It’s Episode 124 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week the beer is flowing, and so is the innuendo, as Pete finally has the keys to his brand new house. This forces Cal into a distillation of jukebox classics, before we review the new releases, which include Michael Roskam’s “The Drop” and Roger Ebert documentary “Life Itself,” which prompts Pete to recite some of Roger Ebert’s more baffling reviews. In the wake of Alan Turing biopic “The Imitation Game” we get chatting about our favourite gay characters and icons of cinema, featuring discussion of Oscar Wilde and Billie Holiday, while Cal discloses some of the recent films he’s caught up with from earlier in the year, including a horror film about an urban archaeologist. A hefty news segment sees us discuss Angelina Jolie’s adoption of Derbyshire dialect, plus Eddie Redmayne’s fuckability sees a boost, and Fashion Police finally found a replacement for Joan Rivers. Elsewhere, the cast of Downton Abbey are out in force this week, Cal is feeling guilty for leaving Matthias Schoenaerts in the lurch, we float the possibility of a Tallulah Bankhead biopic starring Cate Blanchett, and Pete recounts a regretful dancefloor moment set to the music of Vanilla Ice.
- Chris Hemsworth voted People Magazine’s “Sexiest Man Alive”
- Angelina Jolie’s Derby Moment
- Kathy Griffin announced as Joan Rivers’ replacement on Fashion Police
- The trailer for Kenneth Branagh’s “Cinderella” is out
[4:15 – 23:10]
- The Drop
- Life Itself
[30:25 – 52:15]
Closing Segment: Our take on Oscar-tipped Alan Turing biopic “The Imitation Game,” and discussing LGBT heroes of the film world!
[52:20 – 1:13:00]
The Isaac Range
Outro Music: This Mortal Coil, “Holocaust”
Episode 116: The Decoy Tots
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It’s Episode 116 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
After last week’s super-long episode, we lament Cal’s laissez faire approach to editing, but this edition managed to sail under the ninety-minute mark fairly smoothly. The Red Light District is back, as we discuss films starring Nina Hoss and Richard Burton, a dishonest Dogme flick, plus Cal’s return to awards completion gets us analysing two Best Actress Oscar races, one of which features one of the biggest snubs of all time. New releases include baseball underdog drama “Million Dollar Arm,” of which the MVP was plain for both of us to see, and Woody Allen’s “Magic in the Moonlight,” which Pete unsurprisingly snubbed. There’s also Liam Neeson thriller “A Walk Among the Tombstones,” and Philip Noyce’s “The Giver,” which Pete managed to smear in innuendo and spend forever on divulging the plot of. Taylor Swift’s presence in the film forces both of us to admit some admiration for her lyrical hand, while her likeness to a famously jilted tennis player instigates discussion of a disastrous celebrity relationship. Elsewhere, there’s a postponed Joe Wright rant from last week, Pete’s parents’ holiday snaps struggle to emulate Michael Ballhaus, and the natural charm of one of this week’s actresses leads to a new qualification in the Olsen Factor.
The Week’s News
- Foreign Language submissions from France, Belgium, Canada, and Hong Kong
[2:25 – 8:20]
Opening Segment: This month’s Red Light District, featuring discussion of “Barbara,” “Elena,” “Mifune’s Last Song,” “Mourning Becomes Electra,” “Passion Fish,” “The Spy Who Came In From the Cold” and “Win/Win”
[8:25 – 23:15]
- Million Dollar Arm
- A Walk Among the Tombstones
- Magic in the Moonlight
- The Giver
[29:15 – 1:12:15]
Shag, Marry or Kill?
The Olsen Factor
The Isaac Range