Episode 146: Wasted Heartbeats [Mad Max: Fury Road; Pitch Perfect 2; The Age of Adaline]
It’s Episode 146 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week we’re back, with some post-election blues, but there are a host of birthdays from the world of cinema to celebrate, leading to digressions about the work of Richard Brooks and Frank Capra. In the wake of the on-going we take time out to discuss the conversely different reviews for Todd Haynes’ and Gus Van Sant’s new films, plus there is (already) news of the next jury president at the Venice Film Festival. As for the reviews, Cal caught up with Chris Rock’s semi-autobiographical romance, “Top Five,” and the sequel to the popular acapella tale “Pitch Perfect,” while we both saw the trailblazing “Mad Max: Fury Road” and Blake Lively’s stab at Benjamin Button, “The Age of Adaline.” Elsewhere, Christopher Doyle’s words of wisdom infiltrate their way into this week’s critiques, we lament the demise of Thora Birch’s career, there’s a rant concerning one of Charlize Theron’s upcoming projects, and Pete’s culinary limitations as a bachelor are laid bare.
The week’s news: Discussing some interesting birthdays in the world of film, and the buzz from the on-going Cannes Film Festival!
[3:10 – 17:50]
Preconception Corner
Reviews of:
- Pitch Perfect 2 27:53 – 36:19
- The Age of Adaline 36:20 – 47:02
- Top Five 47:03 – 56:07
- Mad Max: Fury Road 56:08 – 1:10:03
Shag, Marry or Kill?
The Pootsition
The Garrett Gauge
Episode 71: The Lazarus Situation [London Film Festival; Captain Phillips; Prince Avalanche]
Episode 71: The Lazarus Situation
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It’s Episode 71 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week’s episode is a London Film Festival special, as we round up some of the films we caught in the capital, including competition winner “Ida,” and acclaimed German drama “The Police Officer’s Wife.” We discuss directors battling conflicts with studios, including Darren Aronofsky and Olivier Dahan, before launching into an assault on Harvey Weinstein, after one of us saw the compromised cut of Wong Kar-Wai’s “The Grandmaster.” Cal tackles new releases “Prince Avalanche” and Belgian Oscar entry “The Broken Circle Breakdown,” before we reveal whether we liked Paul Greengrass’ “Captain Phillips” as much as similar Danish thriller “A Hijacking,” and ponder what on earth Catherine Keener is doing in the film. Tune in for digressions about Melissa George’s hair, the Best Actor Oscar lineup of 1994, and the dangers of meeting Americans in Eastern Europe.
The Week’s News:
- Catherine Deneuve turns 70
- “The Wolf of Wall Street” to be released this year
- Olivier Dahan vs. Harvey Weinstein
- Darren Aronofsky vs. Christians
[3:35 – 12:30]
Opening Segment: Our round-up of the London Film Festival, featuring discussion of “Bends,” “The Grandmaster,” “Ida,” “Must Have Been Love,” “On My Way,” and “The Police Officer’s Wife.”
[12:35 – 47:50]
Reviews of:
- Prince Avalanche
- The Broken Circle Breakdown
[52:25 – 1:02:30]
Closing Segment: Our take on seaboard-set adventure “Captain Phillips,” and discussing our favourite films set on the open water! [1:02:35 – 1:17:10]
The Watson Factor
The Poupaud Range
Outro Music: Tori Amos, “Talula”
In the Mood for Podcast 
