tomorrow!), we mourn the death of the great David Bowie, there’s a digression on the films of 1988, and a listener question prompts an upheaval of The Pootsition.
Opening Segment: Discussing the film career of musician, actor, and all-around legend David Bowie, who sadly passed away this week
[1:40 – 9:30]
Preconception Corner
Reviews of:
- Star Wars: The Force Awakens 27:40 – 37:24
- Bridge of Spies 37:25 – 45:36
- Carol 45:37 – 51:53
- The Revenant 51:54 – 1:04:14
- Room 1:08:10 – 1:16:41
- The Big Short 1:16:42 – 1:24:12
- Spotlight 1:24:13 – 1:31:46
Closing Segment: Previewing this week’s Academy Award nominations!
[1:31:47 – 1:46:45]
Shag, Marry or Kill?
The Pootsition
The Garrett Gauge
Outro Music: David Bowie, “Five Years”
Episode 132: The Virtues of Ed [A Most Violent Year; Citizenfour; Ex Machina]
It’s Episode 132 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week’s episode sees us catch up on last week’s excised news segment by discussing the line-up for the upcoming Berlin Film Festival, as well as the announcement that the Coen brothers will rule over this year’s Cannes jury. Elsewhere, we offer our thoughts on the shifting Oscar races in the wake of the PGA and SAG winners, before revealing our thoughts on the week’s releases which includes controversial nominated documentary “Citizenfour.” Cal was in the queue for Anna Karenina lovers Domnhall Gleeson and Alicia Vikander’s reunion in sci-fi flick “Ex Machina,” and he also had time to see Mark Wahlberg’s blackjack skills in Rupert Wyatt’s “The Gambler,” while we both settled down for the latest work from podcast favourites Oscar Isaac and Jessica Chastain, in eighties-set drama “A Most Violent Year.” Elsewhere, some random digressions test our film geek credentials, an underappreciated child performance gets us discussing the 2001 Best Actor Oscar roster, and the unexpected cosmetic virtues of a certain whistleblower tickles Cal’s fancy.
- Joel and Ethan Coen to preside over this year’s Cannes Film Festival jury
- The full line-up is revealed for this year’s Berlin Film Festival
- Birdman wins the PGA
- Screen Actors Guild award winners
[1:50 – 23:05]
Reviews of:
- Ex Machina 27:55 – 36:19
- Citizenfour 36:20 – 46:16
- The Gambler 46:17 – 55:17
- A Most Violent Year 55:18 – 1:05:52
Shag, Marry or Kill?
The Pootsition
The Garrett Gauge
Episode 65: Preferential Pork [About Time; Blackfish; Any Day Now]
Episode 65: Preferential Pork
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It’s Episode 65 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
Festivals are on the brain this week, as we discuss the unexpected winners from Venice’s Bertolucci-headed jury, and what to expect from the London Film Festival in October. Cal saw a rare film outing for Alan Cumming, in gay adoption drama “Any Day Now,” and braced the bloody horror “No One Lives,” while Pete opted for killer whale documentary “Blackfish.” We have a review of the academic “Museum Hours,” and Richard Curtis’ “About Time,” which Cal only saw a quarter of, due to some terrible projection incompetence in Hammersmith, and the Red Light District returns with films from the 1940s and 1980s. All this, plus our usual digressions, in which we launch into tangents on the prospect of a Liv Ullman comeback, the benefits of “Certified Copy,” and why Charles Laughton’s ham is more tolerable than Philip Seymour Hoffman’s.
The Week’s News, featuring discussion about this year’s honourary Oscars, Meryl Streep’s Oscar category reversal, Germany’s Foreign Language Oscar submission, and some “Blue is the Warmest Colour” controversy [3:00 – 12:20]
Opening Segment: Discussing the winners from this year’s Venice Film Festival, and the recently announced lineup for the London Film Festival! [12:25 – 22:10]
Reviews of:
- Any Day Now
- About Time
- No One Lives
- Blackfish
- Museum Hours
[25:45 – 1:10:00]
Closing Segment: This month’s Red Light District, featuring discussion about “Barfly,” “Flying Lessons,” “The Suspect,” and “World War Z” [1:10:05 – 1:18:40]
The Watson Factor
The Poupaud Range
Outro Music: Cat Power, “The Greatest”
In the Mood for Podcast 
