Tag Archives: chris rock

Episode 162: The Absence of Metaphysics [Sicario; Suffragette; The Walk; The Lobster]

Episode 162: The Absence of Metaphysics
[1:14:51]
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It’s Episode 162 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


This episode’s stacked roster sees six films reviewed, including controversial feminist drama “Suffragette” and concept horror “Circle,” as well as Cary Fukunaga’s “Beasts of No Nation,” which leads us to a discussion of Netflix and the future of film distribution. Pete would have liked to re-cast Yorgos Lanthimos’ “The Lobster” with favourable enough actors to get him to watch it, but Cal didn’t mind so much, while Denis Villeneuve has to ride some significant preconceptions when we review drug thriller “Sicario.” Elsewhere, colourful hats pose a Huston Problem for Cal, and Robert Zemeckis is the flavour of the week, as Pete reviews “The Walk” and we have a chat about Back to the Future in the wake of its 30th anniversary.

The week’s news: Chris Rock to host the Oscars, plus Cal reviews “Son of Saul” and “Dheepan” from the London Film Festival!

Preconception Corner

Reviews of:

  • Beasts of No Nation          22:42 – 31:11
  • Suffragette                           31:12 – 37:44
  • The Walk                              37:45 – 45:56
  • The Lobster                         45:57 – 52:48
  • Circle                                     52:49 – 56:40
  • Sicario                                  56:41 – 1:07:15


Shag, Marry or Kill?
The Pootsition
The Garrett Gauge

Outro Music: Steps, “Deeper Shade of Blue”

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Episode 146: Wasted Heartbeats [Mad Max: Fury Road; Pitch Perfect 2; The Age of Adaline]


Episode 146: Wasted Heartbeats
[1:20:17]
You can Listen online

It’s Episode 146 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


This week we’re back, with some post-election blues, but there are a host of birthdays from the world of cinema to celebrate, leading to digressions about the work of Richard Brooks and Frank Capra. In the wake of the on-going we take time out to discuss the conversely different reviews for Todd Haynes’ and Gus Van Sant’s new films, plus there is (already) news of the next jury president at the Venice Film Festival. As for the reviews, Cal caught up with Chris Rock’s semi-autobiographical romance, “Top Five,” and the sequel to the popular acapella tale “Pitch Perfect,” while we both saw the trailblazing “Mad Max: Fury Road” and Blake Lively’s stab at Benjamin Button, “The Age of Adaline.” Elsewhere, Christopher Doyle’s words of wisdom infiltrate their way into this week’s critiques, we lament the demise of Thora Birch’s career, there’s a rant concerning one of Charlize Theron’s upcoming projects, and Pete’s culinary limitations as a bachelor are laid bare.

The week’s news: Discussing some interesting birthdays in the world of film, and the buzz from the on-going Cannes Film Festival!

[3:10 – 17:50]

Preconception Corner

Reviews of:

  • Pitch Perfect 2                                                    27:53 – 36:19
  • The Age of Adaline                                            36:20 – 47:02
  • Top Five                                                                47:03 – 56:07
  • Mad Max: Fury Road                                        56:08 – 1:10:03


Shag, Marry or Kill?
The Pootsition
The Garrett Gauge

Outro Music: Jessie J, “Flashlight” (from Pitch Perfect 2)
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