It’s Episode 142 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
We’re back after a two-and-a-half week absence with a packed lineup! As we catch up on the releases from the past fortnight, we’re reviewing five films, including the highly-anticipated new film from Christian Petzold, “Phoenix,” and Keanu Reeves’ foray into the action genre with “John Wick.” Cal reveals all about Noah Baumbach’s latest observation on the middle-classes, “While We’re Young” and Andrew Niccol’s moralistic war drama “Good Kill,” while we finish by talking about teen flick “The DUFF,” which Pete suspected that Cal would like. Elsewhere, in the wake of Thursday’s announcement of the Cannes Film Festival lineup, we assess upcoming films from Gus Van Sant, Paolo Sorrentino, and more, a listener’s rant re-instigates a costuming discussion from our last episode, and a controversial Pootsition flies narrowly close to the age of consent.
Listener question/rant [Ibbi]: Colleen Atwood vs. Sandy Powell
Cannes Film Festival: We dig into the line-up for this year’s festival, featuring films by Todd Haynes, Gus Van Sant, Jacques Audiard, and Hirokazu Koreeda!
[10:52 – 27:52]
- Phoenix 34:30 – 46:00
- While We’re Young 46:01 – 52:47
- John Wick 52:48 – 1:03:12
- Good Kill 1:03:13 – 1:09:49
- The DUFF 1:09:50 – 1:23:07
Shag, Marry or Kill?
The Garrett Gauge
It’s Episode 141 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week’s reviews include medieval fantasy adventure “Seventh Son,” the latest incarnation of the fairy tale “Cinderella,” and Argentinian Oscar nominee “Wild Tales,” which is courting controversy in the wake of some bad release timing. Elsewhere, we discuss comedy caper “Get Hard,” which already had preconceptions reeling from Tim Robey’s assault on its homophobic tendencies, plus we chat about the horrendous title of Russell Crowe’s upcoming directorial debut feature, and the bizarre nature of Jeff Bridges’ vocal work. Meanwhile, the memory of Marlene Dietrich lives on the attire of one of this week’s performers, Ed Sheeran’s Australian exploits has Pete hoping he’ll stay there, and why is nobody mentioning the Grimm brothers’ glaring plot hole? Cal’s off to New York next week, so we’re taking a fortnight hiatus, but hopefully we’ll return with news of Pete’s first four-star film of the year.
The week’s news
- Seventh Son 17:41 – 29:26
- Get Hard 29:27 – 40:50
- Wild Tales 40:51 – 48:22
- Cinderella 48:23 – 1:00:32
Shag, Marry or Kill?
The Garrett Gauge
Episode 72: Out In Left Field
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It’s Episode 72 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week we’re leaning to the left, as the radical politics of Polish paean “Walesa, Man of Hope,” and terrorist thriller “Closed Circuit,” have conflicting degrees of success. We discuss some rather troubling casting news from this side of the ocean, before Cal dishes all on festival favourite “The Selfish Giant” and Pete reveals whether populist hit “Bad Grandpa” is worth a watch. Some probable Star Trek blasphemy gets in the way of this week’s review of “Ender’s Game,” as Cal dares to compare it to the long-running franchise, plus there’s love for Colleen Atwood, a nod to Reese Witherspoon’s scene stealing intonation in the trailer for “Rendition,” and a theory on why Alfred Hitchcock’s biggest regret is nothing to worry about.
The Week’s News:
- The death of Lou Reed
- Lorde storms the music charts
- Tom Hardy cast as Elton John
- Tim Roth cast as Sepp Blatter
- “Momuments Men” moves to 2014
- The Gotham nominations are announced
[4:10 – 11:55]
- Closed Circuit
- Ender’s Game
- Jackass Presents: Bad Grandpa
- The Selfish Giant
[19:50 – 1:01:30]
Closing Segment: Our take on Andrzej Wajda’s “Walesa, Man of Hope” and discussing our first-time cinema experiences of films by Alfred Hitchcock, Robert Altman, Wong Kar-Wai, and Orson Welles [1:01:35 – 1:22:50]
The Watson Factor
The Poupaud Range
Outro Music: Late Night Alumni, “All or Nothing”